How to Get Full Marks on the Scottish Texts Questions (SQA National 5 English): Revision Note

Exam code: X824 75

Nick Redgrove

Written by: Nick Redgrove

Reviewed by: Deb Orrock

Updated on

Section 1 of the Critical Reading paper assesses your understanding of a Scottish text which you have previously studied. This section will guide you through how to approach each type of question in this section effectively:

  • How to prepare for the two to four-mark questions 

  • How to prepare for the eight- mark question   

How to prepare for the two to four-mark questions   

The two to four-mark questions give you the opportunity to show your ability to understand key ideas and language choices within a short section of the extract or poem. You will normally be used to summarise or explain main ideas or analyse a specific language feature.

  • For a two-mark question, you will normally need to make two short, clear points or one developed point with an explanation

  • For a four-mark question, you will normally need to make two developed points, each supported by a quotation and analysis

When answering these questions, you’ll need to demonstrate two different skills:

  • Close analysis of the extract provided in the exam paper:

    • Showing that you know what the writer is saying by explaining ideas in your own words

    • Identifying key ideas or relationships and how they are conveyed by the writer

  • Analysis of language devices:

    • Identifying a language technique, such as imagery, tone, or word choice

    • Quoting briefly and explaining the intended effect of that technique 

Let’s have a look at a four-mark question in more detail. This question is based on the poem, ‘Originally’ by Carol Ann Duffy, as found in the 2023 past paper (opens in a new tab).

Look at lines 1–8.

By referring to two examples of language, explain how the poet creates a clear impression of the journey.

[4 marks]

What to do: 

  • Re-read the lines carefully:

    • Refer only to the section specified in the question

  • Identify two clear examples of language that clearly create an impression of the journey:

    • Avoid long phrases or general references

  • Identify the language technique used (though only if you can):

    • Naming the technique can help guide your response and show your understanding, but it is not essential 

  • Explain what each example suggests or conveys:

    • Link your comment directly to the idea of the journey

Here are some ideas which you could choose to comment on:

Specific ideas from the text

Language technique

Intended effect

“Came from our own country” [1]

word choice

suggests a separation from home/roots [1]

“(mother) singing/our father’s name” [1]

imagery

suggests an attempt to reassure the children [1]

“Fell through the fields” / “turn of the wheels” / “rushed” [1]

alliteration / rhythm

suggests a quick, rhythmic pace of the transport/events happening out of the speaker’s control [1]

“My brothers cried” / “bawling” [1]

word choice

suggests pain/upset [1]

“Home” / “miles rushed back”

repetition 

suggests a preoccupation with where they have come from rather than where they are going [1]

‘“Where we didn’t live anymore” [1]

tone

suggests the blunt and immediate feeling of loss [1]

“Blind” [1]

symbolism

the toy cannot see what is to come/the speaker must face the journey alone [1]

Model answer

The writer’s choice of phrases such as “fell through the fields”, “turn of the wheels” and “rushed” creates a quick rhythmic pace as the family is moved away from their home. This creates a feeling of disorientation and that it is almost happening outside of the speaker’s control. [2]


Furthermore, the repetition of “Home” and “miles rushed back” also conveys the children’s pain and longing for the place they have left behind. This conveys their attachment to where they have come from rather than where they are going.  [2]

Marking guidance

You will be awarded 4 marks for 2 valid quotations plus a relevant comment for each one.

How to prepare for the eight-mark question   

The final eight-mark question gives you the opportunity to demonstrate your overall knowledge and understanding of the entire text, as well as your analytical skills

This question will ask you to discuss one specific aspect shown in the extract and then explore how this same aspect appears elsewhere in the text. 

  • You can earn up to two marks for valid points about what the extract and whole text have in common

  • You will receive two more marks for a valid point on the extract provided

  • You can gain up to four marks for analysing how this aspect is developed in at least one other part of the text

When answering these questions, you’ll need to demonstrate two different types of analysis:

  • Close analysis of the extract provided in the exam paper:

    • This is known as textual analysis and is very similar to what you do in the RUAE section

    • It involves examining the writer’s methods closely and commenting on how meaning and effect are created

  • Broad analysis from elsewhere in the text:

    • This does not need to be as detailed as the close analysis

    • Here, you might refer to key ideas, events, moments of conflict or resolution

Remember, you can choose to answer in bullet points in this final question, or write a number of linked statements. There is no requirement to write a “mini essay”.

Examiner Tips and Tricks

Although you will receive a printed copy of the extract or poem in the exam, you won’t know which one will appear. For example, if you have studied Norman MacCaig, there are six poems on the set list and any one of them could appear on the paper.

As the final question in Section A will ask you to compare the printed text with at least one other text by the same writer, this means it’s essential to look for connections between the poems or the text as a whole so that you are able to make valid comparisons in your response. 

Let’s have a look at an eight-mark question in more detail. Again, this question is based on the same poem, ‘Originally’ by Carol Ann Duffy as found in the 2023 past paper (opens in a new tab).

By referring to this extract and to at least one other poem by Duffy, discuss how the poet explores the theme of loss.

[8 marks]

Here are some ideas which you could choose to comment on:

Specific ideas from the extract

How it links to the theme of loss 

“the vacant rooms where we didn’t live any more” 

Loss of home

“All childhood is an emigration” 

Loss of identity 

Next you need to decide which poem you will choose from your studied list that also links to the theme of loss. Here are some examples of how you might link them to this theme:

Mrs Midas

In Mrs Tilscher’s Class

Medusa

Havisham

Before You Were Mine

Loss of love / physical connection

Loss of innocence / security of childhood

Loss of beauty / love

Loss of love / happiness / sanity

Loss of youth / freedom

What to do: 

  • Identify the theme or idea in the question:

    • Select another poem to compare this to

  • Refer closely to the extract:

    • Choose one short quotation or idea which shows how loss is presented 

  • Refer to another poem by the same writer:

    • Select two relevant quotations or ideas and explain what each reveals about the theme

  • Make clear connections between the poems:

    • Show how both poems explore the theme or idea in similar or different ways


Model answer

For this question, we will compare Carol Ann Duffy’s poem ‘Originally’ with ‘Before You Were Mine’:

  • Both poems explore loss through change and the passage of time, showing how personal identity and relationships are altered as people grow [1]

  • Duffy uses memory and reflection to express emotional distance between past and present selves or between parent and child [1]

  • The repetition of “Home, Home” conveys the children’s distress and longing for what they have left behind. [1] This repetition demonstrates the pain of separation and the loss of belonging as the family leaves their old life behind. [1]

  • The phrase “Your polka-dot dress blows round your legs. Marilyn” presents the mother as youthful and carefree before motherhood. [1] This glamorous image contrasts with her later life which symbolises the loss of freedom and youth as the mother becomes older and has more responsibility.  [1]

  • The phrase “Your ghost clatters toward me over George Square" presents the mother as a haunting presence. [1] The word “ghost” conveys absence, with the speaker’s memory now existing only in memory. This reinforces the poem’s exploration of loss through time. [1]

Marking guidance

You will be awarded 8 marks for demonstrating:

  • up to 2 marks for a clear statement of commonality between the texts

  • up to 2 marks for one valid quotation from the extract plus a relevant analytical comment

  • up to 4 marks for two developed points from elsewhere in the text (each using a valid quotation or reference and a clear analytical comment)

Examiner Tips and Tricks

If you’ve studied two of the set Scottish writers, you can use one for the Scottish Texts section and other for the Critical Essay section. However, you can only do this if they are from different genres.  This means you cannot choose two poets, two playwrights or two prose writers. So, for example, you couldn’t use Norman MacCaig for the Scottish Texts paper and Carol Ann Duffy for the Critical Essay. 

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Nick Redgrove

Author: Nick Redgrove

Expertise: English Content Creator

Nick is a graduate of the University of Cambridge and King’s College London. He started his career in journalism and publishing, working as an editor on a political magazine and a number of books, before training as an English teacher. After nearly 10 years working in London schools, where he held leadership positions in English departments and within a Sixth Form, he moved on to become an examiner and education consultant. With more than a decade of experience as a tutor, Nick specialises in English, but has also taught Politics, Classical Civilisation and Religious Studies.

Deb Orrock

Reviewer: Deb Orrock

Expertise: English Content Creator

Deb is a graduate of Lancaster University and The University of Wolverhampton. After some time travelling and a successful career in the travel industry, she re-trained in education, specialising in literacy. She has over 16 years’ experience of working in education, teaching English Literature, English Language, Functional Skills English, ESOL and on Access to HE courses. She has also held curriculum and quality manager roles, and worked with organisations on embedding literacy and numeracy into vocational curriculums. She most recently managed a post-16 English curriculum as well as writing educational content and resources.