Follower (Cambridge (CIE) IGCSE English Literature): Revision Note

Exam code: 0475 & 0092

Sam Evans

Written by: Sam Evans

Reviewed by: Deb Orrock

Updated on

‘Follower’

Here is a detailed guide to Seamus Heaney’s poem 'Follower’, from the Songs of Ourselves Volume 1 anthology. It includes:

  • Overview: a line-by-line “translation” of the poem’s meanings and interpretations

  • Writer’s methods: an exploration of Heaney's poetic choices and potential effects

  • Understanding the text: an exploration of the themes and ideas within Heaney's poem

Overview

In order to answer an essay question on any poem, it is important to understand what it is about. This section includes:

  • An overview of the poem

  • A “translation” of the poem, section-by-section

  • A commentary of each of these sections, outlining Seamus Heaney’s intention and message

‘Follower’ overview

Seamus Heaney’s poem, ‘Follower’, is a reflection on a child and parent’s changing relationship. It explores how the power dynamics between a father and son shifts as their roles naturally reverse over time. 

‘Follower’ breakdown

Lines 1-3

“My father worked with a horse-plough,
His shoulders globed like a full sail strung
Between the shafts and the furrow.”

Translation

  • A child speaker describes their father as a strong farmer with shoulders as wide and broad as a sail:

    • They seemed to take up the whole width of the ditch he is ploughing

Heaney’s intentions

  • Heaney’s first person (opens in a new tab) speaker describes the way they remember their father

  • Imagery (opens in a new tab) connotes to the father’s strength and natural ability to harness the elements, implying the child’s sense of awe for their father’s size and power

Lines 4-7

“The horses strained at his clicking tongue.

An expert. He would set the wing
And fit the bright steel-pointed sock.
The sod rolled over without breaking,”

Translation

  • The speaker describes their father managing a horse easily: he is an “expert”

  • The father is able to complete his farming tasks competently

Heaney’s intentions

  • By starting a new stanza (opens in a new tab) with the short phrase and caesura (opens in a new tab), Heaney draws attention to the father’s mastery (or expertise)

  • Heaney’s speaker remembers their father clearly and in detail, which highlights the influence he had on his son as a child watching him go about his daily work

 Lines 8-12

“At the headrig, with a single pluck

Of reins, the sweating team turned round
And back into the land. His eye
Narrowed and angled at the ground,
Mapping the furrow exactly.”

Translation

  • The speaker’s memory of their father is vivid: each movement or gesture is detailed:

    • The father easily directs the horses with a “single pluck” of the “reins”

    • Both the father and horse have been working hard and are “sweating”

    • He carefully plans where to dig the “furrow” or trench

Heaney’s intentions

  • Heaney illustrates the power of memory as his speaker remembers his father in present tense verbs, as if he is there watching his father “mapping” and “sweating”

  • Again, the speaker remembers how exacting and careful his father is, which implies a sense of pride in his work

Lines 13-16

“I stumbled in his hob-nailed wake,
Fell sometimes on the polished sod;
Sometimes he rode me on his back
Dipping and rising to his plod.”

Translation

  • The speaker remembers themselves as a child, and how they struggled to keep up with their father, especially the tracks of his father’s boots (his “hob-nailed wake”)

  • When the child fell, the father would put the child on his shoulders and he would bounce to the “dipping and rising” of his footsteps (“plod”)

Heaney’s intentions

  • The poem’s tender memory of a child trying to keep up with their father conveys a sense of nostalgia

  • Heaney uses the symbolic ideas of a child in his father’s large footsteps to suggest the speaker is intimidated by their father’s “polished” work and large stature:

    • Heaney begins to introduce imbalances in relationships between child and parent and, specifically, a son under his father’s critical eye

Lines 17-20

“I wanted to grow up and plough,
To close one eye, stiffen my arm.
All I ever did was follow
In his broad shadow round the farm.”

Translation

  • The voice of an adult speaker reflects on their feelings as a child

  • The child wanted to become a good farmer and emulate their father, but they only ever followed in his large “shadow”, implying the son was unable to be like his father

Heaney’s intentions

  • Heaney illustrates, through the speaker’s reflection, how traditional expectations of sons becoming their fathers may cause tension in family relationships

  • Heaney also raises the question of traditional masculine roles with characteristics such as physical strength and stoic discipline

Lines 21-24

“I was a nuisance, tripping, falling,
Yapping always. But today
It is my father who keeps stumbling
Behind me, and will not go away."

Translation

  • The speaker accepts that their youthful enthusiasm and limited physical abilities must have been a “nuisance”, or an annoyance, to their father

  • However, the poem ends with a sudden shift in perspective as the speaker returns to present day (“was” becomes “is”):

    • The son is now an adult and their father has grown weak and dependent, just like they were when they were little

Heaney’s intentions

  • Heaney’s speaker reflects on how changing power imbalances between father and son happen naturally over time

  • Heaney’s poem concludes with a suddenly impatient speaker

  • There is a sense of irony (opens in a new tab) as the child is now stronger and more able than their father:

    • Present tense verbs, “tripping”, “falling” and “yapping”, describe the child’s weaknesses, but now the father is “stumbling” and following his son around

Examiner Tips and Tricks

In the CIE Literature for English poetry mark scheme, analysis is rewarded when your answer gives a close exploration of how aspects of form and/or structure and/or language reveal the speaker’s attitudes. For instance, in Seamus Heaney’s poem ‘Follower’, the poet uses a childhood memory to illustrate tensions between fathers and sons. 

Writer's methods

Although this section is organised into form, structure, and language, it is worth remembering that all of these are considered “writer’s methods” in the CIE Literature for English poetry mark scheme. With this in mind, consider the poet’s choice of form (the way the poem looks or the type of poem it is), its structure (especially how it ends: is it cyclical or resolved?) and, of course, the language used to create effect and, thus, meaning.  

By focusing on the poet’s overarching ideas rather than identifying poetic techniques or translating quotes, you will gain far more marks. That is why all the analysis below is arranged by theme and includes Seamus Heaney’s intentions in terms of his choices of:

  • Form

  • Structure

  • Language

Form

Seamus Heaney’s speaker reflects on their childhood in a ballad (opens in a new tab). The regular and steady form reflects the father’s sense of order and efficiency.  

Theme

Evidence

Poet’s intention

Family love 

The poem is divided into six regular quatrains (opens in a new tab) with regular line lengths

Heaney’s disciplined form helps to convey the memory of the speaker’s reliable and exacting father and, perhaps, the idea of rigid fatherly expectations 

Structure 

Heaney’s speaker is reflective as he remembers his childhood but, at times, the voice is broken to reveal tensions between the father and son.  

Theme

Evidence

Poet’s intention

Individual identity 

The poem’s iambic tetrameter, with pauses at the end of most lines, creates a bouncing and steady rhythm, but this is broken with caesura (opens in a new tab) and enjambment (opens in a new tab) when the speaker’s tension rises, such as in “Yapping always. But today”

Heaney delivers ideas about the complexities of growing up: the child speaker simultaneously admires and feels intimidated by their father and, by the end, is ironically annoyed by his dependence

Language 

Seamus Heaney’s poem describes the vivid memory of a child as they watch their father work. The poem portrays the strong influence of parent and child relationships, and the depth of their connection.  

Theme

Evidence

Poet’s intention

Family love

The poem brings to life a childhood memory of a boy and his father on their farm, using present tense verbs, like “sweating” and “falling”, alongside imagery, such as the simile (opens in a new tab) comparing his father’s shoulders with “a full sail”, or the mark of his boots in the “furrows” of 

“polished sod”

Heaney uses vivid and immersive descriptions to present the impact of a father on his young son

Understanding the text

All the questions in the CIE Literature for English exam encourage an informed, personal response, which means that you should develop a sound understanding of the poem’s themes, main ideas, settings, situations and events. This will help you to explore the writer’s intentions and methods. This section has been divided into two main themes that Seamus Heaney examines in his poem ‘Follower’:

  • Individual identity

  • Family Love 

Examiner Tips and Tricks

Examiners reward an answer that responds “sensitively and in considerable detail” to the way the writer achieves their effects. You are being asked to explore the poem beyond surface meanings to show deeper awareness of ideas and attitudes. While knowing about a poet’s background will help you understand the themes they examine, your poetry answer should only mention the poet’s biographical information if it supports a point of analysis.

Individual identity 

  • Seamus Heaney was born in rural Ireland in 1939:

    • In 1995, he won the Nobel Prize in Literature

  • His poetry often reflects Irish literary and agricultural traditions

  • Seamus Heaney’s poem ‘Follower’ is part of a 1966 anthology “Death of a Naturalist” 

  • Heaney’s life as a farmer’s son is reflected in the poem through its description of a father ploughing a field and “mapping” furrows:

    • The speaker says, “I wanted to grow up and plough”, which contributes to the poem’s autobiographical and reflective nature 

Family love 

  • Seamus Heaney’s poetry often raises themes of family relationships and childhood

  • The poem ‘Follower’ explores the relationship between a father and son

  • Traditional values within family relationships, specifically between father and son, are depicted through a memory

  • The son expresses admiration for their father’s traditionally masculine qualities, such as his physical strength and his pride in exacting agricultural work

  • But the adult speaker also reflects on childhood insecurities: “All I ever did was follow/In his broad shadow round the farm” and stumble “in his hob-nailed wake”

  • The poem’s conclusion considers the naturally occurring shift in the balance of power between a father and son

  • As physical characteristics change over time, roles reverse:

    • When the father grows old, it is he who is weak and dependant on his son

For further advice and guidance on how to answer the poetry question, please see our detailed guides on Paper 1 Section A: what the question is asking (opens in a new tab) and how to get full marks (opens in a new tab). You will also find an example of a full, annotated model answer (opens in a new tab)

It is important to remember that no marks are given for comments on any of the other poems studied in the anthology. Your response should concentrate only on the poem given. 

Sources

https://www.cambridgeinternational.org/Images/414779-2020-specimen-mark-scheme-1.pdf (opens in a new tab).
“From defeat to resilience: The human cockroach in world literature after Kafka.” SAV, https://www.sav.sk/journals/uploads/07041131Arnds_separat.pdf (opens in a new tab). Accessed 21 August 2025.
Songs of Ourselves: Volume 1: Cambridge Assessment International Education Anthology of Poetry in English. Cambridge University Press & Assessment, 2018.

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Sam Evans

Author: Sam Evans

Expertise: English Content Creator

Sam is a graduate in English Language and Literature, specialising in journalism and the history and varieties of English. Before teaching, Sam had a career in tourism in South Africa and Europe. After training to become a teacher, Sam taught English Language and Literature and Communication and Culture in three outstanding secondary schools across England. Her teaching experience began in nursery schools, where she achieved a qualification in Early Years Foundation education. Sam went on to train in the SEN department of a secondary school, working closely with visually impaired students. From there, she went on to manage KS3 and GCSE English language and literature, as well as leading the Sixth Form curriculum. During this time, Sam trained as an examiner in AQA and iGCSE and has marked GCSE English examinations across a range of specifications. She went on to tutor Business English, English as a Second Language and international GCSE English to students around the world, as well as tutoring A level, GCSE and KS3 students for educational provisions in England. Sam freelances as a ghostwriter on novels, business articles and reports, academic resources and non-fiction books.

Deb Orrock

Reviewer: Deb Orrock

Expertise: English Content Creator

Deb is a graduate of Lancaster University and The University of Wolverhampton. After some time travelling and a successful career in the travel industry, she re-trained in education, specialising in literacy. She has over 16 years’ experience of working in education, teaching English Literature, English Language, Functional Skills English, ESOL and on Access to HE courses. She has also held curriculum and quality manager roles, and worked with organisations on embedding literacy and numeracy into vocational curriculums. She most recently managed a post-16 English curriculum as well as writing educational content and resources.