Hamlet (OCR A Level English Literature): Exam Questions

Exam code: H472

2 hours8 questions
1
15 marks

Discuss the following passage from Act 3 Scene 3, exploring Shakespeare’s use of language and dramatic effects.

KING

O, my offence is rank, it smells to heaven;

It hath the primal eldest curse upon’t—

A brother’s murder! Pray can I not,

Though inclination be as sharp as will.

My stronger guilt defeats my strong intent,

And, like a man to double business bound,

I stand in pause where I shall first begin,

And both neglect. What if this cursed hand

Were thicker than itself with brother’s blood,

Is there not rain enough in the sweet heavens

To wash it white as snow? Whereto serves mercy

But to confront the visage of offence?

And what’s in prayer but this twofold force,

To be forestalled ere we come to fall,

Or pardon’d being down? Then I’ll look up;

My fault is past. But, O, what form of prayer

Can serve my turn? ‘Forgive me my foul murder’!

That cannot be; since I am still possess’d

Of those effects for which I did the murder—

My crown, mine own ambition, and my queen.

May one be pardon’d and retain th’ offence?

In the corrupted currents of this world

Offence’s gilded hand may shove by justice;

And oft ’tis seen the wicked prize itself

Buys out the law. But ’tis not so above:

There is no shuffling; there the action lies

In his true nature; and we ourselves compell’d,

Even to the teeth and forehead of our faults,

To give in evidence. What then? What rests?

Try what repentance can. What can it not?

Yet what can it when one can not repent?

O wretched state! O bosom black as death!

O limed soul, that, struggling to be free,

Art more engag’d! Help, angels. Make assay:

Bow, stubborn knees; and, heart, with strings of steel,

Be soft as sinews of the new-born babe.

All may be well.

[ Retires and kneels ]

Enter HAMLET

HAMLET

Now might I do it pat, now ’a is a-praying;

And now I’ll do’t – and so ’a goes to heaven,

And so am I reveng’d. That would be scann’d:

A villain kills my father; and for that,

I, his sole son, do this same villain send

To heaven.

Why, this is hire and salary, not revenge.

’A took my father grossly, full of bread,

With all his crimes broad blown, as flush as May;

And how his audit stands who knows save heaven?

But in our circumstance and course of thought

’Tis heavy with him; and am I then reveng’d

To take him in the purging of his soul,

When he is fit and season’d for his passage?

No.

Up, sword, and know thou a more horrid hent.

When he is drunk asleep, or in his rage;

Or in th’ incestuous pleasure of his bed;

At game, a-swearing, or about some act

That has no relish of salvation in’t—

Then trip him, that his heels may kick at heaven,

And that his soul may be as damn’d and black

As hell, whereto it goes. My mother stays.

This physic but prolongs thy sickly days.

[ Exit ]

KING

[ Rising ] My words fly up, my thoughts remain below.

Words without thoughts never to heaven go.

[ Exit ]

[15 marks]

2
15 marks

‘A play in which characters are preoccupied with justice and morality.’

Using your knowledge of the play as a whole, show how far you agree with this view of the play Hamlet.

Remember to support your answer with reference to different interpretations.

[15 marks]

3
15 marks

Discuss the following passage from Act 2 Scene 2, exploring Shakespeare’s use of language and its dramatic effects.

HAMLET

Now I am alone.

O, what a rogue and peasant slave am I!

Is it not monstrous that this player here,

But in a fiction, in a dream of passion,

Could force his soul so to his own conceit

That from her working all his visage wann’d;

Tears in his eyes, distraction in’s aspect,

A broken voice, and his whole function suiting

With forms to his conceit? And all for nothing!

For Hecuba!

What’s Hecuba to him or he to Hecuba,

That he should weep for her? What would he do,

Had he the motive and the cue for passion

That I have? He would drown the stage with tears,

And cleave the general ear with horrid speech;

Make mad the guilty, and appal the free,

Confound the ignorant, and amaze indeed

The very faculties of eyes and ears.

Yet I,

A dull and muddy-mettl’d rascal, peak,

Like John-a-dreams, unpregnant of my cause,

And can say nothing; no, not for a king

Upon whose property and most dear life

A damn’d defeat was made. Am I a coward?

Who calls me villain, breaks my pate across,

Plucks off my beard and blows it in my face,

Tweaks me by the nose, gives me the lie i’ th’ throat

As deep as to the lungs? Who does me this?

Ha!

’Swounds, I should take it; for it cannot be

But I am pigeon-liver’d and lack gall

To make oppression bitter, or ere this

I should ’a fatted all the region kites

With this slave’s offal. Bloody, bawdy villain!

Remorseless, treacherous, lecherous, kindless villain!

O, vengeance!

Why, what an ass am I! This is most brave,

That I, the son of a dear father murder’d,

Prompted to my revenge by heaven and hell,

Must, like a whore, unpack my heart with words,

And fall a-cursing like a very drab,

A scullion! Fie upon’t! foh!

About, my brains. Hum – I have heard

That guilty creatures, sitting at a play,

Have by the very cunning of the scene

Been struck so to the soul that presently

They have proclaim’d their malefactions;

For murder, though it have no tongue, will speak

With most miraculous organ. I’ll have these players

Play something like the murder of my father

Before mine uncle. I’ll observe his looks;

I’ll tent him to the quick. If ’a do blench,

I know my course. The spirit that I have seen

May be a devil; and the devil hath power

T’ assume a pleasing shape; yea, and perhaps

Out of my weakness and my melancholy,

As he is very potent with such spirits,

Abuses me to damn me. I’ll have grounds

More relative than this. The play’s the thing

Wherein I’ll catch the conscience of the King.

[ Exit ]

[15 marks]

4
15 marks

‘Ideas and images drawn from the theatre are central to the play Hamlet.’

Using your knowledge of the play as a whole, show how far you agree with this view of the play Hamlet.

Remember to support your answer with reference to different interpretations.

[15 marks]

5
15 marks

Discuss the following passage from Act 5, Scene 2, exploring Shakespeare’s use of language and dramatic effects.

[ March afar off, and shot within ]

HAMLET

What warlike noise is this?

OSRIC

Young Fortinbras, with conquest come from Poland,

To th’ambassadors of England gives

This warlike volley.

HAMLET

O, I die, Horatio!

The potent poison quite o’er-crows my spirit.

I cannot live to hear the news from England,

But I do prophesy th’election lights

On Fortinbras; he has my dying voice.

So tell him, with th’occurrents, more and less,

Which have solicited – the rest is silence.

[ Dies ]

HORATIO

Now cracks a noble heart. Good night, sweet prince,

And flights of angels sing thee to thy rest!

[ March within ]

Why does the drum come hither?

Enter FORTINBRAS and English Ambassadors, with drum, colours, and Attendants.

FORTINBRAS

Where is this sight?

HORATIO

What is it you would see?

If aught of woe or wonder, cease your search.

FORTINBRAS

This quarry cries on havoc. O proud death,

What feast is toward in thine eternal cell

That thou so many princes at a shot

So bloodily hast struck?

FIRST AMBASSADOR

The sight is dismal;

And our affairs from England come too late:

The ears are senseless that should give us hearing

To tell him his commandment is fulfill’d,

That Rosencrantz and Guildenstern are dead.

Where should we have our thanks?

HORATIO

Not from his mouth,

Had it th’ability of life to thank you:

He never gave commandment for their death.

But since, so jump upon this bloody question,

You from the Polack wars, and you from England,

Are here arrived, give order that these bodies

High on a stage be placed to the view;

And let me speak to th’yet unknowing world

How these things came about. So shall you hear

Of carnal, bloody, and unnatural acts;

Of accidental judgments, casual slaughters;

Of deaths put on by cunning and forc’d cause;

And, in this upshot, purposes mistook

Fall’n on th’inventors’ heads – all this can I

Truly deliver.

FORTINBRAS

Let us haste to hear it,

And call the noblest to the audience.

For me, with sorrow I embrace my fortune;

I have some rights of memory in this kingdom,

Which now to claim my vantage doth invite me.

HORATIO

Of that I shall have also cause to speak,

And from his mouth whose voice will draw on more.

But let this same be presently perform’d,

Even while men’s minds are wild, lest more mischance

On plots and errors happen.

FORTINBRAS

Let four captains

Bear Hamlet like a soldier to the stage;

For he was likely, had he been put on,

To have prov’d most royal; and for his passage

The soldier’s music and the rite of war

Speak loudly for him.

Take up the bodies. Such a sight as this

Becomes the field, but here shows much amiss.

Go, bid the soldiers shoot.

[ Exeunt marching. A peal of ordnance shot off ]

[15 marks]

6
15 marks

‘The brutality and confusion of the play’s ending is unsettling.’

Using your knowledge of the play as a whole, show how far you agree with this view of the play Hamlet.

Remember to support your answer with reference to different interpretations.

[15 marks]

7
15 marks

Discuss the following passage from Act 5, Scene 1, exploring Shakespeare’s use of language and dramatic effects.

HAMLET

Ay, marry, why was he sent into England?

FIRST CLOWN

Why, because ’a was mad: ’a shall recover his wits there; or, if ’a do not, ’tis no great matter there.

HAMLET

Why?

FIRST CLOWN

’Twill not be seen in him there: there the men are as mad as he.

HAMLET

How came he mad?

FIRST CLOWN

Very strangely, they say.

HAMLET

How strangely?

FIRST CLOWN

Faith, e’en with losing his wits.

HAMLET

Upon what ground?

FIRST CLOWN

Why, here in Denmark. I have been sexton here, man and boy, thirty years.

HAMLET

How long will a man lie i’ th’ earth ere he rot?

FIRST CLOWN

Faith, if ’a be not rotten before ’a die – as we have many pocky corses now-a-days that will scarce hold the laying in – ’a will last you some eight year or nine year. A tanner will last you nine year.

HAMLET

Why he more than another?

FIRST CLOWN

Why, sir, his hide is so tann’d with his trade that ’a will keep out water a great while; and your water is a sore decayer of your whoreson dead body. Here’s a skull now; this skull has lien you i’ th’ earth three and twenty years.

HAMLET

Whose was it?

FIRST CLOWN

A whoreson mad fellow’s it was. Whose do you think it was?

HAMLET

Nay, I know not.

FIRST CLOWN

A pestilence on him for a mad rogue! ’A poured a flagon of Rhenish on my head once. This same skull, sir, was, sir, Yorick’s skull, the King’s jester.

HAMLET

This?

FIRST CLOWN

E’en that.

HAMLET

Let me see. [ Takes the skull ] Alas, poor Yorick! I knew him, Horatio: a fellow of infinite jest, of most excellent fancy; he hath borne me on his back a thousand times. And now how abhorred in my imagination it is! My gorge rises at it. Here hung those lips that I have kiss’d I know not how oft. Where be your gibes now, your gambols, your songs, your flashes of merriment that were wont to set the table on a roar? Not one now to mock your own grinning – quite chap-fall’n? Now get you to my lady’s chamber, and tell her, let her paint an inch thick, to this favour she must come; make her laugh at that. Prithee, Horatio, tell me one thing.

HORATIO

What’s that, my lord?

HAMLET

Dost thou think Alexander look’d a this fashion i’ th’ earth?

HORATIO

E’en so.

HAMLET

And smelt so? Pah! [ Throws down the skull ]

HORATIO

E’en so, my lord.

HAMLET

To what base uses we may return, Horatio! Why may not imagination trace the noble dust of Alexander till ’a find it stopping a bung-hole?

HORATIO

’Twere to consider too curiously to consider so.

HAMLET

No, faith, not a jot; but to follow him thither with modesty enough, and likelihood to lead it, as thus: Alexander died, Alexander was buried, Alexander returneth to dust; the dust is earth; of earth we make loam; and why of that loam whereto he was converted might they not stop a beer-barrel?

Imperious Caesar, dead and turn’d to clay,

Might stop a hole to keep the wind away.

O, that that earth which kept the world in awe

Should patch a wall t’ expel the winter’s flaw!

But soft! but soft! awhile. Here comes the King.

[15 marks]

8
15 marks

‘Hamlet is at his most clear-sighted when he contemplates death.’

Using your knowledge of the play as a whole, show how far you agree with this view of the play Hamlet.

Remember to support your answer with reference to different interpretations.

[15 marks]