Twelfth Night (WJEC Eduqas GCSE English Literature): Exam Questions

Exam code: C720

3 hours8 questions
1
15 marks

Read the following extract from Twelfth Night. Then answer the question that follows.

Orsino

There is no woman's sides

Can bide the beating of so strong a passion

As love doth give my heart; no woman's heart

So big, to hold so much. They lack retention.

Alas, their love may be called appetite,

No motion of the liver, but the palate,

That suffer surfeit, cloyment, and revolt.

But mine is all as hungry as the sea,

And can digest as much. Make no compare

Between that love a woman can bear me

And that I owe Olivia.

Viola

Ay, but I know—

Orsino

What dost thou know?

Viola

Too well what love women to men may owe.

In faith, they are as true of heart as we.

My father had a daughter loved a man

As it might be, perhaps, were I a woman

I should your lordship.

Orsino

And what's her history?

Viola

A blank, my lord. She never told her love,

But let concealment, like a worm i'th' bud,

Feed on her damask cheek. She pined in thought,

And with a green and yellow melancholy

She sat like patience on a monument,

Smiling at grief. Was not this love indeed?

We men may say more, swear more, but indeed

Our shows are more than will; for still we prove

Much in our vows, but little in our love.

Look at how the characters speak and behave here. How do you think an audience might respond to this part of the play? Refer closely to details from the extract to support your answer.

[15 marks]

2
25 marks

How does Shakespeare present love in Twelfth Night? Refer to characters and events from the play in your answer.

[25 marks]

5 of this question's marks are allocated for accuracy in spelling, punctuation and the use of vocabulary and sentence structures.

3
15 marks

Read the following extract from Twelfth Night. Then answer the question that follows.

Viola [picking up the ring]

I left no ring with her. What means this lady?

Fortune forbid my outside have not charmed her.

She made good view of me, indeed so much

That straight methought her eyes had lost her tongue,

For she did speak in starts, distractedly.

She loves me, sure. The cunning of her passion

Invites me in this churlish messenger.

None of my lord's ring! Why, he sent her none.

I am the man. If it be so—as 'tis—

Poor lady, she were better love a dream!

Disguise, I see thou art a wickedness

Wherein the pregnant enemy does much.

How easy is it for the proper false

In women's waxen hearts to set their forms!

Alas, our frailty is the cause, not we,

For such as we are made of, such we be.

How will this fadge? My master loves her dearly,

And I, poor monster, fond as much on him,

And she, mistaken, seems to dote on me.

What will become of this? As I am man,

My state is desperate for my master's love.

As I am woman, now, alas the day,

What thriftless sighs shall poor Olivia breathe!

O time, thou must untangle this, not I.

Look at how Viola speaks and behaves here. How do you think an audience might respond to this part of the play? Refer closely to details from the extract to support your answer.

[15 marks]

4
25 marks

How does Shakespeare present disguise in Twelfth Night? Refer to characters and events from the play in your answer.

[25 marks]

5 of this question's marks are allocated for accuracy in spelling, punctuation and the use of vocabulary and sentence structures.

5
15 marks

Read the following extract from Twelfth Night. Then answer the question that follows.

Malvolio

'I may command where I adore,

But silence like a Lucrece knife

With bloodless stroke my heart doth gore.

M.O.A.I. doth sway my life.'

Fabian

A fustian riddle.

Sir Toby

Excellent wench, say I.

Malvolio

'M.O.A.I. doth sway my life.' Nay, but first let me see, let me see, let me see.

Fabian

What dish o' poison has she dressed him!

Sir Toby

And with what wing the staniel checks at it!

Malvolio

'I may command where I adore.' Why, she may command me. I serve her, she is my lady. Why, this is evident to any formal capacity. There is no obstruction in this. And the end—what should that alphabetical position portend? If I could make that resemble something in me. Softly—'M.O.A.I.'

Sir Toby

O ay, make up that, he is now at a cold scent.

Fabian

Sowter will cry upon't for all this, though it be as rank as a fox.

Malvolio

'M.' Malvolio—'M'—why, that begins my name.

Fabian

Did not I say he would work it out? The cur is excellent at faults.

Malvolio

'M.' But then there is no consonancy in the sequel. That suffers under probation. 'A' should follow, but 'O' does.

Fabian

And 'O' shall end, I hope.

Sir Toby

Ay, or I'll cudgel him, and make him cry 'O!'

Malvolio

And then 'I' comes behind.

Fabian

Ay, an you had any eye behind you you might see more detraction at your heels than fortunes before you.

Look at how the characters speak and behave here. How do you think an audience might respond to this part of the play? Refer closely to details from the extract to support your answer.

[15 marks]

6
25 marks

Write about Malvolio and how Shakespeare presents him at different points in the play.

[25 marks]

5 of this question's marks are allocated for accuracy in spelling, punctuation and the use of vocabulary and sentence structures.

7
15 marks

Read the following extract from Twelfth Night. Then answer the question that follows.

Orsino

Be clamorous, and leap all civil bounds,

Rather than make unprofited return.

Viola

Say I do speak with her, my lord, what then?

Orsino

O then unfold the passion of my love,

Surprise her with discourse of my dear faith.

It shall become thee well to act my woes—

She will attend it better in thy youth

Than in a nuncio's of more grave aspect.

Viola

I think not so, my lord.

Orsino

Dear lad, believe it;

For they shall yet belie thy happy years

That say thou art a man. Diana's lip

Is not more smooth and rubious; thy small pipe

Is as the maiden's organ, shrill and sound,

And all is semblative a woman's part.

I know thy constellation is right apt

For this affair. [To Curio and attendants] Some four or five attend him.

All if you will, for I myself am best

When least in company. [To Viola] Prosper well in this

And thou shalt live as freely as thy lord,

To call his fortunes thine.

Viola

I'll do my best

To woo your lady—[aside] yet a barful strife—

Whoe'er I woo, myself would be his wife.

Look at how the characters speak and behave here. How do you think an audience might respond to this part of the play? Refer closely to details from the extract to support your answer.

[15 marks]

8
25 marks

Write about the relationship between Viola and Orsino and how Shakespeare presents it at different points in the play.

[25 marks]

5 of this question's marks are allocated for accuracy in spelling, punctuation and the use of vocabulary and sentence structures.