Drummer Hodge (WJEC Eduqas GCSE English Literature): Revision Note

Exam code: C720

Sam Evans

Written by: Sam Evans

Reviewed by: Deb Orrock

Updated on

Drummer Hodge

Here, you’ll find a guide to Thomas Hardy’s poem ‘Drummer Hodge’ to help prepare you for the Eduqas GCSE English Literature exam. It includes:

  • Overview: a breakdown of the poem, including its possible meanings and interpretations

  • Writer’s methods: an exploration of Hardy’s techniques and methods

  • Historical and literary context: an exploration of connections between contextual aspects and the themes and ideas within Hardy’s poem

  • Linking the poems: an understanding of how ‘Drummer Hodge’ connects to other poems in the Eduqas GCSE English Literature Poetry Anthology 

Overview

In order to answer questions on any poem it is vital that you understand what it is about. This section includes:

  • An overview of the poem

  • A ‘translation’ of the poem, section-by-section

  • A commentary of each of these sections, outlining Thomas Hardy’s intention and message

‘Drummer Hodge’ overview

Published in 1899, Thomas Hardy’s poem ‘Drummer Hodge’ is set in Africa at the time of the Second Boer War. It is considered an elegy as it pays tribute to the life of a drummer-boy called Hodge. Hardy’s poem can be interpreted as a critique of wars fought on foreign soil in its description of the unceremonious burial of a displaced and possibly homesick young English boy far from home in an unfamiliar land. The drummer boy’s first name is not mentioned, highlighting his lack of identity and emphasising the impersonal nature of his burial. 

‘Drummer Hodge’ translation

Lines 1-6

“They throw in Drummer Hodge, to rest
Uncoffined — just as found:
His landmark is a kopje-crest
That breaks the veldt around:
And foreign constellations west
Each night above his mound.”

Translation

  • The poem begins as Drummer Hodge’s dead body is thrown into the ground without a coffin

  • The burial place is marked by a “kopje-crest” (a hilltop) that appears in the middle of the “veldt” (grassland)

  • The stars above his burial place are “foreign”, meaning Drummer Hodge is not from Africa (he is British)

Hardy’s intention

  • Hardy’s verb “thrown” alludes to the brutality of war: the drummer’s body is simply cast into the ground without ceremony

  • That the grave is marked only by a landmass connotes to a humble, impersonal burial 

  • Hardy describes the unfamiliar landscape using Dutch/Afrikaans words, highlighting the soldier’s geographical displacement:

    • The use of foreign-language words within an English poem enacts the very displacement the poem describes

    • This is further emphasised by the “foreign constellations”

Lines 7-12

“Young Hodge the drummer never knew —
Fresh from his Wessex home —
The meaning of the broad Karoo,
The Bush, the dusty loam,
And why uprose to nightly view
Strange stars amid the gloam.”

Translation

  • The omniscient narrator highlights the drummer’s lack of connection with the place where he is buried: he does not know the “Karoo” (the desert) or “Bush”

  • Hardy explains that the young soldier is far from his “Wessex home”

  • The drummer, Hardy suggests, must have looked up to the foreign stars in the twilight (“gloam”) and wondered why he was there

Hardy’s intention

  • Hardy may imply Hodge is a victim of war: he suggests the drummer may have felt isolated, alienated and might have questioned his reasons for being there

  • Hardy raises the idea that the young boy has little connection to the war in the “Strange” land

Lines 13-18

“Yet portion of that unknown plain
Will Hodge for ever be;
His homely Northern breast and brain
Grow up some Southern tree,
And strange-eyed constellations reign
His stars eternally.”

Translation

  • The narrator says the boy will become a part of the “unknown” grassland:

    • Although he is from the Northern hemisphere (England), his body (his “breast and brain”) will now help the “Southern” African tree grow

  • The narrator suggests the boy will forever look up to foreign stars

Hardy’s intention

  • Hardy’s sentimental ending pays tribute to the boy’s death:

    • Hardy contrasts the boy’s “Northern” roots with his burial under a “Southern tree” to highlight the boy’s displacement as a result of war

  • The recurring motif of foreign stars symbolises the boy’s eternal resting place far from home and a sense that his spirit becomes part of Africa:

    • This may be interpreted as the boy becoming part of the natural world, regardless of his nationality 

Writer’s methods

This section is divided into three sections: form, structure and language. When you write about a poem, aim to expand your interpretation of what the poet is writing about by exploring how they present their ideas and why they have made the technical choices they have.

Focusing on the poet’s ideas and how they express them will gain you far more marks than examining individual poetic techniques. Look at the analysis in the sections below, which is organised by the main themes of ‘Drummer Hodge’ and demonstrates the methods and reasons for Thomas Hardy’s choices of:

  • Form

  • Structure

  • Language

Form

The poem is an elegy which pays tribute to a young drummer boy’s death. The narrative ballad form contributes to the solemn story of a young drummer boy’s burial.

Theme

Evidence

Poet’s intention

Destruction of innocence

An omniscient narrator tells a story about a drummer boy, using a slightly varied metre, alternating between iambic tetrameter (four beats per line) and iambic trimeter (three beats per line)

Hardy’s rhythmic ballad recreates the sound of a drum, sympathetically portraying a young drummer boy who dies in a foreign war

Structure

Hardy’s poem has a regular structure of three, rhyming, hymn-like stanzas that connect the drummer boy to the land and to the universe. The narrator begins with the story of the boy’s burial, shifts to a reflection on the boy’s thoughts under foreign stars, and ends describing his spiritual eternity reclaimed by the universe.

Theme

Evidence

Poet’s intention

Destruction of innocence 

The poem follows an ABABAB rhyme scheme, similar to the structure of hymns

Hardy’s regular rhythm with alternating rhyme creates a solemn tone, which reflect the sad story of the young drummer boy’s death

The power of nature and place

The first stanza describes the boy’s burial in the “veldt” under “foreign constellations”, the second imagines the boy’s thoughts looking up at “Strange stars”, and the third stanza lays the boy to rest under “His stars eternally” 

Hardy describes the spiritual connection between humans and the natural world: the poem describes the young boy’s burial in strange African grassland, but his fated resting place under foreign stars that become “His”

Language

Hardy’s language focuses on the physical and cultural displacement of a young drummer boy, Hodge, in a war far from home. The poem shifts between foreign words that highlight the strangeness of the land with celestial imagery that describes the boy’s alienation, as well as his spiritual return to the universe.

Theme

Evidence

Poet’s intention

Destruction of innocence 

Hardy uses imagery that describes “foreign constellations”, “Strange stars”, and “strange-eyed constellations”

Hardy’s portrayal of war as dehumanising and futile uses the motif of stars to present the boy’s disorientation and confusion  

Hardy juxtaposes the familiarity of home (Britain) with a foreign land: the “Uncoffined” grave is near a "kopje-crest" in the “Karoo” "veldt", a place unknown to the British boy who is "Fresh from his Wessex home"

The poem focuses on the boy’s anonymous and displaced burial to pay tribute to unnamed, uncelebrated soldiers who die in foreign wars 

The power of nature and place

By the end of the poem, the boy’s “Northern breast and brain” lies under “some Southern tree”, making him forever a “portion of that unknown plain”

Hardy’s critique of war presents the spiritual power of nature to connect humans to the universe, regardless of their nationality

Historical and literary context

Context offers you a different perspective on a poem and can enrich your engagement with it. However, examiners don’t want contextual information added on at the end of your essay, or even in your introduction. Instead, your knowledge of Thomas Hardy’s life, the times he lived in, and the kind of poetry he wrote should be used to explore themes and support an analysis of the poem.

The ideas explored in 'Drummer Hodge' centre around the dehumanising and disorienting effects of war, the loss of innocent life, and the spiritual power of nature. The poem reflects on the impersonal death of a young drummer boy in a foreign war zone. Therefore, this section has been bullet-pointed under the following themes:

  • Destruction of innocence

  • The power of nature and place 

Destruction of innocence

  • Hardy’s poem ‘Drummer Hodge’, written in 1899 during the Second Boer War, is said to be inspired by a local boy who was killed as war broke out

  • It appears in Thomas Hardy's collection ‘Poems of the Past and the Present’, published in 1901

  • Hardy’s poem focuses on a young boy known only for his role as a drummer:

    • Drummer boys were often very young, around thirteen years old

    • They used drums to communicate and build morale amongst the troops

  • In ‘Drummer Hodge’, Hardy pays tribute to the many anonymous soldiers who were either buried without celebration or who were never accounted for:

    • The poem’s narrator never mentions the drummer boy’s first name 

    • Furthermore, the name “Hodge” may not even have been the boy’s surname: “Hodge” was a nickname given to rural, uneducated English labourers

  • Hardy’s poem can be considered a challenge to contemporary literature that glorified war and elevated patriotism:

    • He creates sympathy for the young drummer boy in a solemn ballad

    • Hardy highlights the young boy’s uncelebrated death (he is “thrown” into an “Uncoffined” grave) 

The power of nature and place

  • In the poem ‘Drummer Hodge’, Hardy focuses on a young drummer boy’s disorientation in the foreign land in which he finds himself fighting and dying

  • Criticism of Britain’s policies and aims in the Boer wars concern the use of concentration camps and foreign claims to the land’s natural resources

  • Hardy’s wife is said to have described the Second Boer War as imperialistic, suggesting the British fought for diamonds and gold

  • The poem describes the foreign war zone with Dutch/Afrikaans words:

    • This highlights a disconnection between Britain and Africa, perhaps implying dubious reasons for the British government’s involvement

  • Hardy’s poem appears to argue against the idea that land can be claimed by foreign powers:

    • The English-born boy, after death, becomes part of Africa

    • The boy’s “Northern” heart and “brain” forms part of the African earth

  • One interpretation of Hardy’s natural imagery is that he shows the natural world without borders and unconcerned with nationality:

    • The “stars” claim the boy after death: they “reign” over him “eternally”

    • The idea of nature remaining unmoved by human events is a recurring theme in Hardy’s work

  • The drummer boy, unrecognised or celebrated during his lifetime, becomes a vital part of the natural world:

    • His body helps a “Southern tree” grow

Examiner Tips and Tricks

The best answers show a confident understanding of the relationships between texts and the contexts in which they were written. For example, many of the poems examine locations and how place impacts individual identity. Students who consider literary contexts in their analysis are better able to understand themes and ideas. Some poets use unconventional forms, choosing to ignore literary traditions in order to make comments about social structures and rigid systems.

Linking the poems

The Eduqas GCSE English Literature exam asks you to compare two poems from the anthology. You will be given the text of one poem in the question paper, but you will need to compare this with another poem of your choice, one that comments on the particular theme in the question. It stands to reason, then, that it will be a good idea to understand your anthology poems according to their themes.

Here, you will find a guided list of poems that work well together, and how they are linked by a common theme. Do remember, though, the list below is not exhaustive and themes and ideas often overlap.

The poems you could link with Thomas Hardy’s poem ‘Drummer Hodge’ are:

  • ‘The Schoolboy’ by William Blake

  • ‘Blackberry Picking’ by Seamus Heaney

  • ‘Remains’ by Simon Armitage

  • ‘Cousin Kate’ by Christina Rossetti

  • ‘Disabled’ by Wilfred Owen

  • ‘I Wandered Lonely as a Cloud’ by William Wordsworth

  • ‘I Shall Return’ by Claude McKay

  • ‘Kamikaze’ by Beatrice Garland

Theme: Destruction of innocence

‘The Schoolboy’

‘Blackberry Picking’

‘Remains’

‘Cousin Kate’

‘Disabled’

Repressed childhood, rigid systems, loss of joy and freedom

The destruction of childhood memories as a result of experience, disillusionment, decay

Loss of youth as a result of war, cynicism, trauma, confusion

Reputation, exploitation of the vulnerable, rigid societal norms

Childhood cut short as a result of war, lost hope, lost youth, confusion

Theme: The power of nature and place 

‘I Wandered Lonely as a Cloud’

‘The Schoolboy’

‘Blackberry Picking’

‘I Shall Return’

‘Kamikaze’

The power of nature, human connection to the natural world

Connection with the natural world, disconnection with one’s environment

The vitality of nature, the natural cycle of life, human connection with the natural world

The healing power of nature, an individual's  connection with place 

The impact of place, the power of nature to alter mood, human connection to nature

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Sam Evans

Author: Sam Evans

Expertise: English Content Creator

Sam is a graduate in English Language and Literature, specialising in journalism and the history and varieties of English. Before teaching, Sam had a career in tourism in South Africa and Europe. After training to become a teacher, Sam taught English Language and Literature and Communication and Culture in three outstanding secondary schools across England. Her teaching experience began in nursery schools, where she achieved a qualification in Early Years Foundation education. Sam went on to train in the SEN department of a secondary school, working closely with visually impaired students. From there, she went on to manage KS3 and GCSE English language and literature, as well as leading the Sixth Form curriculum. During this time, Sam trained as an examiner in AQA and iGCSE and has marked GCSE English examinations across a range of specifications. She went on to tutor Business English, English as a Second Language and international GCSE English to students around the world, as well as tutoring A level, GCSE and KS3 students for educational provisions in England. Sam freelances as a ghostwriter on novels, business articles and reports, academic resources and non-fiction books.

Deb Orrock

Reviewer: Deb Orrock

Expertise: English Content Creator

Deb is a graduate of Lancaster University and The University of Wolverhampton. After some time travelling and a successful career in the travel industry, she re-trained in education, specialising in literacy. She has over 16 years’ experience of working in education, teaching English Literature, English Language, Functional Skills English, ESOL and on Access to HE courses. She has also held curriculum and quality manager roles, and worked with organisations on embedding literacy and numeracy into vocational curriculums. She most recently managed a post-16 English curriculum as well as writing educational content and resources.