Top Tips for Creating Characters in Creative Writing (AQA GCSE English Language) : Revision Note
Should my creative writing include characters?
Whether you include characters in your creative writing depends on the task or the picture prompt you are given. Not all pieces of creative writing require characters, but establishing a strong narrative voice is vital to engaging your reader.
Having one or two characters in your writing can add depth, realism and interest to your story, as it can give the reader something to focus on. For example, if the task is to describe a market scene, you can bring your description to life by including elements of characterisation in your description of the people in the scene.
How to create characters in an English exam
You only have a short amount of time to complete your creative writing, so planning is crucial. Note down:
What your characters look like
What their personalities are
How they speak
How they move
It is best in the limited time you have to stick to no more than two characters, in which you invest time. Trying to include too many characters will lead to superficial and underdeveloped representations, and may suggest a lack of control in your writing.
Most students tend to write their creative writing in the first person, meaning that you “become” the narrative voice and a character in your composition. This does not mean that this character has to be exactly like you; you can use this opportunity to create a persona through which to tell your story.
How do I develop my characters?
In order to develop your characters, you should consider how you are going to make them matter to the reader. The following are some suggestions for how to do this:
Give your characters depth:
Think beyond just what they are called and what they look like; consider their age, background, personality and motivations
Show, don’t tell:
You can show a reader what a character is like through their actions, dialogue, thoughts and interactions
This is called indirect characterisation (see below)
Use some dialogue to reveal personality:
People speak differently depending on their background, mood and personality
For example, a confident character might speak in short, direct sentences, while a shy character might hesitate or mumble
Only use dialogue when it serves the purpose of moving the story forward
Do not use it as a “filler” because you are not sure what to write next
Use small details:
Consider what quirks, habits or traits you could give a character to make them seem more real
For example, your character might be a girl who always twirls her hair when she is lying, or a man who never looks people in the eye because he is hiding something
Take your character on a journey:
In the best stories, characters change or evolve, often as a result of a problem that they are facing
Do some research:
Before your exam, look at how famous authors build their characters
Ask yourself: what makes this character interesting?
What techniques should I use to describe my characters?
Creating your characters should go beyond just describing what they look like. Well rounded characters are taken on a journey in which they undergo some form of development or change.
Exam mark schemes reward answers which clearly and effectively convey ideas, which here means focusing more on indirect characterisation rather than direct characterisation:
Direct characterisation | Indirect characterisation |
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Here are some techniques you can use in order to develop a character through both direct and indirect characterisation:
Characterisation | |
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Appearance (direct characterisation) | Your character’s appearance may not always be relevant:
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Movements and body language (indirect characterisation) | One of the most effective ways to describe a character is through their movements:
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Monologue (indirect characterisation) | If you use first-person perspective, a monologue helps readers engage with the character:
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Dialogue (direct and indirect characterisation) | Dialogue can convey the relationships between your characters and provide insights into what other characters think about each other:
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