No.26 The Black Ball (Cambridge (CIE) IGCSE English Literature): Revision Note

Exam code: 0475 & 0992

Sam Evans

Written by: Sam Evans

Reviewed by: Nick Redgrove

Updated on

The Black Ball analysis

In the exam, you will be asked to answer one question from two options. Both questions will be on a different text from the selection of ten texts in Stories of Ourselves Volume 2. 

Because there are so many text options, make sure you read through the exam instructions carefully, and look for the questions on Stories of Ourselves.

The following guide to The Black Ball by Ralph Ellison contains:

  • Plot summary

  • Themes, ideas and perspectives

  • Writer’s methods

  • Key quotations

Plot summary of The Black Ball

American author Ralph Ellison wrote the short story in 1937, and it was first published in 1967 in Flying Home and Other Stories. It is a semi-autobiographical first-person account of a Black father’s challenging day, working and raising his son alone in a racially-segregated America. 

John works as a janitor for a luxury apartment block. This particular morning, he rushes back from work to get breakfast for his young son. The boy tells his father that one of the white children called him “black”. John says that he is “brown”, and, most importantly, American. 

Back at work, while polishing brass door knobs, John thinks about his rude and petty boss, Mr Berry. He is approached by a man with “red” skin typical of the “deep South”. John is suspicious, but the man encourages John to join his union. To convince him of his good intentions, he reveals his scarred hands, and describes how a white supremacist mob set fire to him for supporting a wrongly-accused Black man, and lynched his friend. The union organiser gives John a card with the details of the meeting, and leaves. 

At lunchtime, John warns his son not to play with his football at the front of the building because that is where the white boys play, but while he is asleep a white boy takes the ball from his son and throws it at Mr Berry’s window. Mr Berry confronts John and warns him that if the ball is thrown again, he will be “behind the black ball” (a threat to fire him, but a reference to disenfranchisement).

Later, when John goes to water the lawn, he reflects on his son’s future, and that he, too, will be blackballed, or excluded. Remembering the union man’s scarred hands, he looks for the card with the details of the union meeting and wonders if there is any other colour than “white” on his son’s ball. 

Examiner Tips and Tricks

In order to answer the question in Section B of the CIE Literature in English Poetry and Prose Paper 1, it is best to have a thorough knowledge of the story’s plot. This will help you to form a structural analysis, which means you will be considering how themes and characters develop (or not) through the story. 

Themes, ideas and perspectives in The Black Ball

For top marks, you need to form a critical understanding of the text’s themes and ideas. This is best when it includes personal judgements and evaluations of the themes, ideas, and perspectives of the text. Here are some of the key ideas you will need to understand in Ralph Ellison’s The Black Ball. 

What are the key themes in The Black Ball?

Theme 

Analysis

Discrimination 

  • The story describes the everyday life of a Black father in 20th-century America:

    • Through the first-person perspective, Ellison illustrates the wariness and doubt John feels all day

  • The story relates John’s cynical thoughts while he works as a janitor in an expensive apartment block where white people live:

    • He is suspicious of the white men around him, fearing their power to take his job or “put one over on” him

    • His concerns are proven reasonable when a white boy escapes punishment and John’s son is blamed

Hope 

  • The story’s intimate depiction of John’s relationship with his innocent son creates a poignant tone:

    • His son expresses his wish to “drive a truck” when he’s older

  • The story’s inciting incident comes in the form of a white union organiser who offers John a way to improve his conditions:

    • Initially, John’s resignation to his plight (and to his son’s similarly hopeless future) shows how injustice has led to passivity

  • The climax of the story initiates John’s desire for change: 

    • He is threatened and his son is wrongly blamed

    • By the end, John entertains the possibility of hope for his son’s future, though his tone remains cautious and uncertain

Writer's methods in The Black Ball

How does Ellison present his ideas and perspectives?

Ralph Ellison illustrates the results of racial segregation in early 20th-century America through his depiction of a struggling and fearful working father, and a tortured white civil rights supporter. The story advocates for solidarity and action to ensure a fairer future. 

Technique 

Analysis

Symbolism

  • The story uses colour to symbolise race:

    • John’s son asks if he is “black”, and John replies that he is “brown”

    • In contrast, the man from the union is described with “red” skin, typical of the “deep South”

    • In descriptions of the man’s burned hands Ellison draws connections between fire and the “hell” of racial violence

  • Ellison uses juxtaposition to symbolise the idea of discrimination:

    • The symbolic “black ball” represents Black Americans’ disenfranchisement, while John’s white ball represents privilege

    • John hopes that there will be “a color other than white on the old ball” in the future

  • Ellison represents the idea of unionisation and change by referring to “trucks”, and his son’s desire to one day become a truck driver:

    • In contrast, John’s work polishing “brass” panels and doorknobs symbolises the idea of exploitation, and alludes to slavery 

First-person narrative 

  • A first-person narrator, John, begins the story with present tense continuous verbs:

    • This emphasises his busy day and his manual work

    • He is “mopping”, “sweeping”, “dusting”, and “emptying”

  • John’s intimate monologue shows his distrust, which reveals his deeply-ingrained sense of injustice:

    • He describes his boss as a villain, “gazing into the brass like the wicked queen into her looking glass”

  • His dialogue with his son gives the story a poignant innocence: 

    • “You always kid, don’t you, Daddy?”

Examiner Tips and Tricks

Examiners reward essay responses that recognise and appreciate ways in which writers use language, structure and form to create and shape meanings and effects. This means you should write about the way language choices, settings, and characterisations raise ideas or present the writer’s attitudes. 

For instance, in the short story The Black Ball, Ralph Ellison illustrates how a father’s concerns for his son’s future initiate and motivate change.

Key quotations in The Black Ball

The mark scheme for the CIE IGCSE Literature in English Paper 1, Section B asks you to showcase your knowledge of the story in the question. To do this, you should refer to the text through references and quotations. Remember, though, summarising, paraphrasing, referencing single words, and referencing plot events are all considered valid supporting evidence for your points. 

The best way to revise quotations is in connection to a theme. Below you will find explanations and analysis of some key quotations from Ralph Ellison’s The Black Ball, arranged by the following themes:

  • Discrimination

  • Hope  

Discrimination 

Ellison’s story highlights the entrenched racism existing in America in the early 20th century through his depiction of an isolated and anxious Black janitor and his innocent son. 

“Some people think so. But American is better than both, son” — John

Meaning and context

  • When John’s son says that “brown” is better than “white”, John quips that some people think being “white” is better

  • He adds that being “American” is more important than the colour of one’s skin

Analysis

  • Ellison raises ideas about discrimination in 20th-century America, suggesting that being a citizen of America should not depend on race

  • Ellison presents his protagonist as patriotic despite injustices to which he is subjected

“A smile couldn’t change things between my kind and his” — John

Meaning and context

  • When the union man smiles at him, John is distrustful

  • He thinks the man’s polite smile will not change racist attitudes or past oppression

Analysis

  • Through John’s monologue, Ellison presents cultural barriers between two strangers — “my kind and his”:

    • Regardless of behaviour now, bitterness and doubt remains

  • Ellison may be alluding to slavery, as well as the Jim Crow laws, under which Ellison lived

“What ever caused you to give a damn about a Negro anyway? Why should you try to organize Negroes?” — John

Meaning and context

  • John questions the union man as he finds his offer of help suspicious

  • He says that white men have never seen reason to help before, and asks why is he trying to do so now, suggesting it is not his place to “organise” Black men

Analysis

  • Ellison illustrates how John’s fear and anxiety manifests in a cynical attitude

  • His interrogative tone presents him as frustrated and bitter at the complicity of those who allowed racial segregation and oppression to occur

  • The italicised and repeated word “you” addresses all white men, not just the union man

Hope 

“Those hands were on my brain, and I couldn’t forget that fellow" — John

Meaning and context

  • John thinks about the union man when he goes home

  • He remembers his scarred hands, and how he got them 

Analysis

  • Ellison uses a metaphor to convey John's distracted thoughts about the union man

  • He implies he cannot get the idea of the man’s burned, “fried” hands off his mind:

    • This highlights the influence of the man’s tragic story, and foreshadows change

“You mean some unions don’t. It used to be that way, but things have changed” — The union man

Meaning and context

  • John dismisses the union organiser’s advice to attend a meeting, telling him that unions are only for white men

  • The union man corrects him, telling him that only “some” are racially segregated 

  • He says that racism within the unions is decreasing over time

Analysis

  • Ellison’s union man represents the idea of change in America

  • His correction “some unions don’t” contrasts John’s pessimism and suspicion

  • Although John is sceptical initially, the union man’s optimistic words influence John, and contribute to his more hopeful attitude by the end of the narrative

“Maybe there was a color other than white on the old ball” — John

Meaning and context

  • The final line of the story presents a changed John:

    • He thinks there may be a chance his son will have a better future

  • He says that maybe the “ball” thrown by the white boy, for which his own son was blamed, will become less “white” in the future 

Analysis

  • Ellison’s symbolic “white” and “black” ball presents the idea of racism via a child’s toy:

    • This highlights the significance of John’s son in the story

  • The ending illustrates how fatherhood helps to motivate action:

    • John’s hope for a better future for his son encourages him to change

Sources

Wilmer, M (ed.), 2018, Stories of Ourselves: Cambridge Assessment International Education Anthology of Stories in English Volume 2, Cambridge University Press.

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Sam Evans

Author: Sam Evans

Expertise: English Content Creator

Sam is a graduate in English Language and Literature, specialising in journalism and the history and varieties of English. Before teaching, Sam had a career in tourism in South Africa and Europe. After training to become a teacher, Sam taught English Language and Literature and Communication and Culture in three outstanding secondary schools across England. Her teaching experience began in nursery schools, where she achieved a qualification in Early Years Foundation education. Sam went on to train in the SEN department of a secondary school, working closely with visually impaired students. From there, she went on to manage KS3 and GCSE English language and literature, as well as leading the Sixth Form curriculum. During this time, Sam trained as an examiner in AQA and iGCSE and has marked GCSE English examinations across a range of specifications. She went on to tutor Business English, English as a Second Language and international GCSE English to students around the world, as well as tutoring A level, GCSE and KS3 students for educational provisions in England. Sam freelances as a ghostwriter on novels, business articles and reports, academic resources and non-fiction books.

Nick Redgrove

Reviewer: Nick Redgrove

Expertise: English Content Creator

Nick is a graduate of the University of Cambridge and King’s College London. He started his career in journalism and publishing, working as an editor on a political magazine and a number of books, before training as an English teacher. After nearly 10 years working in London schools, where he held leadership positions in English departments and within a Sixth Form, he moved on to become an examiner and education consultant. With more than a decade of experience as a tutor, Nick specialises in English, but has also taught Politics, Classical Civilisation and Religious Studies.