Jane Eyre (AQA GCSE English Literature): Exam Questions

Exam code: 8702

6 hours12 questions
130 marks

Read the following extract from Chapter 23 and then answer the question that follows. 

In this extract Jane believes that Mr Rochester is to be married to Blanche Ingram.

‘I grieve to leave Thornfield: I love Thornfield — I love it, because I have lived in it a full and delightful life, — momentarily at least. I have not been trampled on. I have not been petrified. I have not been buried with inferior minds, and excluded from every glimpse of communion with what is bright and energetic, and high. I have talked, face to face, with what I reverence; with what I delight in, — with an original, a vigorous, an expanded mind. I have known you, Mr Rochester; and it strikes me with terror and anguish to feel I absolutely must be torn from you for ever. I see the necessity of departure; and it is like looking on the necessity of death.’ 

‘Where do you see the necessity?’ he asked, suddenly. ‘

Where? You, sir, have placed it before me.’ 

‘In what shape?’ 

‘In the shape of Miss Ingram; a noble and beautiful woman, — your bride.’ 

‘My bride! What bride? I have no bride!’ 

‘But you will have.’ 

‘Yes: — I will! I will!’ He set his teeth. 

‘Then I must go: — you have said it yourself.’ 

‘No: you must stay! I swear it — and the oath shall be kept.’ 

‘I tell you I must go!’ I retorted, roused to something like passion. ‘Do you think I can stay to become nothing to you? Do you think I am an automaton? — a machine without feelings? And can bear to have my morsel of bread snatched from my lips, and my drop of living water dashed from my cup? Do you think, because I am poor, obscure, plain, and little, I am soulless and heartless? You think wrong! — I have as much soul as you — and full as much heart! And if God had gifted me with some beauty, and much wealth, I should have made it as hard for you to leave me, as it is now for me to leave you. I am not talking to you now through the medium of custom, conventionalities, nor even of mortal flesh: — it is my spirit that addresses your spirit; just as if both had passed through the grave, and we stood at God's feet, equal — as we are!’

Starting with this extract, how does Brontë present Jane as a strong female character? 

Write about:

  • how Brontë presents Jane in this extract

  • how Brontë presents Jane as a strong female character in the novel as a whole. 

[30 marks]

230 marks

Read the following extract from Chapter 7 of Jane Eyre and then answer the question that follows. 

In this extract, Mr. Brocklehurst makes an example of Jane in front of the other pupils at Lowood School.

“Ladies,” said he, turning to his family, “Miss Temple, teachers, and children, you all see this girl?” 

Of course they did; for I felt their eyes directed like burning-glasses against my scorched skin. 

“You see she is yet young; you observe she possesses the ordinary form of childhood; God has graciously given her the shape that He has given to all of us; no signal deformity points her out as a marked character. Who would think that the Evil One had already found a servant and agent in her? Yet such, I grieve to say, is the case.” 

A pause — in which I began to steady the palsy of my nerves, and to feel that the Rubicon was passed; and that the trial, no longer to be shirked, must be firmly sustained. 

“My dear children,” pursued the black marble clergyman, with pathos, “this is a sad, a melancholy occasion; for it becomes my duty to warn you, that this girl, who might be one of God’s own lambs, is a little castaway: not a member of the true flock, but evidently an interloper and an alien. You must be on your guard against her; you must shun her example; if necessary, avoid her company, exclude her from your sports, and shut her out from your converse. Teachers, you must watch her: keep your eyes on her movements, weigh well her words, scrutinise her actions, punish her body to save her soul: if, indeed, such salvation be possible, for (my tongue falters while I tell it) this girl, this child, the native of a Christian land, worse than many a little heathen who says its prayers to Brahma and kneels before Juggernaut — this girl is — a liar!”

Starting with this extract, explore how far Brontë presents Jane as a victim of the cruelty of others.

Write about:

  • how Brontë presents Jane as a victim in this extract

  • how far Brontë presents Jane as a victim of cruelty in the novel as a whole.

[30 marks]

330 marks

Read the following extract from Chapter 20 of Jane Eyre and then answer the question that follows. 

In this extract, Jane has gone to bed after witnessing the arrival of Richard Mason at Thornfield Hall.

Awaking in the dead of night, I opened my eyes on her disk — silver-white and crystal clear. It was beautiful, but too solemn: I half rose, and stretched my arm to draw the curtain. 

Good God! What a cry! 

The night — its silence — its rest, was rent in twain by a savage, a sharp, a shrilly sound that ran from end to end of Thornfield Hall. 

My pulse stopped: my heart stood still; my stretched arm was paralysed. The cry died, and was not renewed. Indeed, whatever being uttered that fearful shriek could not soon repeat it: not the widest-winged condor on the Andes could, twice in succession, send out such a yell from the cloud shrouding his eyrie. The thing delivering such utterance must rest ere it could repeat the effort. 

It came out of the third storey; for it passed overhead. And overhead — yes, in the room just above my chamber-ceiling — I now heard a struggle: a deadly one it seemed from the noise; and a half-smothered voice shouted — 

‘Help! help! help!’ three times rapidly. 

‘Will no one come?’ it cried; and then, while the staggering and stamping went on wildly, I distinguished through plank and plaster: — 

‘Rochester! Rochester! for God’s sake, come!’ 

A chamber-door opened: some one ran, or rushed, along the gallery. Another step stamped on the flooring above and something fell; and there was silence.

I had put on some clothes, though horror shook all my limbs; I issued from my apartment. The sleepers were all aroused: ejaculations, terrified murmurs sounded in every room; door after door unclosed; one looked out and another looked out; the gallery filled. Gentlemen and ladies alike had quitted their beds; and ‘Oh! what is it?’ — ‘Who is hurt?’ — ‘What has happened?’ — ‘Fetch a light!’ — ‘Is it fire?’ — ‘Are there robbers?’ — ‘Where shall we run?’ was demanded confusedly on all hands. But for the moon-light they would have been in complete darkness. They ran to and fro; they crowded together: some sobbed, some stumbled: the confusion was inextricable.

Starting with this extract, explore how Brontë presents some of the distressing experiences that Jane deals with in the novel. 

Write about:

  • how Brontë presents Jane’s distressing experiences at Thornfield Hall in this extract

  • how Brontë presents some of the distressing experiences Jane deals with in the novel as a whole.

[30 marks]

430 marks

Read the following extract from Chapter 1 of Jane Eyre and then answer the question that follows. 

In this extract Jane describes her relationship with John Reed. 

Habitually obedient to John, I came up to his chair: he spent some three minutes in thrusting out his tongue at me as far as he could without damaging the roots: I knew he would soon strike, and while dreading the blow, I mused on the disgusting and ugly appearance of him who would presently deal it. I wonder if he read that notion in my face; for, all at once, without speaking, he struck suddenly and strongly. I tottered, and on regaining my equilibrium retired back a step or two from his chair. 

‘That is for your impudence in answering mama awhile since,’ said he, ‘and for your sneaking way of getting behind curtains, and for the look you had in your eyes two minutes since, you rat!’ 

Accustomed to John Reed’s abuse, I never had an idea of replying to it; my care was how to endure the blow which would certainly follow the insult. 

‘What were you doing behind the curtain?’ he asked. 

‘I was reading.’ 

‘Show the book.’ 

I returned to the window and fetched it thence. 

‘You have no business to take our books; you are a dependant, mama says; you have no money; your father left you none; you ought to beg, and not to live here with gentlemen’s children like us, and eat the same meals we do, and wear clothes at our mama’s expense. Now, I’ll teach you to rummage my bookshelves: for they are mine; all the house belongs to me, or will do in a few years. Go and stand by the door, out of the way of the mirror and the windows.’ 

I did so, not at first aware what was his intention; but when I saw him lift and poise the book and stand in act to hurl it, I instinctively started aside with a cry of alarm: not soon enough, however; the volume was flung, it hit me, and I fell, striking my head against the door and cutting it. The cut bled, the pain was sharp: my terror had passed its climax; other feelings succeeded.

Starting with this extract, explore how Brontë presents the ways male characters treat Jane Eyre. 

Write about:

  • how Brontë presents John Reed’s treatment of Jane in this extract

  • how Brontë presents the ways one or more other male character(s) treat Jane in the novel as a whole.

[30 marks]

530 marks

Read the following extract from Chapter 27 of Jane Eyre and then answer the question that follows. 

In this extract, Jane rejects Rochester’s marriage proposal after discovering he is already married to Bertha Mason.

Still indomitable was the reply — ‘I care for myself. The more solitary, the more friendless, the more unsustained I am, the more I will respect myself. I will keep the law given by God; sanctioned by man. I will hold to the principles received by me when I was sane, and not mad — as I am now. Laws and principles are not for the times when there is no temptation: they are for such moments as this, when body and soul rise in mutiny against their rigour; stringent are they; inviolate they shall be. If at my individual convenience I might break them, what would be their worth? They have a worth — so I have always believed; and if I cannot believe it now, it is because I am insane — quite insane: with my veins running fire, and my heart beating faster than I can count its throbs. Preconceived opinions, foregone determinations, are all I have at this hour to stand by: there I plant my foot.’ 

I did. Mr Rochester, reading my countenance, saw I had done so. His fury was wrought to the highest: he must yield to it for a moment, whatever followed; he crossed the floor and seized my arm and grasped my waist. He seemed to devour me with his flaming glance: physically, I felt, at the moment, powerless as stubble exposed to the draught and glow of a furnace: mentally, I still possessed my soul, and with it the certainty of ultimate safety. The soul, fortunately, has an Interpreter — often an unconscious, but still truthful interpreter — in the eye. My eye rose to his; and while I looked in his fierce face I gave an involuntary sigh; his grip was painful, and my overtaxed strength almost exhausted. 

‘Never,’ said he, as he ground his teeth, ‘never was anything at once so frail and so indomitable. A mere reed she feels in my hand!’ (And he shook me with the force of his hold.) ‘I could bend her with my finger and thumb: and what good would it do if I bent, if I uptore, if I crushed her? Consider that eye: consider the resolute, wild, free thing looking out of it, defying me, with more than courage — with a stern triumph. Whatever I do with its cage, I cannot get at it — the savage, beautiful creature! If I tear, if I rend the slight prison, my outrage will only let the captive loose. Conqueror I might be of the house; but the inmate would escape to heaven before I could call myself possessor of its clay dwelling-place. And it is you, spirit — with will and energy, and virtue and purity — that I want: not alone your brittle frame. Of yourself you could come with soft flight and nestle against my heart, if you would: seized against your will, you will elude the grasp like an essence — you will vanish ere I inhale your fragrance. Oh! come, Jane, come!’ 

As he said this, he released me from his clutch, and only looked at me. The look was far worse to resist than the frantic strain: only an idiot, however, would have succumbed now. I had dared and baffled his fury; I must elude his sorrow: I retired to the door.

Starting with this extract, explore how far Brontë presents Jane as an independent female character. 

Write about:

  • how Brontë presents Jane in this extract

  • how far Brontë presents Jane as an independent female character in the novel as a whole.

[30 marks]

630 marks

Read the following extract from Chapter 8 of Jane Eyre and then answer the question that follows. 

In this extract, Helen Burns comforts Jane after she has been punished by Mr Brocklehurst.

‘Well, Helen?’ said I, putting my hand into hers: she chafed my fingers gently to warm them, and went on —   

‘If all the world hated you, and believed you wicked, while your own conscience approved you, and absolved you from guilt, you would not be without friends.’ 

‘No; I know I should think well of myself; but that is not enough: if others don’t love me I would rather die than live — I cannot bear to be solitary and hated, Helen. Look here; to gain some real affection from you, or Miss Temple, or any other whom I truly love, I would willingly submit to have the bone of my arm broken, or to let a bull toss me, or to stand behind a kicking horse, and let it dash its hoof at my chest — ’ 

‘Hush, Jane! you think too much of the love of human beings; you are too impulsive, too vehement; the sovereign hand that created your frame, and put life into it, has provided you with other resources than your feeble self, or than creatures feeble as you. Besides this earth, and besides the race of men, there is an invisible world and a kingdom of spirits: that world is round us, for it is everywhere; and those spirits watch us, for they are commissioned to guard us; and if we were dying in pain and shame, if scorn smote us on all sides, and hatred crushed us, angels see our tortures, recognise our innocence (if innocent we be: as I know you are of this charge which Mr Brocklehurst has weakly and pompously repeated at secondhand from Mrs Reed; for I read a sincere nature in your ardent eyes and on your clear front), and God waits only the separation of spirit from flesh to crown us with a full reward. Why, then, should we ever sink overwhelmed with distress, when life is so soon over, and death is so certain an entrance to happiness — to glory?’ 

I was silent; Helen had calmed me; but in the tranquillity she imparted there was an alloy of inexpressible sadness. I felt the impression of woe as she spoke, but I could not tell whence it came; and when, having done speaking, she breathed a little fast and coughed a short cough, I momentarily forgot my own sorrows to yield to a vague concern for her. 

Resting my head on Helen’s shoulder, I put my arms round her waist; she drew me to her, and we reposed in silence. We had not sat long thus, when another person came in. Some heavy clouds, swept from the sky by a rising wind, had left the moon bare; and her light, streaming in through a window near, shone full both on us and on the approaching figure, which we at once recognised as Miss Temple.

‘Brontë shows Jane learning about herself and life from the female characters in the novel.’ 

Starting with this extract, explore how far you agree with this view. 

Write about:

  • how Brontë presents Jane in this extract

  • how far Brontë presents Jane learning about herself and life from one or more female character(s) in the novel as a whole. 

[30 marks]

730 marks

Read the following extract from Chapter 23 of Jane Eyre and then answer the question that follows. 

In this extract, Rochester and Jane have just declared their love for each other.

‘No — that is the best of it,’ he said. And if I had loved him less I should have thought his accent and look of exultation savage; but, sitting by him, roused from the nightmare of parting — called to the paradise of union — I thought only of the bliss given me to drink in so abundant a flow. Again and again he said, ‘Are you happy, Jane?’ And again and again I answered, ‘Yes.’ After which he murmured, ‘It will atone — it will atone. Have I not found her friendless, and cold, and comfortless? Will I not guard, and cherish, and solace her? Is there not love in my heart, and constancy in my resolves? It will expiate at God’s tribunal. I know my Maker sanctions what I do. For the world’s judgment — I wash my hands thereof. For man’s opinion — I defy it.’ 

But what had befallen the night? The moon was not yet set, and we were all in shadow: I could scarcely see my master’s face, near as I was. And what ailed the chestnut tree? it writhed and groaned; while wind roared in the laurel walk, and came sweeping over us. 

‘We must go in,’ said Mr Rochester: ‘the weather changes. I could have sat with thee till morning, Jane.’ 

‘And so,’ thought I, ‘could I with you.’ I should have said so, perhaps, but a livid, vivid spark leapt out of a cloud at which I was looking, and there was a crack, a crash, and a close rattling peal; and I thought only of hiding my dazzled eyes against Mr Rochester’s shoulder. 

The rain rushed down. He hurried me up the walk, through the grounds, and into the house; but we were quite wet before we could pass the threshold. He was taking off my shawl in the hall, and shaking the water out of my loosened hair, when Mrs Fairfax emerged from her room. I did not observe her at first, nor did Mr Rochester. The lamp was lit. The clock was on the stroke of twelve. 

‘Hasten to take off your wet things,’ said he; ‘and before you go, good-night — good-night, my darling!’ He kissed me repeatedly. When I looked up, on leaving his arms, there stood the widow, pale, grave, and amazed. I only smiled at her, and ran upstairs. ‘Explanation will do for another time,’ thought I. Still, when I reached my chamber, I felt a pang at the idea she should even temporarily misconstrue what she had seen. But joy soon effaced every other feeling, and loud as the wind blew, near and deep as the thunder crashed, fierce and frequent as the lightning gleamed, cataract-like as the rain fell during a storm of two hours’ duration, I experienced no fear and little awe. Mr Rochester came thrice to my door in the course of it, to ask if I was safe and tranquil: and that was comfort, that was strength for anything. 

Before I left my bed in the morning, little Adèle came running in to tell me that the great horse-chestnut at the bottom of the orchard had been struck by lightning in the night, and half of it split away.

Starting with this extract, explore how Brontë presents the ways that Jane and Rochester are affected by their strong feelings for each other. 

Write about:

  • how Brontë presents Jane and Rochester’s strong feelings in this extract

  • how Brontë presents the ways that Jane and Rochester are affected by their strong feelings for each other in the novel as a whole.

[30 marks]

830 marks

Read the following extract from Chapter 38 of Jane Eyre and then answer the question that follows. 

In this extract, Jane reflects on her married life with Rochester.

I have now been married ten years. I know what it is to live entirely for and with what I love best on earth. I hold myself supremely blest — blest beyond what language can express; because I am my husband’s life as fully as he is mine. No woman was ever nearer to her mate than I am: ever more absolutely bone of his bone and flesh of his flesh. I know no weariness of my Edward’s society: he knows none of mine, any more than we each do of the pulsation of the heart that beats in our separate bosoms; consequently, we are ever together. To be together is for us to be at once as free as in solitude, as gay as in company. We talk, I believe, all day long: to talk to each other is but a more animated and an audible thinking. All my confidence is bestowed on him, all his confidence is devoted to me; we are precisely suited in character — perfect concord is the result. 

Mr Rochester continued blind the first two years of our union: perhaps it was that circumstance that drew us so very near — that knit us so very close: for I was then his vision, as I am still his right hand. Literally, I was (what he often called me) the apple of his eye. He saw nature — he saw books through me; and never did I weary of gazing for his behalf, and of putting into words the effect of field, tree, town, river, cloud, sunbeam — of the landscape before us; of the weather round us and impressing by sound on his ear what light could no longer stamp on his eye. Never did I weary of reading to him; never did I weary of conducting him where he wished to go: of doing for him what he wished to be done. And there was a pleasure in my services, most full, most exquisite, even though sad — because he claimed these services without painful shame or damping humiliation. He loved me so truly, that he knew no reluctance in profiting by my attendance: he felt I loved him so fondly, that to yield that attendance was to indulge my sweetest wishes

‘Jane Eyre is a novel about Jane’s search for happiness.’ 

Starting with this extract, explore how far you agree with this view. 

Write about:

  • how Brontë presents Jane in this extract

  • how far Brontë presents Jane’s search for happiness in the novel as a whole.

[30 marks]

930 marks

Read the following extract from Chapter 26 of Jane Eyre and then answer the question that follows.

At this point in the novel, Rochester attempts to justify his deception about Bertha.

Mr. Rochester continued, hardily and recklessly: “Bigamy is an ugly word! — I meant, however, to be a bigamist; but fate has out-manoeuvred me, or Providence has checked me, — perhaps the last. I am little better than a devil at this moment; and, as my pastor there would tell me, deserve no doubt the sternest judgments of God, even to the quenchless fire and deathless worm. Gentlemen, my plan is broken up: — what this lawyer and his client say is true: I have been married, and the woman to whom I was married lives! You say you never heard of a Mrs. Rochester at the house up yonder, Wood; but I daresay you have many a time inclined your ear to gossip about the mysterious lunatic kept there under watch and ward. Some have whispered to you that she is my bastard half-sister: some, my cast-off mistress. I now inform you that she is my wife, whom I married fifteen years ago, — Bertha Mason by name; sister of this resolute personage, who is now, with his quivering limbs and white cheeks, showing you what a stout heart men may bear. Cheer up, Dick! — never fear me! — I’d almost as soon strike a woman as you. Bertha Mason is mad; and she came of a mad family; idiots and maniacs through three generations? Her mother, the Creole, was both a madwoman and a drunkard! — as I found out after I had wed the daughter: for they were silent on family secrets before. Bertha, like a dutiful child, copied her parent in both points. I had a charming partner — pure, wise, modest: you can fancy I was a happy man. I went through rich scenes! Oh! my experience has been heavenly, if you only knew it! But I owe you no further explanation. Briggs, Wood, Mason, I invite you all to come up to the house and visit Mrs. Poole’s patient, and MY WIFE! You shall see what sort of a being I was cheated into espousing, and judge whether or not I had a right to break the compact, and seek sympathy with something at least human. This girl,” he continued, looking at me, “knew no more than you, Wood, of the disgusting secret: she thought all was fair and legal and never dreamt she was going to be entrapped into a feigned union with a defrauded wretch, already bound to a bad, mad, and embruted partner! Come all of you — follow!”


Starting with this extract, explore how Brontë presents Rochester as a flawed character in the novel.

Write about:

  • how Brontë presents Rochester as a flawed character in this extract

  • how Brontë presents Rochester as a flawed character in the novel as a whole.

[30 marks]

1030 marks

Read the following extract from Chapter 6 of Jane Eyre and then answer the question that follows.

At this point in the novel, Jane speaks with Helen Burns about wanting to take revenge against those who have mistreated her.

“But I feel this, Helen; I must dislike those who, whatever I do to please them, persist in disliking me; I must resist those who punish me unjustly. It is as natural as that I should love those who show me affection, or submit to punishment when I feel it is deserved.”

“Heathens and savage tribes hold that doctrine, but Christians and civilised nations disown it.”

“How? I don’t understand.”

“It is not violence that best overcomes hate — nor vengeance that most certainly heals injury.”

“What then?”

“Read the New Testament, and observe what Christ says, and how He acts; make His word your rule, and His conduct your example.”


“What does He say?”


“Love your enemies; bless them that curse you; do good to them that hate you and despitefully use you.”


“Then I should love Mrs. Reed, which I cannot do; I should bless her son John, which is impossible.”


In her turn, Helen Burns asked me to explain, and I proceeded forthwith to pour out, in my own way, the tale of my sufferings and resentments. Bitter and truculent when excited, I spoke as I felt, without reserve or softening. Helen heard me patiently to the end: I expected she

would then make a remark, but she said nothing.


“Well,” I asked impatiently, “is not Mrs. Reed a hard-hearted, bad woman?”


“She has been unkind to you, no doubt; because you see, she dislikes your cast of character, as Miss Scatcherd does mine; but how minutely you remember all she has done and said to you! What a singularly deep impression her injustice seems to have made on your heart! No ill-usage so brands its record on my feelings. Would you not be happier if you tried to forget her severity, together with the passionate emotions it excited? Life appears to me too short to be spent in nursing animosity or registering wrongs.


Starting with this extract, explore how Brontë presents Helen Burns in the novel.

Write about:

  • how Brontë presents Helen Burns in this extract

  • how Brontë presents Helen Burns in the novel as a whole.

[30 marks]

1130 marks

Read the following extract from Chapter 17 of Jane Eyre and then answer the question that follows.

At this point in the novel Rochester is hosting a gathering at Thornfield Hall, and Jane is describing the fashionable guests.

But the three most distinguished — partly, perhaps, because the tallest figures of the band — were the Dowager Lady Ingram and her daughters, Blanche and Mary. They were all three of the loftiest stature of women. The Dowager might be between forty and fifty: her shape was still fine; her hair (by candle-light at least) still black; her teeth, too, were still apparently perfect. Most people would have termed her a splendid woman of her age: and so she was, no doubt, physically speaking; but then there was an expression of almost insupportable haughtiness in her bearing and countenance.


She had Roman features and a double chin, disappearing into a throat like a pillar: these features appeared to me not only inflated and darkened, but even furrowed with pride; and the chin was sustained by the same principle, in a position of almost preternatural erectness. She had, likewise, a fierce and a hard eye: it reminded me of Mrs. Reed’s; she mouthed her words in speaking; her voice was deep, its inflections very pompous, very dogmatical, — very intolerable, in short. A crimson velvet robe, and a shawl turban of some gold-wrought Indian fabric, invested her (I suppose she thought) with a truly imperial dignity.


Blanche and Mary were of equal stature, — straight and tall as poplars. Mary was too slim for her height, but Blanche was moulded like a Dian. I regarded her, of course, with special interest. First, I wished to see whether her appearance accorded with Mrs. Fairfax’s description; secondly, whether it at all resembled the fancy miniature I had painted of her; and thirdly — it will out! — whether it were such as I should fancy likely to suit Mr. Rochester’s taste.

Starting with this extract, explore how Brontë presents wealth and social class in the novel.

Write about:

  • how Brontë presents wealth and social class in this extract

  • how Brontë presents wealth and social class in the novel as a whole.

[30 marks]

1230 marks

Read the following extract from Chapter 19 of Jane Eyre and then answer the question that follows.

At this point in the novel, Mr Mason has been attacked in the night, and Rochester orders Jane to stay with him but not to ask questions.

“Here, Jane!” he said; and I walked round to the other side of a large bed, which with its drawn curtains concealed a considerable portion of the chamber. An easy-chair was near the bed-head: a man sat in it, dressed with the exception of his coat; he was still; his head leant back; his eyes were closed. Mr. Rochester held the candle over him; I recognised in his pale and seemingly lifeless face — the stranger, Mason: I saw too that his linen on one side, and one arm, was almost soaked in blood.


“Hold the candle,” said Mr. Rochester, and I took it: he fetched a basin of water from the washstand: “Hold that,” said he. I obeyed. He took the sponge, dipped it in, and moistened the corpse-like face; he asked for my smelling-bottle, and applied it to the nostrils. Mr. Mason shortly unclosed his eyes; he groaned. Mr. Rochester opened the shirt of the wounded man, whose arm and shoulder were bandaged: he sponged away blood, trickling fast down.


“Is there immediate danger?” murmured Mr. Mason.

“Pooh! No — a mere scratch. Don’t be so overcome, man: bear up! I’ll fetch a surgeon for you now, myself: you’ll be able to be removed by morning, I hope. Jane,” he continued.


“Sir?”


“I shall have to leave you in this room with this gentleman, for an hour, or perhaps two hours: you will sponge the blood as I do when it returns: if he feels faint, you will put the glass of water on that stand to his lips, and your salts to his nose. You will not speak to him on any pretext — and — Richard, it will be at the peril of your life if you speak to her: open your lips — agitate yourself and I’ll not answer for the consequences.’


Again the poor man groaned; he looked as if he dared not move; fear, either of death or of something else, appeared almost to paralyse him. Mr. Rochester put the now bloody sponge into my hand, and I proceeded to use it as he had done. He watched me a second, then saying, “Remember! — No conversation,” he left the room. I experienced a strange feeling as the key grated in the lock, and the sound of his retreating step ceased to be heard.


Starting with this extract, explore how Brontë presents secrecy and concealment in the novel.

Write about:

  • how Brontë presents secrecy and concealment in this extract

  • how Brontë presents secrecy and concealment in the novel as a whole.

[30 marks]