Blood Brothers: The Narrator Character Analysis (AQA GCSE English Literature): Revision Note

Nick Redgrove

Written by: Nick Redgrove

Reviewed by: Deb Orrock

Updated on

The omniscient Narrator appears throughout the play to highlight key themes and emphasise the inevitability of the tragedy. He mirrors the chorus in a Greek tragedy.

The Narrator character summary

The Narrator character summary - Blood Brothers
The Narrator character summary

Why is The Narrator important?

The Narrator is crucial to the structure and themes of Blood Brothers because he acts as a framing device and a moral commentator. As Willy Russell’s mouthpiece, he reinforces the play’s central messages and forces the audience to reflect on the events they witness:

  • A voice of fate: The Narrator foregrounds the inevitability of the tragedy from the outset, stating in the prologue that the twins are doomed to die. His role is akin to that of a classical Greek chorus, emphasising the influence of fate over individual choice

  • Social commentary: He plays minor roles such as the milkman and debt collector to reflect the societal pressures placed on working-class families. He also represents a judgemental society which criticises people’s choices without offering support or solutions

  • Exploration of themes: The Narrator underscores the key themes of the play, such as inequality between classes and superstition. He reminds us of the consequences of the mothers’ actions to keep us focused on the moral questions that Russell wants to ask of his audience

The Narrator language analysis

The Narrator’s language is purposefully ominous, reflective, and symbolic. Russell employs the Narrator’s lines to emphasise the play’s themes and develop tension:

  • Foreboding tone: The Narrator’s language often suggests that tragedy is always just around the corner for the characters because “The devil’s got your number”. This reinforces the inevitability of the tragedy and builds a sense of dread.

  • Use of rhyme: The Narrator frequently speaks in rhyming couplets that have a chant-like — almost supernatural — quality. This evokes the sense of an inescapable curse hanging over the characters.

  • Addressing the audience: Like a Greek chorus, the Narrator often speaks directly to the audience, posing rhetorical questions such as, “Do we blame superstition… Or could it be what we, the English, have come to know as class?” As Priestley’s mouthpiece, his metatheatricality engages the audience in moral reflection.

The Narrator key quotes

The Narrator key quotes - Blood Brothers
The Narrator key quotes

The Narrator character development

Act 1

Act 2

Establishing inevitability: The Narrator begins the play with a prologue, warning the audience that the twins will die and framing the story as a tragedy. He appears at various points during the Act as a milkman who threatens to cut off Mrs Johnstone’s deliveries if she cannot settle the bill, and a gynaecologist who tells Mrs Johnstone that she will be having twins — a cost that she cannot afford.

Reinforcing fate: The Narrator continues to remind us of the impending tragedy. He appears again as the milkman and as a bus conductor who asks Mrs Johnstone if she is truly happy. His songs and dialogue become increasingly sinister, and his refrain about the devil foreshadows the play’s climax. He powerlessly observes Linda and Edward’s affair. At the denouement, he asks the audience to reflect on themes of class and responsibility.

The Narrator character interpretation

The influence of nurture over nature

Throughout the play, Russell uses the Narrator to highlight the contrasting consequences of Mickey and Edward’s separate childhoods by demonstrating the influences of both genetics and upbringing.

At the beginning of Act 1, the Narrator informs the audience that the twins are connected by nature, with the same natural mother. He uses an idiom to compare shiny and identical new pins with the two baby boys: “As like each other as two new pins / Of one womb born, on the selfsame day”. This line, delivered in the prologue at the beginning of the play, ensures the audience is aware of the depth of connection between the twins, as well as the boys’ innocence, and implies that they are unspoilt.

This technique also enables the audience to witness this connection being tested as the play unfolds. In doing so, Russell shows the powerful influence of different environments on the twins, and offers social commentary on the prevalent political ideologies of the 1970s and 1980s, a time when the Prime Minister advocated for an individual’s right to succeed, regardless of inequalities, background or social class.

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Nick Redgrove

Author: Nick Redgrove

Expertise: English Content Creator

Nick is a graduate of the University of Cambridge and King’s College London. He started his career in journalism and publishing, working as an editor on a political magazine and a number of books, before training as an English teacher. After nearly 10 years working in London schools, where he held leadership positions in English departments and within a Sixth Form, he moved on to become an examiner and education consultant. With more than a decade of experience as a tutor, Nick specialises in English, but has also taught Politics, Classical Civilisation and Religious Studies.

Deb Orrock

Reviewer: Deb Orrock

Expertise: English Content Creator

Deb is a graduate of Lancaster University and The University of Wolverhampton. After some time travelling and a successful career in the travel industry, she re-trained in education, specialising in literacy. She has over 16 years’ experience of working in education, teaching English Literature, English Language, Functional Skills English, ESOL and on Access to HE courses. She has also held curriculum and quality manager roles, and worked with organisations on embedding literacy and numeracy into vocational curriculums. She most recently managed a post-16 English curriculum as well as writing educational content and resources.

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