I Shall Return (WJEC Eduqas GCSE English Literature): Revision Note

Exam code: C720

Sam Evans

Written by: Sam Evans

Reviewed by: Deb Orrock

Updated on

I Shall Return

Here, you’ll find a guide to Claude McKay’s poem ‘I Shall Return’ to help prepare you for the Eduqas GCSE English Literature exam. It includes:

  • Overview: a breakdown of the poem, including its possible meanings and interpretations

  • Writer’s methods: an exploration of McKay’s techniques and methods

  • Historical and literary context: an exploration of connections between contextual aspects and the themes and ideas within McKay’s poem

  • Linking the poems: an understanding of how ‘I Shall Return’ connects to other poems in the Eduqas GCSE English Literature Poetry Anthology 

Overview

In order to answer questions on any poem it is important that you understand what it is about. This section includes:

  • An overview of the poem

  • A ‘translation’ of the poem, section-by-section

  • A commentary of each of these sections, outlining Claude McKay’s intention and message

‘I Shall Return’ overview

Claude McKay’s nostalgic poem ‘I Shall Return’ examines themes of identity and belonging. It expresses an individual’s yearning for home and their deep emotional connection to familiar, natural landscapes and cultural traditions. The poem presents the restorative power of nature as a means to soothe suffering and mental fatigue.

‘I Shall Return’ translation

Lines 1-4

“I shall return again; I shall return
To laugh and love and watch with wonder-eyes
At golden noon the forest fires burn,
Wafting their blue-black smoke to sapphire skies.”

Translation

  • The speaker repeats a promise that they will return to their homeland

  • They describe a place and a time that was filled with wonder and joy

  • The place they long for is vibrant from the sun, the sky, fire, and smoke

McKay’s intention

  • The poem opens with a repetitive vow, establishing a rhythmic and determined tone:

    • The modal verb “shall” implies strong intentions to “return” home

  • The speaker expresses a desire to reclaim their curiosity ("wonder-eyes") which has been lost in their current life far from their native land:

    • The verbal phrase “laugh and love and watch” connects joy and curiosity with their land

  • Contrasting imagery describes a place that is intense and vibrant, raising the theme of the power of nature 

Lines 5-8

“I shall return to loiter by the streams
That bathe the brown blades of the bending grasses,
And realize once more my thousand dreams
Of waters rushing down the mountain passes.”

Translation

  • The speaker promises that they will return to a homeland where life is calmer:

    • There is time to relax (“loiter”) by “streams”, “grasses” and waterfalls

  • The speaker wants to dream again like they used to

McKay’s intention

  • McKay’s speaker longs to reconnect with a dynamic natural world of “rushing” waterfalls and “bending” grasses: this is reflected by present continuous verbs

  • McKay creates a reflective tone as he connects nature with dreams:

    • Hyperbole in “my thousand dreams” creates a sense of abundant hope

Lines 9-12

“I shall return to hear the fiddle and fife
Of village dances, dear delicious tunes
That stir the hidden depths of native life,
Stray melodies of dim remembered runes.”

Translation

  • The focus shifts from natural imagery to describing a community

  • In the speaker’s homeland, the people play instruments (“fiddle and fife”) and dance to traditional music

  • The speaker may be forgetting their “native life” and language:

    • The “runes” are “dim remembered”, suggesting they are fading

    • The use of the word "runes" connotes to an ancient language or traditions

McKay’s intention

  • McKay refers to a community that is rich in cultural tradition

  • The alliteration in “fiddle and fife” and “dear delicious” presents a community spiritually connected to music and joyful, festive customs

  • McKay describes the significance of heritage and memories of cultural identity 

Lines 13-14

“I shall return, I shall return again,
To ease my mind of long, long years of pain.”

Translation

  • The speaker repeats their promise to go back home

  • The poem’s last line concludes that this is the only way the speaker will end their long period of suffering 

McKay’s intention

  • The rhyming couplet to end the poem brings a sense of finality and resolution

  • The refrain of “I shall return” expresses the determined speaker’s vow to go back to their homeland

  • McKay creates a sense of nostalgia for homeland, concluding that being true to one’s cultural identity is a form of healing

Writer’s methods

This section is divided into three sections: form, structure and language. When you write about a poem, aim to expand your interpretation of what the poet is writing about by exploring how they present their ideas and why they have made the technical choices they have.

Focusing on the poet’s ideas and how they express them will gain you far more marks than examining individual poetic techniques. Look at the analysis in the sections below, which is organised by the main themes of ‘I Shall Return’ and demonstrates the methods and reasons for Claude McKay’s choices of:

  • Form

  • Structure

  • Language

Form

McKay’s poem is an intimate and personal expression of emotion, highlighting themes of belonging and heritage. The speaker describes nostalgic memories and a determination to return to their homeland.

Theme

Evidence

Poet’s intention

Memory and longing

The first person speaker expresses a yearning need to return home, emphasised by the determined refrain: “I shall return”

McKay portrays the intense inner thoughts and feelings of an individual who is physically distant, yet mentally and spiritually connected to memories of their "native life"

Structure

McKay’s sonnet, which is traditionally associated with themes of love, describes a yearning longing for homeland and native identity. 

Theme

Evidence

Poet’s intention

The power of nature and place

The poem consists of 

three quatrains that follow a regular ABAB rhyme scheme and iambic pentameter: each quatrain focuses on a different aspect of the speaker's home

McKay follows a conventional sonnet structure to express a deep love for the rich, natural world of their rural homeland 

Identity 

The sonnet’s volta, in the final two lines, presents the poem’s core message

The final rhyming couplet presents the speaker’s need to return home as a vital healing process

Language

McKay’s poem describes an abundant and natural world full of wonder and joy. In this place, McKay’s speaker feels a sense of belonging amongst a close community that is rooted in mystical, cultural traditions.

Theme

Evidence

Poet’s intention

The power of nature and place 

McKay uses colour to describe a vibrant land of "blue-black smoke", "sapphire skies"  and  "golden noon"

McKay brings to life a rich and wild, tropical land  

The poem uses contrasting sensory imagery, such as "forest fires burn" and "waters rushing”, emphasised by alliterative lines like "bathe the brown blades of the bending grasses"

McKay presents a land of striking contrasts to present the natural world as powerful and dynamic 

In the speaker’s homeland, the people “laugh and love and watch with wonder-eyes”, “loiter” by streams, dance, and play “dear delicious tunes”

McKay uses alliteration to emphasise the power of nature to bring joy and curiosity:

  • This is juxtaposed against a current life of “long, long years of pain” away from home 

Identity 

The poem makes use of mystical descriptions that describe a “thousand dreams”, 

"runes" and "hidden depths"

McKay’s nostalgic poem describes the spiritual connection that comes from community and heritage  

Historical and literary context

Context offers you a different perspective on a poem and can enrich your engagement with it. However, examiners don’t want contextual information added on at the end of your essay, or even in your introduction. Instead, your knowledge of Claude McKay’s life should be used to explore themes and support an analysis of the poem.

The ideas explored in 'I Shall Return’ focus on memories, the power of nature to bring healing, as well as the sense of disconnection that comes from being separated from one’s cultural identity. Therefore, this section has been bullet-pointed under the following themes:

  • Memory and longing 

  • Identity 

  • The power of nature and place 

Memory and longing

  • Claude McKay was born in rural Jamaica in 1889

  • After his well-received collection of poetry, ‘Songs of Jamaica’ (published in 1912), he moved to Harlem in the United States of America

  • The poem ‘I Shall Return’ may be interpreted as semi-autobiographical:

    • The first person speaker recalls memories of childhood in a tropical land with a “golden noon” and “sapphire skies”

    • He recalls “dim remembered runes”

  • McKay’s early literary influences include the Romantic poets

  • ‘I Shall Return’ raises similar themes to Romantic poetry, such as the power of introspection and imagination:

    • The poem suggests that in their “native life” they can “realize” their “thousand dreams”

Identity 

  • Claude McKay was a key figure in the Harlem Renaissance, a literary movement that celebrated African American culture, literature, art, and music:

    • The poem ‘I Shall Return’ is part of his collection ‘Harlem Shadows’, which was written in 1922

  •  This poem explores themes of belonging, diaspora, and dual-culture:

    • The speaker expresses a longing to return to their homeland

    • The poem examines the speaker’s disconnect (described as “long, long years of pain”) with their native culture

    • McKay’s poem ‘I Shall Return’ references Jamaican folk traditions such as the “fiddle and fife”, “village dances”, and “native life”

  • However, McKay’s literary education focused on English literature which explains, perhaps, his choice to write ‘I Shall Return’ in sonnet form

The power of nature and place 

  • Claude McKay’s poetry often explores the beauty of the natural world, specifically related to his homeland Jamaica

  • In ‘I Shall Return’, McKay describes the vibrancy of a tropical landscape:

    • He describes “waters rushing down” “mountain passes”

  • McKay’s poem presents the powerful impact of nature to bring about healing and improve well-being:

    • His speaker describes a connection with nature that allows them to “laugh and love and watch with wonder-eyes” or “loiter by the streams”

  • McKay’s poem, in typical Romantic style, uses simple but vivid imagery that portrays nature as alive:

    • In the poem, he describes “streams/That bathe the brown blades of the bending grasses” and “forest fires” that “burn”

Examiner Tips and Tricks

The best answers show a confident understanding of the relationships between texts and the contexts in which they were written. For example, many of the poems examine locations and how place impacts individual identity. Students who consider literary contexts in their analysis are better able to understand themes and ideas. Some poets choose conventional forms, choosing to make use of literary traditions in order to emphasise themes and ideas.

Linking the poems

The Eduqas GCSE English Literature exam asks you to compare two poems from the anthology. You will be given the text of one poem in the question paper, but you will need to compare this with another poem of your choice, one that comments on the particular theme in the question. It stands to reason, then, that it will be a good idea to understand your anthology poems according to their themes.

Here, you will find a guided list of poems that work well together, and how they are linked by a common theme. Do remember, though, the list below is not exhaustive and themes and ideas often overlap.

The poems you could link with Claude Mckay’s poem ‘I Shall Return’ are:

  • ‘I Wandered Lonely as a Cloud’ by William Wordsworth

  • ‘Blackberry Picking’ by Seamus Heaney

  • ‘The Schoolboy’ by William Blake

  • ‘Kamikaze’ by Beatrice Garland

  • ‘Sonnet 29’ by Elizabeth Barrett Browning

  • ‘Cousin Kate’ by Christina Rossetti

  • ‘Catrin’ by Gillian Clarke

  • ‘War photographer’ by Carol Ann Duffy

  • ‘Dusting the phone’ by Jackie Kay

  • ‘Decomposition’ by Zulfikar Ghose

  • ‘Drummer Hodge’ by Thomas Hardy

Theme: Memory and longing

‘I Wandered Lonely as a Cloud’

‘Blackberry Picking’

‘The Schoolboy’

‘Kamikaze’

‘Sonnet 29’

The significance of recalling moments spent in nature, the importance of introspection in healing 

The significance of childhood memories, introspection that alters thoughts and deepens understanding 

The importance of imagination in childhood, reflections on rigid systems, lack of imagination away from nature

The power of memory to alter thoughts, the importance of imagination and reflection regarding the past  

Vivid imaginations of being with a loved one, the power of memory to stir emotions

Theme: Identity  

‘Cousin Kate’ 

‘Catrin’ 

‘War photographer’ 

‘Dusting the phone’

‘Decomposition’

Rigid societal and gender roles, a young girl’s sense of self, conflicted romantic relationships, maturity and motherhood




Motherhood, mother and daughter identities, growing up, the struggle for personal agency

Disconnection with society, isolation as a result of war, dehumanisation and desensitisation

Despair and self-doubt in romantic relationships, obsession, instability, loss of self 

Societal disconnection, dehumanisation of the homeless, loss of identity amongst the elderly and disenfranchised, moral conflict regarding one’s work and role in life

Theme: The power of nature and place 

‘I Wandered Lonely as a Cloud’

‘Blackberry Picking’

‘The Schoolboy’

‘Kamikaze’

‘Drummer Hodge’

Nature as a healing force, the beauty of the natural world, human’s connection with nature, well-being

The vibrancy of nature, the natural cycle of life, human connection with the natural world

The beauty of the natural world, a child’s connection with nature, nature as an aid to curiosity and creativity

The beauty of the natural world, an individual’s connection to place, the power of nature to alter mood

The impact of place, the expansive and dynamic nature of the universe


Sources:

Poetry Anthology (C720) (opens in a new tab)

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Sam Evans

Author: Sam Evans

Expertise: English Content Creator

Sam is a graduate in English Language and Literature, specialising in journalism and the history and varieties of English. Before teaching, Sam had a career in tourism in South Africa and Europe. After training to become a teacher, Sam taught English Language and Literature and Communication and Culture in three outstanding secondary schools across England. Her teaching experience began in nursery schools, where she achieved a qualification in Early Years Foundation education. Sam went on to train in the SEN department of a secondary school, working closely with visually impaired students. From there, she went on to manage KS3 and GCSE English language and literature, as well as leading the Sixth Form curriculum. During this time, Sam trained as an examiner in AQA and iGCSE and has marked GCSE English examinations across a range of specifications. She went on to tutor Business English, English as a Second Language and international GCSE English to students around the world, as well as tutoring A level, GCSE and KS3 students for educational provisions in England. Sam freelances as a ghostwriter on novels, business articles and reports, academic resources and non-fiction books.

Deb Orrock

Reviewer: Deb Orrock

Expertise: English Content Creator

Deb is a graduate of Lancaster University and The University of Wolverhampton. After some time travelling and a successful career in the travel industry, she re-trained in education, specialising in literacy. She has over 16 years’ experience of working in education, teaching English Literature, English Language, Functional Skills English, ESOL and on Access to HE courses. She has also held curriculum and quality manager roles, and worked with organisations on embedding literacy and numeracy into vocational curriculums. She most recently managed a post-16 English curriculum as well as writing educational content and resources.