The Sign of the Four: Writer's Methods and Techniques (AQA GCSE English Literature): Revision Note

Exam code: 8702

Nick Redgrove

Written by: Nick Redgrove

Reviewed by: Kate Lee

Updated on

Writer’s Methods and Techniques

Illustrated head-and-shoulders portrait of Arthur Conan Doyle, who wrote The Sign of the Four, drawn in a grey circle above a label giving the name.

‘Methods’ is an umbrella term for anything the writer does on purpose to create meaning. Using the writer’s name in your response will help you to think about the text as a conscious construct and will keep reminding you that Conan Doyle purposely put the text together.

Examiner Tips and Tricks

Examiners warn that naming a device earns nothing on its own. In this novel the most rewarding method is the narration, since Watson controls what the reader is allowed to notice.

For example, you could write: “Conan Doyle has Watson admire Holmes without understanding him, so the reader is impressed at exactly the moments Watson is confused”. Explaining what a narrator misses, and what the reader sees instead, is genuine analysis.

Form and structure

Structure icon: three stacked bars in a red circle, marking the section on how the text is put together — the order of events, its shape and its turning points.
  • The Sign of the Four uses a linear narrative structure which enables the reader to follow the events in a logical sequence:

    • The structure of the novella includes a series of clues and revelations that gradually unfold as the narrative progresses

    • Conan Doyle uses this to engage the readers and encourages them to actively participate in the detective aspect of the narrative

  • Conan Doyle employs a dual plot structure, intertwining two distinct plotlines throughout the narrative:

    • The first plotline revolves around the mysterious Agra treasure, while the second focuses on a murder mystery

  • The parallel development of these two plotlines enhance the pace and tension of the narrative

  • The novella can be interpreted as following a three-act structure:

    • The first act establishes the foundation of the plot and introduces the main characters and the central mystery

    • The second act of the novella depicts tension and suspense and introduces many twists and turns which drive the plot forward

    • The final acts brings the central conflict to its resolution where the truth is finally revealed and the loose ends of the mystery are tied up 

Genre

Form icon: an outlined page in a purple circle, marking the section on the kind of text this is and the conventions it follows.
  • The Sign of the Four is considered a classic example of the detective genre and it embodies several characteristics and elements that are typical of this genre:

    • Detective figure: The novel features the detective Sherlock Holmes as the central character with exceptional deductive reasoning and observation skills

    • Crime: The plot revolves around a crime, namely the mysterious disappearance of Captain Arthur Morstan and the subsequent unravelling of a complex web of intrigue and deceit

    • Puzzles and clues: The mystery of the Agra treasure and the anonymous gifts of pearls to Miss Morstan serve as the central puzzles that drive the narrative

    • Suspense and tension: The unfolding of the investigation, the pursuit of the culprits and the danger faced by the characters contribute to the building tension

    • Logical deduction: Sherlock Holmes’ deductive reasoning is a hallmark of the detective genre and he carefully examines the available evidence, draws logical inferences and uses his intellect to solve the mystery

Narrative

Narrative voice icon: a speech bubble in a green circle, marking the section on who is telling the story and from where.
  • The novella is predominantly written in the first person by Watson:

    • The use of first person adds depth and intimacy to the narrative, allowing the reader to experience the events through Watson’s perspective

    • His limited perspective also adds to the suspense of the narrative

  • His voice is characterised by a sense of credibility, rationality and empathy:

    • As he is portrayed as a competent and rational character, this makes him appear trustworthy and relatable

    • Further, his background as a doctor adds to his credibility and attention to detail, which ensures the reader views the events with a sense of confidence in the accuracy of his narrative

  • Watson’s narrative voice also allows for introspection and personal reflection which demonstrates his character development throughout the novella

  • Whilst Watson serves as the primary narrator, on some occasions other sections are narrated by the other characters

  • Having Watson as the primary narrator also serves to highlight Holmes’ deductive ability and keen observations 

Diagram comparing three narrative perspectives: first person, I or we, told from inside the story; third person, he, she or they, following one character; and omniscient, which sees into every character at once.

Symbolism and foreshadowing

Imagery and symbolism icon: an eye in an orange circle, marking the section on recurring images, motifs and objects that stand for an idea.
  • The Agra treasure serves as a symbol of greed and its corrupting influence

  • The treasure’s allure drives characters to commit heinous acts and become consumed by their desire for wealth

  • The River Thames holds symbolic significance on several levels:

    • It serves as a physical and metaphorical boundary that the characters must navigate, representing the adventure and danger they encounter

    • It acts as a dividing line between different areas of London and serves as a geographical barrier between wealth and poverty, order and chaos

    • It also symbolises transition and transformation as the characters often traverse the river during pivotal moments in the narrative, marking significant shifts in their journeys

  • Conan Doyle uses foreshadowing throughout the novella:

    • For example, Sholto’s behaviour hint at deeper secrets and unresolved issues which foreshadows his eventual involvement in the mystery and his connection to the treasure

  • Further, Conan Doyle uses foreshadowing to create a sense of foreboding and unease as the events unfold, suggesting there are more dangerous elements at play:

    • For example, when the characters embark on a journey along the River Thames, the darkness, isolation and the uncertain nature of the voyage evoke a sense of imminent danger and suspense

    • This foreshadows the perils the characters will face as they get closer to unravelling the mystery 

Sources

Doyle, Arthur Conan. “The Sign of the Four.” Project Gutenberg. https://www.gutenberg.org/files/2097/2097-h/2097-h.htm.

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Nick Redgrove

Author: Nick Redgrove

Expertise: Curriculum Expert

Nick is a graduate of the University of Cambridge and King’s College London. He started his career in journalism and publishing, working as an editor on a political magazine and a number of books, before training as an English teacher. After nearly 10 years working in London schools, where he held leadership positions in English departments and within a Sixth Form, he moved on to become an examiner and education consultant. With more than a decade of experience as a tutor, Nick specialises in English, but has also taught Politics, Classical Civilisation and Religious Studies.

Kate Lee

Reviewer: Kate Lee

Expertise: English Content Creator

Kate has over 12 years of teaching experience as a Head of English and as a private tutor. Having also worked at the exam board AQA and in educational publishing, she's been writing educational resources to support learners in their exams throughout her career. She's passionate about helping students achieve their potential by developing their literacy and exam skills.