The Whale Rider: Key Quotations (Edexcel IGCSE English Literature): Revision Note
Exam code: 4ET1
When you answer any question on The Whale Rider, remember that the examiners are looking for you to support your points with references. You can evidence your knowledge of the text in two equally valid ways: both through references to it and direct quotations from it. Overall, you should aim to secure a strong knowledge of Ihimaera’s novel, as this is how you will be able to select references effectively.
The best way to revise for this question is to group evidence (or key quotes) by character or theme, so you can see the development of Ihimaera’s ideas. Below you will find definitions and analysis of the best quotations, arranged by the following themes:
Humans and nature
Culture and identity
Tradition vs modernity
Family bonds
Humans and nature
Ihimaera shows how the humans and whales communicate throughout the parallel narratives. Poetic language and repetition of important Māori phrases highlight the novel’s focus on humanity’s ancient spiritual bond with the natural world.
“In the old days, in the years that have gone before us, the land and sea felt a great emptiness, a yearning” – The narrator, Chapter 1
Meaning and context
The narrator illustrates, through the Māori creation story, that nature and humans are meant to work together, and that without humans, nature is lonely
This advocates for a revival of the traditional, spiritual bond between the two
Analysis
As this line begins the novel, the natural world and humanity’s relationship with it is immediately established as a predominant theme
Ihimaera uses elevated language in his narration that tells of the Māori traditions
Here, the comparative adjective “great” emphasises the metaphorical “emptiness” or loneliness felt by the natural world before humans
The desperation for a partnership between humans and nature is described with the emotive term “yearning”
“As he grew in his arrogance, he started to drive a wedge through the original oneness of the world” – Koro Apirana, Chapter 16
“All around her the whales were leaping, and the air was filled with diamond spray” – The narrator, Chapter 21
Meaning and context
In the rising action, Koro Apirana (the chief of Whangara) warns his students about the important connection with nature that has been lost due to man’s vanity
But the resolution promises mutual harmony between humanity and nature when whales and humans are reconciled by Kahu’s rescue of the beached pod
Analysis
Koro’s dialogue is made more significant with metaphorical language
The image of a “wedge” forced into a circle of “oneness” emphasises the violent, physical separation between humans and nature
Through the italicised narration of the whale story, Ihimaera presents the spirituality of nature, emphasised by metaphorical imagery (“diamond spray”)
Examiner Tips and Tricks
Examiners are not assessing your memory of direct quotes. They reward evidence that supports your arguments. This means that summarising, paraphrasing, and referencing of single words, as well as supporting plot events, will be considered valid evidence in your interpretations of The Whale Rider.
Culture and identity
Ihimaera describes the tension arising in the Apirana family as ancient cultural traditions clash with an individual’s desire to be independent. Ihimaera encourages communities to find a shared philosophy about their part in the natural world, rather than focusing on traditional and rigid customs.
“I was still too dark” – Rawiri, Chapter 11
Meaning and context
When Rawiri travels away from his village, he finds himself in Papua New Guinea with his friend, Jeff, and his family’s plantation
This line explains how Rawiri believes Jeff’s mother, Clara, thinks he is “too” dark-skinned, even though Jeff has explained he is Māori
Analysis
The novel also explores cultural identity outside of the Māori village
Rawiri’s experience of racism on a colonial plantation illustrates embedded cultural bias
“And the spear then leapt from his hands with gladness and soared through the sky” – The narrator, Chapter 1
“The rain was like spears” – Rawiri, Chapter 17
Meaning and context
The beginning of the novel tells the story of the whale rider Kahuti Te Rangi
The line describes the whale rider’s spear that still flies, waiting for its time
Later, Rawiri describes Kahu entering the sea to save the beached whales
He links her to the Māori whale rider by describing rain like “spears”
Analysis
Ihimaera immediately raises the profile of the Māori culture by beginning with the story of the original Māori whale rider
Personification of the spear emphasises the spiritual nature of Māori culture
Ihimaera foreshadows Kahu’s legacy as the new whale rider when Rawiri compares the rain to spears
The metaphorical language presents the Māoris’ cultural connection with nature, and shows nature as powerful
Tradition and modernity
Ihimaera portrays the challenges of maintaining ancient traditions in a modern world, especially one that advocates for individualism and convenience over community and discipline. However, The Whale Rider’s resolution is hopeful, in that it encourages paying attention to spiritual beliefs and adopting a tolerant approach to change.
“Our Koro was like an old whale stranded in an alien present, but that was how it was supposed to be, because he also had his role in the pattern of things, in the tides of the future” – Rawiri, Chapter 11
“This whale came from the past. As it came, it filled the air with its singing” – Rawiri, Chapter 16
Meaning and context
Rawiri describes Koro Apirana as stuck in tradition and unfamiliar with the modern world, but that his knowledge of Māori culture is significant
Later, Rawiri describes the ancient bull whale that returns to Whangara to find its rider, bringing the past into the present:
The image of the whale filling the air with song connotes hope
Analysis
The simile comparing Koro to an old whale represents his age and wisdom:
The metaphorical “stranded” portrays him as stuck in the past
The adjective “alien” reflects Koro’s unfamiliarity with the modern world
But the metaphorical “tides” connotes to natural change and Koro’s role in the future of the tribe
The past and present are linked by the image of the ancient whale “filling” the environment with its song, or tradition
“…the bull whale began to lose his nostalgia for the past and to put his thoughts to the presents and the future” – The narrator, Chapter 19
Meaning and context
When Kahu rides the bull whale, he believes she is Paikea and he swims deep below the surface
The mother whale urges the bull whale to take Kahu to the surface, that Kahu is not his original whale rider
This brings him out of the past (his “nostalgia”) and into immediate events which will affect the world
Analysis
Ihimaera’s presentation of Koro and the bull whale is comparable:
When they are too caught up in the past, they pose a threat to the present
When their female partners encourage them to progress and focus on the present, they find redemption
The word “nostalgia” is a sympathetic reference to the bull whale’s desire for oneness between humans and nature, something Koro feels too
Family bond
The idea of “oneness” with the natural world is extended to the Apirana family. The novel illustrates how, whether old and young, female or male, family harmony can be found through patience and respect. Ihimaera suggests that, while the older generation offers important wisdom, if it is too resistant to change the family unit can be damaged.
“The baby could be named Kahu, after Kahuti Te Rangi” – Rawiri, Chapter 4
“And the spear, soaring through the sky, came to rest in the earth where the afterbirth of a female child would be placed” – The narrator, Chapter 19
Meaning and context
The birth of the chief’s grandchild is a significant event in the village:
Nanny Flowers and Rehua (Kahu’s mother) wish to name Kahu in honour of Porourangi’s ancestor, Kahuti Te Rangi
Kahu’s umbilical cord is buried in a sacred place: a symbol of her destined place in the Apirana family
Later, this is linked to the flying spear from the original whale rider:
This presents her as a worthy successor to her grandfather and father
Analysis
Ihimaeara immediately foreshadows family conflict by portraying the problems connected with the birth of Kahu, a girl successor rather than a boy:
Kahu’s birth is connected to family ancestors by name, foreshadowing her prominent place in the family
Ihimaera continually links the spear that is still flying as it waits for a worthy heir to emphasise tensions in the family:
The symbolic “birth cord” foreshadows her significance in reconciling the family
“'Hey,' Nani Flowers said, 'you old paka,' which was the affectionate name she always called our Koro when she wanted him to know she loved him” – Rawiri, Chapter 3
Meaning and context
Nanny Flowers uses a Māori expression of annoyance, “paka”, a derogatory term, that shows their tense relationship
Rawiri relates the close bond between Nanny Flowers and Koro despite their disagreements
Analysis
Nanny Flowers’ insults represent her as a strong and independent woman, a fierce rival to her husband despite their deep love
The insult is described as an “affectionate” way to express her love, which shows the eternal nature of their conflicted marriage
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