Read again the first part of Source A:
The car turns into the driveway of the large Edwardian house and I can’t hide my look of surprise. I expected barbed wire and reinforced concrete, not architecture and period features. I am immediately greeted with the impression that I’ve been brought to a luxury spa, somewhere I would be willing to pay copious amounts of money to stay. However, the car ignores the front door and sweeps on to the low, new brick-built extension hidden behind the house. My expectations suddenly become realised – the windows there are of reflective glass. Outsiders can’t see in. But the occupants can see out. In the control room, where staff survey two banks of CCTV, the staff press the button to close the shutter. Only when it has clanged back into place are the car doors opened. Two men get out of the back. So does the small, mousey boy who has been sitting between them.
Choose four statements below which are true:
- Paul Vallely can’t hide his look of horror upon sight of the Edwardian house where the prison is located.
- He is surprised at the sight of period features.
- He thinks that the prison, from the outside, looks like a spa.
- From its appearance, he wouldn’t pay much to stay here.
- The car ignores the new-built brick extension and sweeps onto the front door.
- The reflective windows live up to his expectations.
- Two staff survey a bank of CCTV.
- The car doors open only when the shutter is closed.
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