Sonnet 29 (WJEC Eduqas GCSE English Literature): Revision Note
Exam code: C720
Sonnet 29 - 'I think of thee!'
Below is a guide to Elizabeth Barrett Browning’s poem 'Sonnet 29 - 'I think of thee!’'. It includes:
Overview: a breakdown of the poem, including its possible meanings and interpretations
Writer’s methods: an exploration of the poet’s techniques and methods
Historical and literary context: an exploration of the context of the poem, relevant to its themes
Linking the poems: an understanding of how ‘Sonnet 29’ connects to other poems in the Eduqas GCSE English Literature Poetry Anthology
Overview
In order to answer an essay question on any poem it is vital that you understand what it is about. This section includes:
An overview of the poem
A ‘translation’ of the poem, section-by-section
A commentary of each of these sections, outlining Elizabeth Barrett Browning’s intention and message
'Sonnet 29 - 'I think of thee!’' overview
'Sonnet 29 - 'I think of thee!’', written by the Victorian poet Elizabeth Barrett Browning, is a sonnet. It was thought to be part of a secret collection written for Robert Browning. The poem expresses the speaker’s thoughts about her absent lover and how she wishes for his presence; she explores longing and physical desire within romantic relationships.
'Sonnet 29 - 'I think of thee!’' translation
Lines 1-4
“I think of thee! - my thoughts do twine and bud
About thee, as wild vines, about a tree,
Put out broad leaves, and soon there's nought to see
Except the straggling green which hides the wood.”
Translation
The poem begins by describing the speaker’s thoughts as if they are vines surrounding a tree which block the light as they grow bigger and broader
Barrett Browning’s intention
Barrett Browning compares her thoughts to nature’s wild and unrestrained growth:
These thoughts almost consume the tree (which represents her lover)
The physical closeness between vine and tree suggests a sensual, even sexual, connection
The descriptions suggest her thoughts about her lover are out of control and untamed
Lines 5-7
“Yet, O my palm-tree, be it understood
I will not have my thoughts instead of thee
Who art dearer, better! Rather, instantly”
Translation
The speaker shifts tone to explain to him that she prefers his physical presence to thinking about him
The speaker addresses her listener as a tree to further connect nature with her thoughts
Barrett Browning’s intention
Here, the speaker suggests she is aware that thoughts of desire can be dangerous if not satisfied
The speaker’s emotional exclamation explains how much better physical love is to longing
Lines 8-11
“Renew thy presence; as a strong tree should,
Rustle thy boughs and set thy trunk all bare,
And let these bands of greenery which insphere thee
Drop heavily down,- burst, shattered, everywhere!”
Translation
The speaker gives instructions to her lover and asks him to come back to her
She asks him to free himself of all the ‘tangles’ of longing and let everything be clear again by shattering the dreams and fantasies
Barrett Browning’s intention
These lines suggest his presence would free them both of the restrictions of thoughts and longing
Lines 12-13
“Because, in this deep joy to see and hear thee
And breathe within thy shadow a new air,”
Translation
Here, the speaker explains why she thinks he should return to her:
Her reason is sensory: she wants to see and hear him close to her
Barrett Browning’s intention
The speaker explains that a genuine, deep happiness will come from seeing and hearing her lover close to her, so much so it will be like a new experience:
Barrett Browning presents physical unity as sensual and exciting
Lines 14
“I do not think of thee - I am too near thee.”
Translation
The speaker explains that if he is with her, she will not have to think of him
Barrett Browning’s intention
Here, Barrett Browning ends the poem with a clear solution to the problem
She explains that when they are physically together, she will not have to think of him and long for him
Writer’s methods
Although this section is organised into three separate sections: form, structure and language, it is always best to move from what the poet is presenting (the techniques they use; the overall form of the poem; what comes at the beginning, middle and end of a poem) to how and why they have made the choices they have.
Focusing on the poet’s overarching ideas, rather than individual poetic techniques, will gain you far more marks. Crucially, in the below sections, all analysis is arranged by theme, and includes Elizabeth Barrett Browning’s intentions behind her choices in terms of:
Form
Structure
Language
Form
Elizabeth Barrett Browning’s poem presents a female speaker who expresses and explores her feelings of longing for her absent lover. 'Sonnet 29 - I think of thee' is a sonnet, a traditional love poem, although sonnets are not conventionally written by a female speaker. Therefore, the poem offers an alternative perspective to romantic love.
Theme | Evidence | Poet’s intention |
|---|---|---|
Complex relationships | The poem is a Petrarchan sonnet, an Italian love poem of 14 lines | Barrett Browning’s form is of a typical sonnet as she uses it to express intense emotions of romantic love, often regarding unrequited or frustrated love |
Unlike typical sonnets, this one has a volta in line 5 rather than after an octave of 8 lines | The speaker breaks tradition by offering a shift in tone early in the poem to focus on a more rational solution instead of the complex problem of the distance in their relationship:
| |
Barrett Browning presents complex romantic relationships by subverting a traditional form to offer a female perspective on longing and desire | ||
Structure
The poem mostly follows the typical structure of a sonnet, but subverts tradition with irregularities to present an alternative viewpoint.
Theme | Evidence | Poet’s intention |
|---|---|---|
Desire and longing | The poem sometimes follows an iambic pentameter typical of a sonnet, but breaks this rhythm throughout the poem | Barrett Browning does not adhere to the rules of the traditional sonnet: in this way she expresses a rebellious opposition to strict codes of conduct |
The poet uses enjambment and caesura which make the rhythm uneven:
| The speaker’s tone is emotional at times as she tries to control her longing and desire | |
By the end of the poem, the speaker returns to her thoughts, but her final line contradicts the first line: she begins the poem thinking of him, and ends saying she will not think of him | The poem’s structure suggests the speaker has reconciled her feelings by the end as she decides reality is better than fantasy | |
Barrett Browning challenges Victorian ideas of romance between the genders by presenting a female speaker who sways from convention and expresses intense physical desire | ||
Language
Barrett Browning’s poem uses an extended metaphor to compare love and longing to nature. As expected in a sonnet, elevated language is directed to an absent lover to present intense emotions in romantic relationships.
Theme | Evidence | Poet’s intention |
|---|---|---|
Desire and longing | The poem uses an extended metaphor which compares her feelings of longing to the wild and tangled branches of vines around a tree | The natural imagery is described as suffocating, blinding the speaker to clear thought, to show her intense emotions |
The speaker describes her lover as a strong tree and asks him to “rustle thy boughs”, “drop” the leaves and “bare” his trunk in order to “burst” and “shatter” their tangled daydreaming:
| Here, the speaker asks her lover to physically release the tension of their frustrated thoughts:
| |
Barrett Browning uses elevated, archaic language to present her love as devoted and pure: “thee” and ”thy” | Traditionally, Petrarchan sonnets would elevate the idea of love as something sacred; here the poem’s exaltation of love is clear in the exclamatory first line, “I think of thee!” | |
Barrett Browning presents the complicated and intense emotions of longing and desire with imagery which suggests the sensory experience of physical love will free her from her thoughts | ||
Historical and literary context
Examiners repeatedly state that context should not be considered as additional factual information: in this case, it is not random biographical information about Elizabeth Barrett Browning or the Victorian era which is unrelated to the ideas in 'Sonnet 29 - 'I think of thee!’'
The best way to understand context is as the ideas and perspectives explored by Barrett Browning which relate to its key themes. This section has therefore been divided into two relevant themes that Barrett Browning explores:
Complex relationships
Desire and longing
Complex relationships
'Sonnet 29 - 'I think of thee!’, by Victorian poet, Elizabeth Barrett Browning, was written in the context of a patriarchal, British society:
Fathers had control over decisions regarding their daughters’ relationships
Society favoured relationships which were respectable, restrained and kept to a strict code of conduct
Elizabeth Barrett Browning’s father forbade her from marrying Robert Browning, which resulted in a secret relationship, based largely on secret letters:
The poems were not shown until after her marriage to Robert Browning, as their content would be considered scandalous
Barrett Browning’s parents disowned her after her marriage, illustrating the rebellious attitude of the poet and the strictness of her society
In this context, the poem, as part of a collection of sonnets (allegedly written to Robert Browning), presents their complex relationship
Barrett Browning’s poem is in the form of a sonnet, which traditionally featured a male speaker and explored intense love, often unrequited and imbalanced:
This poem subverts traditions as it is written by a woman to a man:
The poem suggests the speaker has control: she instructs her lover to come to her
This challenges gender expectations which advocated coy, restrained females
The poem presents a clear solution to the problematic emotions brought on by frustrated desire and complex love, suggesting a rational speaker:
This opposed perceptions within Barrett Browning’s patriarchal society wherein women were seen as incapable of logical thought
Desire and longing
Barrett Browning‘s poem was written at a time when British society frowned upon and repressed female sexuality
The poem subverts gender expectations as the speaker presents powerful emotions, frowned upon in upper-class British society:
Barrett Browning’s speaker is excited about love, and frustrated with the lack of physical presence in their relationship:
Her exclamations and sensory language present a female speaker with similar emotions to a man, commenting on gender expectations
Her allusion to the physical nature of release from the agony of her tangled thoughts shows an unrestrained woman in love
Linking the poems
The Eduqas GCSE English Literature exam asks you to compare two poems from the anthology. You will be given the text of one poem in the question paper, but you will need to compare this with another poem of your choice, one that comments on the particular theme in the question. It stands to reason, then, that it will be a good idea to understand your anthology poems according to their themes.
Here, you will find a guided list of poems that work well together, and how they are linked by a common theme. Do remember, though, the list below is not exhaustive and themes and ideas often overlap.
The poems you could link with Elizabeth Barrett Browning’s 'Sonnet 29' are:
'Dusting the Phone' by Jackie Kay
'Cousin Kate' by Christina Rossetti
'Catrin' by Gillian Clarke
'Origin Story' by Eve L. Ewing
'I Shall Return' by Claude McKay
'Disabled' by Wilfred Owen
Complex relationships | |||
|---|---|---|---|
'Dusting the Phone' | 'Cousin Kate' | 'Catrin' | 'Origin Story' |
Speakers' thoughts entired consumed by their partner; unbalanced relationships | Exploration of power dynamics in romantic relationships | Contrasts romantic love with the complexities of maternal love | Explores the complexities of flawed, real-world romance |
Desire and longing | ||
|---|---|---|
'Dusting the Phone' | 'I Shall Return' | 'Disabled' |
Browning's speaker longs for physical intimacy; Kay's speaker exhibits similar but far more painful and unfilfilled longing | Browning's poem explores romantic desire, whereas McKay's speaker possesses a profound, nostalgic longing for his homeland | Browning's speaker looks forward to the lover's imminent arrival, whereas the wounded soldier in Owen's poem experiences painful, nostalgic longing for the time before he went to war |
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