Paradise Lost: What To Compare It To (OCR A Level English Literature): Revision Note
Exam code: H472
What To Compare It To
For Component 1 Section 2, you will study one pre-1900 drama text and one pre-1900 poetry text. For Section 2, the set texts have been chosen as they illuminate one another and share thematic connections. From the choice of set texts we will explore the connections between John Milton’s Paradise Lost (from the set list of pre-1900 poetry texts) and John Webster’s The Duchess of Malfi (from the set list of pre-1900 drama texts). These two texts can be compared effectively given that they both explore themes of marriage, sin, gender, morality and individual power. A detailed comparison of these two texts will be explored here, along with a comparative summary of other texts:
Paradise Lost and The Duchess of Malfi
Comparisons with other texts
Examiner Tips and Tricks
The second task in Component 1 is a comparative essay, and it should include an integrated comparative analysis of the relationships between texts. This means that you are required to explore contrasts, connections and comparisons between different literary texts, including the ways in which the texts relate both to one another and to literary traditions, movements and genres. The best responses pick up on the prompt words within the quotation given in the task and then select material accordingly. In this way, by sustaining a coherent, question-focused argument throughout, comparison becomes a technique through which the texts can be used to shed light on each other.
For the following suggested comparison, you will find:
The comparison in a nutshell
Similarities between the ideas presented in each text
Differences between the ideas presented in each text
Evidence and analysis of these similarities and differences
Paradise Lost and The Duchess of Malfi
Comparison in a nutshell:
This comparison provides the opportunity to compare how both texts present powerful emotions and to explore the connection between intense thoughts and bad deeds. In Books IX and X of Paradise Lost, Eve’s independence and Adam’s love are (in the context of the time) wholly unacceptable as their outcome is the Fall. Similarly, The Duchess of Malfi is set in a world where repressed emotions drive the Duchess and her low-born husband to conventionally “unacceptable” behaviour.
Similarities:
Topic sentence | Both Milton and Webster explore the connection between intense thoughts and bad deeds | |
Evidence and analysis | Paradise Lost | The Duchess of Malfi |
Milton's exploration of intense thoughts and bad deeds raises moral and theological questions | Webster depicts characters who are trapped within a rigid social structure that suppresses their desires and emotions | |
Eve’s intense thoughts lead her to disobedience and she succumbs to the temptation of the forbidden fruit: her independence would have been considered radical in the context of Milton's time and challenges traditional gender roles | Both Eve and the Duchess succumb to temptation: the Duchess is forbidden from remarrying due to her noble status and her intense love for Antonio is initially repressed due to social norms | |
Adam's love for Eve is portrayed as deep and genuine and his intense love for Eve makes him eat the forbidden fruit willingly: these intense emotions result in the tragic downfall of humanity | Similarly, Antonio's love for the Duchess is characterised by its sincerity and intensity though it always results in tragedy with the Duchess’s persecution and death | |
Milton's exploration of intense thoughts and their consequences would have resonated with the religious and philosophical debates of the time: the Protestant Reformation and the rise of individualism were challenging traditional notions of authority and obedience | Similarly, The Duchess of Malfi was influenced by the societal norms and moral values of Jacobean England, as issues of class and gender were deeply ingrained within society | |
Some interpretations consider the importance of individual responsibility and free will in the moral choices made by the characters: they acknowledge the power of intense thoughts but illustrate the significance of resisting temptation and making virtuous decisions | Some interpretations view the Duchess's “bad deed” and defiance as a feminist statement that challenges patriarchal norms of the time | |
This comparison also provides the opportunity to compare how both texts present fulfilment and explore how it can sometimes be achieved through unexpected means. In Books IX and X of Paradise Lost, Adam and Eve seem to sacrifice any potential for fulfilment as a result of their actions and yet, ironically, they seem to find this in each other in their post-lapsarian state. Similarly, Bosola, in The Duchess of Malfi, lets his grudges bring him some fulfilment as an aesthetically minded henchman, while the Duchess finds moments of wonderful intensity on her road to darkness.
Topic sentence | Both Milton and Webster explore how fulfilment can sometimes be achieved through unexpected means | |
Evidence and analysis | Paradise Lost | The Duchess of Malfi |
Adam and Eve initially experience a loss of fulfillment through their disobedience: their actions appear to forfeit any possibility of regaining what they both had | Bosola is marked by his grudges and vengeful nature and finds a twisted sense of fulfillment in his role: his actions are driven by hatred and betrayal | |
Paradoxically, in their fallen state, Adam and Eve find a new form of fulfillment and their shared guilt and vulnerability foster a greater intimacy and understanding between them | Although initially a vengeful character, Bosola similarly finds unexpected fulfilment through his evolving moral conscience and the genuine connections he forms: Bosola's fulfillment is deeply ironic and reveals the destructive allure of vengeance and the dark paths it can lead to | |
Milton presents irony as Adam and Eve find a deeper, more meaningful fulfilment in their fallen state outwardly marked by suffering and loss | Similarly, although the Duchess seeks love and personal happiness (but is met with betrayal and tragedy), she too experiences moments of fulfillment even amid her moments of suffering and darkness | |
During this period, England was marked by political and religious upheaval and ideas about individual fulfillment and divine destiny were deeply intertwined with prevailing religious beliefs: the poem explores the pursuit of fulfillment without divine guidance | Similarly, the Duchess's pursuit of love and autonomy challenges the societal constraints placed upon women of Webster’s time, which illustrates the struggle for fulfilment within oppressive contexts | |
Differences:
This comparison provides the opportunity to compare how both texts present heroism and to consider ways in which the writers explore heroic acts and behaviour. While the action of books IX and X in Paradise Lost is about loss rather than heroism, the way in which Milton casts Satan in the role of epic hero, with much irony, is evident. In contrast, the character of the Duchess of Malfi arguably makes heroic choices in the face of suffering, but is likely to be viewed by some as a victim rather than a heroine, due to the impossible context in which she operates.
Topic sentence | Both Milton and Webster explore heroic acts and behaviour though they present these in contrasting ways | |
Evidence and analysis | Paradise Lost | The Duchess of Malfi |
Milton's portrayal of heroism is deeply rooted in moral complexity and divine context | In contrast, Webster's presentation of heroism is grounded in human conflicts and societal constraints | |
Heroism lies in Adam and Eve’s capacity for repentance and divine forgiveness which offers a more hopeful perspective despite the tragic fall | In contrast, heroism is portrayed as courageous yet futile in The Duchess of Malfi: Webster depicts heroism through the Duchess's tragic fate and her willingness to endure suffering and face death illustrate the tragic heroism of sacrificing personal happiness for love | |
Milton employs traditional epic heroic qualities in describing Satan: he is depicted as charismatic, courageous and eloquent and his ability to rally his fallen angels; his persuasive rhetoric and his unwavering determination resemble the traits of epic heroes like Achilles or Odysseus | Despite the oppressive social constraints and the constant threat of her brothers' tyranny, the Duchess displays some heroic courage and determination; however, at times, her character is also depicted as deeply flawed and vulnerable | |
While Satan undeniably exhibits all the traits of a conventional epic hero, his corruption, selfishness, vengefulness and damnation remain unaltered | In a society that stifles her, the Duchess's heroic acts lie in her ability to assert her autonomy and challenge the established norms | |
Milton again presents irony, as Satan's heroic qualities are used in the pursuit of evil instead of being used for noble purposes, which challenges the traditional notions of heroism | Despite her heroic choices, the Duchess ultimately falls victim to betrayal by her own family: her tragic demise conveys the limitations of individual heroism in the face of systemic oppression | |
Milton's epic was written during a time of political and religious upheaval in 17th-century England: heroism would have resonated with the theme of rebellion against authority, which reflected the turbulent and defiant atmosphere of this period | Rigid class distinctions and patriarchal dominance were dominant during the Jacobean era: in this context, heroism in the play is exemplified by the Duchess's courage to challenge societal constraints prevalent during the time it was written | |
This comparison provides the opportunity to compare how both texts present happiness and how it is difficult to find and to keep. In Milton’s work, happiness is the great prize carelessly thrown away, while in Webster’s work, any domestic happiness experienced by the Duchess is also short-lived, while Bosola’s irregular life has become a fruitless quest for satisfaction.
Topic sentence | While both Milton and Webster explore happiness and how it is difficult to find and to keep, Milton presents the relationship between happiness and moral righteousness whereas Webster explores a more humanistic pursuit of contentment | |
Evidence and analysis | Paradise Lost | The Duchess of Malfi |
Milton's portrayal of happiness is viewed as a prelapsarian state of innocence, depicting an idyllic Eden where Adam and Eve experience eternal bliss | n contrast, Webster's exploration is marked by a harsher reality where happiness is fleeting | |
Milton suggests that happiness derives from obedience to divine will and moral righteousness: Adam and Eve's initial happiness in Eden is rooted in their harmonious relationship with God | In contrast, Webster portrays happiness as stemming from personal autonomy, love and emotional fulfilment: the Duchess finds moments of joy and happiness in her secret relationship with Antonio | |
Adam and Eve respond to adversity with introspection, repentance and the pursuit of divine forgiveness | In contrast, the Duchess and Bosola respond to adversity with defiance and resilience | |
Milton's poem reflects the religious and moral anxieties of his time, which illustrates the connection between happiness and divine obedience | In contrast, Webster's play explores the humanistic pursuit of happiness and conveys personal autonomy and emotional fulfilment amid societal constraints | |
Comparisons with other texts
All of the following examples are taken from the prescribed text list.
Text | Summary | Key comparisons with Paradise Lost |
Edward II by Christopher Marlowe (1592) | Edward II is a historical tragedy that chronicles the turbulent reign of King Edward II of England. The play delves into Edward's controversial relationships, particularly with Piers Gaveston, which leads to political unrest and rebellion. Edward's personal desires clash with political duties meaning his downfall becomes inevitable |
|
The Duchess of Malfi by John Webster (1614) | The Duchess of Malfi is a tragedy about a Duchess, a young widow, who secretly marries her steward, Antonio, against her brothers' wishes. As the Duchess's brothers scheme to regain control, the play culminates in a tragic conclusion that illustrates the destructive force of jealousy and greed |
|
She Stoops to Conquer by Oliver Goldsmith (1771) | She Stoops to Conquer is about the misadventures of a young man named Marlow. Mistaken identities, misunderstandings and romantic entanglements ensue when Marlow visits the home of Mr Hardcastle, intending to meet his daughter, Kate Hardcastle, but instead mistaking her for a barmaid |
|
A Doll’s House by Henrik Ibsen (1879) | A Doll’s House portrays Nora, the protagonist, leaving her husband and children to seek her own identity, challenging the traditional roles imposed by society |
|
An Ideal Husband by Oscar Wilde (1895) | The play revolves around Sir Robert Chiltern, a respected politician, and his seemingly perfect life. However, when a woman named Mrs Cheveley threatens to expose a dark secret from his past, Sir Robert’s integrity and marriage are put to the test |
|
Unlock more, it's free!
Was this revision note helpful?