Jane Eyre (WJEC Eduqas GCSE English Literature): Exam Questions

Exam code: C720

7 hours11 questions
1
40 marks

You should use the extract below and your knowledge of the whole novel to answer this question.

Write about wealth and social class and how they are presented at different points in Jane Eyre.

In your response you should:

  • refer to the extract and the novel as a whole

  • show your understanding of characters and events in the novel

  • refer to the contexts of the novel.

[40 marks]

But the three most distinguished — partly, perhaps, because the tallest figures of the band — were the Dowager Lady Ingram and her daughters, Blanche and Mary. They were all three of the loftiest stature of women. The Dowager might be between forty and fifty: her shape was still fine; her hair (by candle-light at least) still black; her teeth, too, were still apparently perfect. Most people would have termed her a splendid woman of her age: and so she was, no doubt, physically speaking; but then there was an expression of almost insupportable haughtiness in her bearing and countenance.


She had Roman features and a double chin, disappearing into a throat like a pillar: these features appeared to me not only inflated and darkened, but even furrowed with pride; and the chin was sustained by the same principle, in a position of almost preternatural erectness. She had, likewise, a fierce and a hard eye: it reminded me of Mrs. Reed’s; she mouthed her words in speaking; her voice was deep, its inflections very pompous, very dogmatical, — very intolerable, in short. A crimson velvet robe, and a shawl turban of some gold-wrought Indian fabric, invested her (I suppose she thought) with a truly imperial dignity.


Blanche and Mary were of equal stature, — straight and tall as poplars. Mary was too slim for her height, but Blanche was moulded like a Dian. I regarded her, of course, with special interest. First, I wished to see whether her appearance accorded with Mrs. Fairfax’s description; secondly, whether it at all resembled the fancy miniature I had painted of her; and thirdly — it will out! — whether it were such as I should fancy likely to suit Mr. Rochester’s taste.

2
40 marks

You should use the extract below and your knowledge of the whole novel to answer this question.

Write about secrecy and concealment and how they are presented at different points in Jane Eyre.

In your response you should:

  • refer to the extract and the novel as a whole

  • show your understanding of characters and events in the novel

  • refer to the contexts of the novel.

[40 marks]

“Here, Jane!” he said; and I walked round to the other side of a large bed, which with its drawn curtains concealed a considerable portion of the chamber. An easy-chair was near the bed-head: a man sat in it, dressed with the exception of his coat; he was still; his head leant back; his eyes were closed. Mr. Rochester held the candle over him; I recognised in his pale and seemingly lifeless face — the stranger, Mason: I saw too that his linen on one side, and one arm, was almost soaked in blood.


“Hold the candle,” said Mr. Rochester, and I took it: he fetched a basin of water from the washstand: “Hold that,” said he. I obeyed. He took the sponge, dipped it in, and moistened the corpse-like face; he asked for my smelling-bottle, and applied it to the nostrils. Mr. Mason shortly unclosed his eyes; he groaned. Mr. Rochester opened the shirt of the wounded man, whose arm and shoulder were bandaged: he sponged away blood, trickling fast down.


“Is there immediate danger?” murmured Mr. Mason.

“Pooh! No — a mere scratch. Don’t be so overcome, man: bear up! I’ll fetch a surgeon for you now, myself: you’ll be able to be removed by morning, I hope. Jane,” he continued.


“Sir?”


“I shall have to leave you in this room with this gentleman, for an hour, or perhaps two hours: you will sponge the blood as I do when it returns: if he feels faint, you will put the glass of water on that stand to his lips, and your salts to his nose. You will not speak to him on any pretext — and — Richard, it will be at the peril of your life if you speak to her: open your lips — agitate yourself and I’ll not answer for the consequences.’


Again the poor man groaned; he looked as if he dared not move; fear, either of death or of something else, appeared almost to paralyse him. Mr. Rochester put the now bloody sponge into my hand, and I proceeded to use it as he had done. He watched me a second, then saying, “Remember! — No conversation,” he left the room. I experienced a strange feeling as the key grated in the lock, and the sound of his retreating step ceased to be heard.

3
40 marks

You should use the extract below and your knowledge of the whole novel to answer this question.

Write about Jane Eyre and how she is presented as a strong female character at different points in the novel.

In your response you should:

  • refer to the extract and the novel as a whole

  • show your understanding of characters and events in the novel

  • refer to the contexts of the novel.

[40 marks]

‘I grieve to leave Thornfield: I love Thornfield — I love it, because I have lived in it a full and delightful life, — momentarily at least. I have not been trampled on. I have not been petrified. I have not been buried with inferior minds, and excluded from every glimpse of communion with what is bright and energetic, and high. I have talked, face to face, with what I reverence; with what I delight in, — with an original, a vigorous, an expanded mind. I have known you, Mr Rochester; and it strikes me with terror and anguish to feel I absolutely must be torn from you for ever. I see the necessity of departure; and it is like looking on the necessity of death.’ 

‘Where do you see the necessity?’ he asked, suddenly. ‘

Where? You, sir, have placed it before me.’ 

‘In what shape?’ 

‘In the shape of Miss Ingram; a noble and beautiful woman, — your bride.’ 

‘My bride! What bride? I have no bride!’ 

‘But you will have.’ 

‘Yes: — I will! I will!’ He set his teeth. 

‘Then I must go: — you have said it yourself.’ 

‘No: you must stay! I swear it — and the oath shall be kept.’ 

‘I tell you I must go!’ I retorted, roused to something like passion. ‘Do you think I can stay to become nothing to you? Do you think I am an automaton? — a machine without feelings? And can bear to have my morsel of bread snatched from my lips, and my drop of living water dashed from my cup? Do you think, because I am poor, obscure, plain, and little, I am soulless and heartless? You think wrong! — I have as much soul as you — and full as much heart! And if God had gifted me with some beauty, and much wealth, I should have made it as hard for you to leave me, as it is now for me to leave you. I am not talking to you now through the medium of custom, conventionalities, nor even of mortal flesh: — it is my spirit that addresses your spirit; just as if both had passed through the grave, and we stood at God's feet, equal — as we are!’

4
40 marks

You should use the extract below and your knowledge of the whole novel to answer this question.

In Jane Eyre, Jane and Mr Rochester experience strong feelings for each other. Write about some of the ways Brontë presents these strong feelings at different points in the novel.

In your response you should:

  • refer to the extract and the novel as a whole

  • show your understanding of characters and events in the novel

  • refer to the contexts of the novel.

[40 marks]

‘No — that is the best of it,’ he said. And if I had loved him less I should have thought his accent and look of exultation savage; but, sitting by him, roused from the nightmare of parting — called to the paradise of union — I thought only of the bliss given me to drink in so abundant a flow. Again and again he said, ‘Are you happy, Jane?’ And again and again I answered, ‘Yes.’ After which he murmured, ‘It will atone — it will atone. Have I not found her friendless, and cold, and comfortless? Will I not guard, and cherish, and solace her? Is there not love in my heart, and constancy in my resolves? It will expiate at God’s tribunal. I know my Maker sanctions what I do. For the world’s judgment — I wash my hands thereof. For man’s opinion — I defy it.’ 

But what had befallen the night? The moon was not yet set, and we were all in shadow: I could scarcely see my master’s face, near as I was. And what ailed the chestnut tree? it writhed and groaned; while wind roared in the laurel walk, and came sweeping over us. 

‘We must go in,’ said Mr Rochester: ‘the weather changes. I could have sat with thee till morning, Jane.’ 

‘And so,’ thought I, ‘could I with you.’ I should have said so, perhaps, but a livid, vivid spark leapt out of a cloud at which I was looking, and there was a crack, a crash, and a close rattling peal; and I thought only of hiding my dazzled eyes against Mr Rochester’s shoulder. 

The rain rushed down. He hurried me up the walk, through the grounds, and into the house; but we were quite wet before we could pass the threshold. He was taking off my shawl in the hall, and shaking the water out of my loosened hair, when Mrs Fairfax emerged from her room. I did not observe her at first, nor did Mr Rochester. The lamp was lit. The clock was on the stroke of twelve. 

‘Hasten to take off your wet things,’ said he; ‘and before you go, good-night — good-night, my darling!’ He kissed me repeatedly. When I looked up, on leaving his arms, there stood the widow, pale, grave, and amazed. I only smiled at her, and ran upstairs. ‘Explanation will do for another time,’ thought I. Still, when I reached my chamber, I felt a pang at the idea she should even temporarily misconstrue what she had seen. But joy soon effaced every other feeling, and loud as the wind blew, near and deep as the thunder crashed, fierce and frequent as the lightning gleamed, cataract-like as the rain fell during a storm of two hours’ duration, I experienced no fear and little awe. Mr Rochester came thrice to my door in the course of it, to ask if I was safe and tranquil: and that was comfort, that was strength for anything. 

Before I left my bed in the morning, little Adèle came running in to tell me that the great horse-chestnut at the bottom of the orchard had been struck by lightning in the night, and half of it split away.

5
40 marks

You should use the extract below and your knowledge of the whole novel to answer this question.

In Jane Eyre, Jane seeks personal happiness at different points in the novel. Write about some of the ways Brontë presents Jane’s search for happiness.

In your response you should:

  • refer to the extract and the novel as a whole

  • show your understanding of characters and events in the novel

  • refer to the contexts of the novel.

[40 marks]

I have now been married ten years. I know what it is to live entirely for and with what I love best on earth. I hold myself supremely blest — blest beyond what language can express; because I am my husband’s life as fully as he is mine. No woman was ever nearer to her mate than I am: ever more absolutely bone of his bone and flesh of his flesh. I know no weariness of my Edward’s society: he knows none of mine, any more than we each do of the pulsation of the heart that beats in our separate bosoms; consequently, we are ever together. To be together is for us to be at once as free as in solitude, as gay as in company. We talk, I believe, all day long: to talk to each other is but a more animated and an audible thinking. All my confidence is bestowed on him, all his confidence is devoted to me; we are precisely suited in character — perfect concord is the result. 

Mr Rochester continued blind the first two years of our union: perhaps it was that circumstance that drew us so very near — that knit us so very close: for I was then his vision, as I am still his right hand. Literally, I was (what he often called me) the apple of his eye. He saw nature — he saw books through me; and never did I weary of gazing for his behalf, and of putting into words the effect of field, tree, town, river, cloud, sunbeam — of the landscape before us; of the weather round us and impressing by sound on his ear what light could no longer stamp on his eye. Never did I weary of reading to him; never did I weary of conducting him where he wished to go: of doing for him what he wished to be done. And there was a pleasure in my services, most full, most exquisite, even though sad — because he claimed these services without painful shame or damping humiliation. He loved me so truly, that he knew no reluctance in profiting by my attendance: he felt I loved him so fondly, that to yield that attendance was to indulge my sweetest wishes

6
40 marks

Write about some of the times we feel sympathy for Jane. How does Charlotte Brontë present this at different points in the novel?

In your response you should:

  • refer to the extract and the novel as a whole

  • show your understanding of characters and events in the novel

  • refer to the contexts of the novel.

My heart beat thick, my head grew hot; a sound filled my ears, which I deemed the rushing of wings: something seemed near me; I was oppressed, suffocated: endurance broke down; I rushed to the door and shook the lock in desperate effort. Steps came running along the outer passage; the key turned, Bessie and Abbot entered.

“Miss Eyre, are you ill?” said Bessie.

“What a dreadful noise! it went quite through me!” exclaimed Abbot.

“Take me out! Let me go into the nursery!” was my cry.

“What for! Are you hurt! Have you seen something?” again demanded Bessie.

“Oh! I saw a light, and I thought a ghost would come.” I had now got hold of Bessie’s hand, and she did not snatch it from me.

“She has screamed out on purpose,” declared Abbot, in some disgust. “And what a scream! If she had been in great pain one would have excused it, but she only wanted to bring us all here. I know her naughty tricks.”

“What is all this?” demanded another voice peremptorily; and Mrs. Reed came along the corridor, her cap flying wide, her gown rustling stormily. “Abbot and Bessie, I believe I gave orders that Jane Eyre should be left in the red-room till I came to her myself.”

“Miss Jane screamed so loud, ma’am,” pleaded Bessie.

“Let her go,” was the only answer. “Loose Bessie’s hand child: you cannot succeed in getting out by these means, be assured. I abhor artifice, particularly in children; it is my duty to show you that tricks will not answer: you will now stay here an hour longer, and it is only on condition of perfect submission and stillness that I shall liberate you then.”

“Oh aunt have pity! Forgive me! I cannot endure it- let me be punished some other way! I shall be killed if”—

“Silence! This violence is all most repulsive:” and so, no doubt, she felt it. I was a precocious actress in her eyes: she sincerely looked on me as a compound of virulent passions, mean spirit, and dangerous duplicity.

Bessie and Abbot having retreated, Mrs. Reed, impatient of my now frantic anguish and wild sobs, abruptly thrust me back and locked me in, without farther parley. I heard her sweeping away; and soon after she was gone, I suppose I had a species of fit: unconsciousness closed the scene.

7
40 marks

There is a lot of conflict between the characters in Jane Eyre. Write about some of the times there is conflict and how this is presented at different points in the novel.

In your response you should:

  • refer to the extract and the novel as a whole

  • show your understanding of characters and events in the novel

  • refer to the contexts of the novel.

Accustomed to John Reed’s abuse, I never had an idea of replying to it; my care was how to endure the blow which would certainly follow the insult. “What were you doing behind the curtain?” he asked.

“I was reading.”

“Show the book.”

I returned to the window and fetched it thence.

“You have no business to take our books; you are a dependent, mama says; you have no money; your father left you none; you ought to beg, and not to live here with gentlemen’s children like us, and eat the same meals we do, and wear clothes at our mama’s expense. Now, I’ll teach you to rummage my bookshelves: for they are mine; all the house belongs to me, or will do in a few years. Go and stand by the door, out of the way of the mirror and the windows.”

I did so, not at first aware what was his intention; but when I saw him lift and poise the book and stand in act to hurl it, I instinctively started aside with a cry of alarm: not soon enough, however; the volume was flung, it hit me, and I fell, striking my head against the door and cutting it. The cut bled, the pain was sharp: my terror had passed its climax; other feelings succeeded. “Wicked and cruel boy!” I said. “You are like a murderer—you are like a slavedriver—you are like the Roman emperors!”

I had read Goldsmith’s History of Rome, and had formed my opinion of Nero, Caligula, etc. Also I had drawn parallels in silence, which I never thought thus to have declared aloud.

“What! what!” he cried. “Did she say that to me? Did you hear her, Eliza and Georgiana? Won’t I tell mama? but first—”

He ran headlong at me: I felt him grasp my hair and my shoulder: he had closed with a desperate thing. I really saw in him a tyrant, a murderer. I felt a drop or two of blood from my head trickle down my neck, and was sensible of somewhat pungent suffering: these sensations for the time predominated over fear, and I received him in frantic sort. I don’t very well know what I did with my hands, but he called me “Rat! Rat!” and bellowed out aloud.

8
40 marks

In Jane Eyre, characters view marriage in different ways. Write about some of the ways Bronte presents marriage and attitudes to marriage at different points in the novel.

In your response you should:

  • refer to the extract and the novel as a whole

  • show your understanding of characters and events in the novel

  • refer to the contexts of the novel

My tale draws to its close: one word respecting my experience of married life, and one brief glance at the fortunes of those whose names have most frequently recurred in this narrative, and I have done.

I have now been married ten years. I know what it is to live entirely for and with what I love best on earth. I hold myself supremely blest–blest beyond what language can express; because I am my husband’s life as fully as he is mine. No woman was ever nearer to her mate than I am: ever more absolutely bone of his bone, and flesh of his flesh. I know no weariness of my Edward’s society: he knows none of mine, any more than we each do of the pulsation of the heart that beats in our separate bosoms; consequently, we are ever together. To be together is for us to be at once, as free as in solitude, as gay as in company. We talk, I believe, all day long: to talk to each other is but a more animated and an audible thinking. All my confidence is bestowed on him, all his confidence is devoted to me; we are precisely suited in character–perfect concord is the result.

Mr. Rochester continued blind the first two years of our union: perhaps it was that circumstance that drew us so very near―that knit us so very close! for I was then his vision, as I am still his right hand. Literally, I was (what he often called me) the apple of his eye. He saw nature―he saw books through me; and never did I weary of gazing for his behalf, and of putting into words the effect of field, tree, town, river, cloud, sunbeam―of the landscape before us; of the weather round us―and impressing by sound on his ear what light could no longer stamp on his eye. Never did I weary of reading to him; never did I weary of conducting him where he wished to go: of doing for him what he wished to be done. And there was a pleasure in my services, most full, most exquisite, even though sad―because he claimed these services without painful shame or damping humiliation. He loved me so truly, that he knew no reluctance in profiting by my attendance: he felt that I loved him so fondly, that to yield that attendance was to indulge my sweetest wishes.

9
40 marks

Write about Jane and how she is presented at different points in the novel.

In your response you should:

  • refer to the extract and the novel as a whole

  • show your understanding of characters and events in the novel

  • refer to the contexts of the novel

A pause.

“Why are you silent, Jane?”

I was experiencing an ordeal: a hand of fiery iron grasped my vitals. Terrible moment: full of struggle, blackness, burning! Not a human being that ever lived could wish to be loved better than I was loved; and him who thus loved me I absolutely worshipped: and I must renounce love and idol. One drear word comprised my intolerable duty— “Depart!”

“Jane, you understand what I want of you? Just this promise—‘I will be yours, Mr. Rochester.’”

“Mr. Rochester, I will not be yours.”

Another long silence.

“Jane!” recommenced he, with a gentleness that broke me down with grief, and turned me stone-cold with ominous terror—for this still voice was the pant of a lion rising—“Jane, do you mean to go one way in the world, and to let me go another?”

“I do.”

“Jane” (bending towards and embracing me), “do you mean it now?”

“I do.”

“And now?” softly kissing my forehead and cheek. “I do”—extricating myself from restraint rapidly and completely.

“Oh, Jane, this is bitter! This—this is wicked. It would not be wicked to love me.”

“It would to obey you.”

A wild look raised his brows—crossed his features: he rose; but he forbore yet. I laid my hand on the back of a chair for support: I shook, I feared—but I resolved.

“One instant, Jane. Give one glance to my horrible life when you are gone. All happiness will be torn away with you. What then is left? For a wife I have but the maniac upstairs: as well might you refer me to some corpse in yonder churchyard. What shall I do, Jane? Where turn for a companion, and for some hope?”

“Do as I do: trust in God and yourself. Believe in heaven. Hope to meet again there.”

“Then you will not yield?”

“No.”

“Then you condemn me to live wretched, and to die accursed?” His voice rose.

“I advise you to live sinless: and I wish you to die tranquil.”

“Then you snatch love and innocence from me? You fling me back on lust for a passion—vice for an occupation?”

“Mr. Rochester, I no more assign this fate to you than I grasp at it for myself. We were born to strive and endure—you as well as I: do so. You will forget me before I forget you.”

10
40 marks

‘The female characters in Jane Eyre struggle to be treated fairly.’ Write about some of the times female characters are treated unfairly and how this is presented in the novel.

In your response you should:

  • refer to the extract and the novel as a whole

  • show your understanding of characters and events in the novel

  • refer to the contexts of the novel

Hitherto, while gathering up the discourse of Mr Brocklehurst and Miss Temple, I had not, at the same time, neglected precautions to secure my personal safety; which I thought would be effected, if I only could elude observation. To this end, I had sat well back on the form, and while seeming to be busy with my sum, had held my slate in such a manner as to conceal my face: I might have escaped notice, had not my treacherous slate somehow happened to slip from my hand, and falling with an obtrusive crash, directly drawn every eye upon me; I knew it was all over now, and, as I stooped to pick up the two fragments of slate, I rallied my forces for the worst. It came.

‘A careless girl!’ said Mr Brocklehurst, and immediately after – ‘it is the new pupil, I perceive.’ And before I could draw breath, ‘I must not forget I have a word to say respecting her.’ Then aloud – how loud it seemed to me! ‘Let the child who broke her slate come forward!’

Of my own accord, I could not have stirred; I was paralysed: but the two great girls who sat on each side of me set me on my legs and pushed me towards the dread judge, and then Miss Temple gently assisted me to his very feet, and I caught her whispered counsel –

‘Don’t be afraid, Jane, I saw it was an accident; you shall not be punished.’ The kind whisper went to my heart like a dagger.

‘Another minute and she will despise me for a hypocrite,’ thought I; and an impulse of fury against Reed, Brocklehurst, and Co. bounded in my pulses at the conviction. I was no Helen Burns.

‘Fetch that stool,’ said Mr Brocklehurst, pointing to a very high one from which a monitor had just risen: it was brought.

‘Place the child upon it.’

And I was placed there, by whom I don’t know. I was in no condition to note particulars. I was only aware that they had hoisted me up to the height of Mr Brocklehurst’s nose, that he was within a yard of me, and that a spread of shot orange and purple silk pelisses, and a cloud of silvery plumage extended and waved below me.

Mr Brocklehurst hemmed.

‘Ladies,’ said he, turning to his family; ‘Miss Temple, teachers, and children, you all see this girl?’

Of course they did; for I felt their eyes directed like burning-glasses against my scorched skin.

‘You see she is yet young; you observe she possesses the ordinary form of childhood; God has graciously given her the shape that He has given to all of us; no single deformity points her out as a marked character. Who would think that the Evil One had already found a servant and agent in her? Yet such, I grieve to say, is the case.’

11
40 marks

Write about Mr. Rochester and how he is presented at different points in the novel.

In your response you should:

  • refer to the extract and the novel as a whole

  • show your understanding of characters and events in the novel

  • refer to the contexts of the novel

Half reclined on a couch appeared Mr. Rochester, his foot supported by the cushion; he was looking at Adèle and the dog: the fire shone full on his face. I knew my traveller with his broad and jetty eyebrows; his square forehead, made squarer by the horizontal sweep of his black hair. I recognised his decisive nose, more remarkable for character than beauty; his full nostrils, denoting, I thought, choler; his grim mouth, chin, and jaw—yes, all three were very grim, and no mistake. His shape, now divested of cloak, I perceived harmonised in squareness with his physiognomy: I suppose it was a good figure in the athletic sense of the term—broad chested and thin flanked, though neither tall nor graceful.

Mr. Rochester must have been aware of the entrance of Mrs. Fairfax and myself; but it appeared he was not in the mood to notice us, for he never lifted his head as we approached.

“Here is Miss Eyre, sir,” said Mrs. Fairfax, in her quiet way. He bowed, still not taking his eyes from the group of the dog and child.

“Let Miss Eyre be seated,” said he: and there was something in the forced stiff bow, in the impatient yet formal tone, which seemed further to express, “What the deuce is it to me whether Miss Eyre be there or not? At this moment I am not disposed to accost her.”

I sat down quite disembarrassed. A reception of finished politeness would probably have confused me: I could not have returned or repaid it by answering grace and elegance on my part; but harsh caprice laid me under no obligation; on the contrary, a decent quiescence, under the freak of manner, gave me the advantage. Besides, the eccentricity of the proceeding was piquant: I felt interested to see how he would go on.

He went on as a statue would, that is, he neither spoke nor moved. Mrs. Fairfax seemed to think it necessary that some one should be amiable, and she began to talk. Kindly, as usual—and, as usual, rather trite—she condoled with him on the pressure of business he had had all day; on the annoyance it must have been to him with that painful sprain: then she commended his patience and perseverance in going through with it.

“Madam, I should like some tea,” was the sole rejoinder she got. She hastened to ring the bell; and, when the tray came, she proceeded to arrange the cups, spoons, etc., with assiduous celerity. I and Adèle went to the table; but the master did not leave his couch.