Power & Conflict (AQA GCSE English Literature): Exam Questions

Exam code: 8702

13 hours286 questions
11 mark

Where is the photographer at the start of the poem?

  • in a war-torn street developing film on site

  • in a makeshift camp near the battlefield

  • in his darkroom developing spools of film

  • in a helicopter returning from conflict

21 mark

Which set of places is listed in the poem?

  • Belfast, Beirut, Phnom Penh

  • Belfast, Basra, Phnom Penh

  • Berlin, Beirut, Phnom Penh

  • Belfast, Beirut, Paris

31 mark

Which short line signals how temporary life is?

  • “Dust to dust”

  • “Time devours all”

  • “All souls fade”

  • “All flesh is grass”

41 mark

As an image develops, what appears before the photographer’s eyes?

  • “a blur of light”

  • “a fading soldier”

  • “a half-formed ghost”

  • “a shadow of hope”

51 mark

What contrast is drawn between England and war zones?

  • England’s “summer skies” versus soldiers in “winter cold”

  • England’s “ordinary pain” versus children in “nightmare heat”

  • England’s “gentle rain” versus villages in “dust storms”

  • England’s “daily cares” versus refugees in “endless night”

61 mark

What does “hands… which did not tremble then” imply?

  • He was confident and controlled in the war zone.

  • He was arrogant and careless under pressure.

  • He was naïve, too young to feel nerves.

  • He stayed steady while shooting; emotion shakes him later.

71 mark

“A hundred agonies… editor will pick out five or six” suggests…

  • Lots of suffering is reduced to a few chosen pictures.

  • Editors are immune to horror through overexposure.

  • Every image is printed without selection.

  • Most photos are sold to art galleries.

81 mark

What does “he stares impassively… they do not care” convey?

  • The public remain unmoved despite his disturbing images.

  • He admires how strong the public are under pressure.

  • He hopes the photos will eventually inspire compassion.

  • He trusts readers to understand his personal sacrifice.

91 mark

What does the ending (flying back to war) suggest overall?

  • The editor demands he covers another domestic story.

  • The public encourage him to take more photographs.

  • The cycle of violence and his work continues without change.

  • The government rewards him for his commitment to service.

11 mark

What atmosphere is created by “in his dark room he is finally alone”?

  • a brief moment of calm between assignments

  • a quiet solitude that soothes yet unsettles him

  • a sense of triumph at professional success

  • a detached mood that rejects reflection

21 mark

What effect is created by comparing the scene to a church service?

  • It mocks faith and undermines belief.

  • It distracts from the sadness of war.

  • It uses irony to make religion seem foolish.

  • It makes his work seem sacred and serious.

31 mark

What is suggested by the list “Belfast. Beirut. Phnom Penh.”?

  • that the speaker recalls each place with nostalgia

  • that war’s reach is constant and repetitive

  • that he finds excitement in new experiences

  • that the cities are fictional and symbolic

41 mark

What contrast is developed between “Rural England” and “running children in a nightmare heat”?

  • that England hides the pain it helps to cause

  • that both scenes share equal emotional weight

  • that home comfort opposes war’s chaos abroad

  • that weather is the main cause of suffering

51 mark

What mood is suggested by “Solutions slop in trays beneath his hands”?

  • uneasy movement echoing his emotional instability

  • calm precision that restores his concentration

  • restless anger building during the process

  • indifference that replaces compassion for others

61 mark

How does third-person narration affect our view of the photographer?

  • It removes emotion and creates cold distance.

  • It maintains restraint yet hints at inner strain.

  • It glorifies him as the poem’s moral hero.

  • It implies the story comes from his editor.

11 mark

How do War Photographer and Kamikaze explore the struggle between doing one’s duty and following one’s own conscience?

  • Both poets show people who obey orders but secretly question them, later feeling guilt and regret.

  • Both poems show how duty can trap people, leaving them lonely and cut off from their true feelings.

  • Duffy’s photographer follows rules to show truth, while Garland’s pilot chooses freedom as a brave act.

  • Duffy shows calm obedience hiding inner conflict, while Garland shows a clear moral choice. Both reveal that freedom brings honesty but also isolation.

21 mark

How do War Photographer and Remains present endurance after conflict?

  • Both poets show survival as fragile — men haunted by duty who keep going through habit or memory.

  • Duffy’s photographer copes by detaching, while Armitage’s soldier survives by confessing. Both show endurance as pain that never ends.

  • Duffy and Armitage present endurance as being stuck: the photographer’s routine and the soldier’s memories trap them instead of healing them.

  • Both poets show pain fading with time, turning endurance into acceptance and peace.

31 mark

How do War Photographer and Exposure differ in their tone towards suffering and the hope of renewal?

  • Both poets treat human endurance with respect, showing suffering as meaningful and peace as possible after war.

  • Duffy’s tone is calm and detached, showing compassion as useless in a numb world, while Owen’s tone is sad and prayer-like, turning despair into dignity.

  • Both poets sound bitter about human cruelty, but Duffy’s cynicism gives no hope, while Owen’s anger looks for moral change through pity.

  • Duffy’s photographer and Owen’s soldiers both seem numb, suggesting pain loses meaning when it happens again and again.