The Chimney-Sweeper (Cambridge (CIE) IGCSE English Literature): Revision Note

Exam code: 0475 & 0092

Sam Evans

Written by: Sam Evans

Reviewed by: Deb Orrock

Updated on

‘The Chimney-Sweeper’

Here is a detailed guide to William Blake’s ‘The Chimney-Sweeper’ from the Songs of Ourselves Volume 1 anthology. It includes:

  • Overview: a line-by-line “translation” of the poem’s meanings and interpretations

  • Writer’s methods: an exploration of Blake’s poetic choices and potential effects

  • Understanding the text: an exploration of themes and ideas within Blake’s poem

Overview

In order to answer an essay question on any poem, it is important to understand what it is about. This section includes:

  • An overview of the poem

  • A “translation” of the poem, section-by-section

  • A commentary of each of these sections, outlining Blake’s intention and message

‘The Chimney-Sweeper’ overview

William Blake’s ‘The Chimney-Sweeper’ is part of his collection of poems: Songs of Innocence and Experience. Like many in this collection, the poem depicts a child experiencing fear and distress. In this way, Blake connects social repression with the loss of innocence. 

‘The Chimney-Sweeper’ breakdown

Lines 1–2

“A little black thing among the snow,
Crying ‘weep, ‘weep, in notes of woe!”

Translation

  • The poem begins with a present-tense description of a child covered in “black” soot:

    • The small child cries in sounds full of “woe” (sadness and despair)

Blake’s intentions

  • Blake begins with a contrast of “black” and “white” to convey opposing ideas:

    • This highlights oppositions like the purity of youth and dark, evil experience

  • The child is almost unrecognisable as human by the sheer amount of soot covering him:

    • This has the effect of dehumanising him; he is literally and metaphorically (opens in a new tab) unidentifiable — a mere black shape and a dark mark on society’s conscience

  • The child is presented as a desperate victim, a “little” suffering “thing”, to introduce the idea of child neglect:

    • Here, the reader becomes a spectator to the child’s suffering, and is therefore complicit in it

Lines 3-4

“Where are thy father and mother, say?
‘They are both gone up to the church to pray.’”

Translation

  • The poem introduces dialogue (opens in a new tab): an unknown speaker asks where the child’s parents are, and is told they have gone to church 

Blake’s intentions

  • Dialogue, a common technique in Romantic poetry, helps Blake show realistic human experiences and expressions of emotion, such as the depictions of suffering in this case

  • Blake thus introduces his criticism of a hypocritical society:

    • He implies that the parents appear to be respectable Christians, but they have left their child alone and cold

 Lines 5-8

“'Because I was happy upon the heath
And smiled among the winter's snow,
They clothed me in the clothes of death
And taught me to sing the notes of woe.'”

Translation

  • The child speaker explains the reasons they have been left alone in “clothes of death” (connoting to the clothes of a chimney-sweeper):

    • The child was “happy” and smiled even in the “snow”, but adults decided to send them to work, which “taught” them to sing sad songs instead

Blake’s intentions

  • Blake contrasts a happy child with one whose innocence has been taken:

    • He links the freedom of nature to happiness: the child smiled in the “winter’s snow” and was “happy” on the “heath”

    • This is contrasted with a child sent to work in “clothes of death”, connoting to the short lives of chimney-sweepers as a result of poor work conditions

  • The child’s parents may represent seemingly responsible Christians in Blake’s society:

    • This places the blame for the child’s suffering not only on the parents, but also on organised religion 

Lines 9-10

“‘And because I am happy and dance and sing,
They think they have done me no injury:”

Translation

  • The child speaker, clear about what has happened, adds that because they are naturally happy adults think they have done no harm by allowing child labour to continue

Blake’s intentions

  • In a poignant line, Blake shows the innocence of children who endure suffering 

  • Blake alludes to the ignorance of his peers and the Church by implying they do not understand these children and spend little time considering their plight

Lines 11–12

“And are gone to praise God and his priest and king,
Who make up a heaven of our misery.’"

Translation

  • The last lines of the poem revisit the idea of the child being abandoned and having no one to look after them

  • The child speaker takes on a more experienced, adult voice in the final statement that those who say they are religious actually fail in their moral duties

Blake’s intentions

  • Blake concludes with a metaphor (opens in a new tab) that represents a key criticism of his society:

    • Despite responsible adults’ Christian duties, they have lost sight of moral values

    • A now cynical child speaker lists “God and priest and king” as behind their isolation and suffering

    • The irony of the reference to “heaven” is that it is meant to be a place of happiness and freedom, but organised religion offers only a “heaven of our misery”

Examiner Tips and Tricks

The mark scheme for CIE Literature for English Paper 1 asks for an understanding of characters, relationships, situations and themes and, specifically, the “deeper meanings of the poem”. 

Examiners advise you to spend more time thinking about, for example, the reason Blake uses a child to criticise his society, or why he chose a particular rhythm. To achieve a convincing analysis, mentioning rhyme should develop into an exploration of why this has been used to recreate a child’s innocent voice. 

The word “why” has been used a lot in this paragraph. That’s because analysis means asking why a writer has created a certain effect and what ideas are conveyed as a result.

Writer's methods

Although this section is organised into form, structure, and language, it is worth remembering that all of these are considered “writer’s methods” in the CIE Literature for English poetry mark scheme. With this in mind, consider the poet’s choice of form (the way the poem looks or the type of poem it is), its structure (especially how it ends: is it cyclical or resolved?) and, of course, the language used to create effect and, thus, meaning.  

By focusing on the poet’s overarching ideas rather than identifying poetic techniques or translating quotes, you will gain far more marks. That is why all the analysis below is arranged by theme and includes Blake’s intentions in terms of his choices of:

  • Form

  • Structure

  • Language

Form

Blake’s poem ‘The Chimney-Sweeper’ portrays the loss of a child’s innocence, which is why a large part of the poem is spoken by a child speaker. Blake’s simple, regular form directly contrasts with the horrifying and bleak conditions of the child chimney sweep.

Theme

Evidence

Poet’s intention

Innocence and experience

The poem follows a regular rhyme scheme that mimics the sound of a nursery rhyme

The speaker is singing the “notes of woe”, making the poem a song of the child’s misery, contrasting the innocence of childhood with the neglect and trauma the chimney sweep experiences

The poem is mostly written in iambic tetrameter and  rhyming couplets (opens in a new tab) to create a steady, sing-song rhythm that connotes to childhood

Structure 

Blake follows a simple structure, again to contrast sharply with the subject matter.

Theme

Evidence

Poet’s intentions

Innocence and experience 

The poem is made up of three regular stanzas which include dialogue that becomes a child speaker’s monologue (opens in a new tab)

The steady simplicity of the lines juxtapose the innocent child’s increasing cynicism as he explains his tragic circumstances

The poet unsettles the nursery rhyme quality of the poem with exclamatory lines that break the steady rhythm, such as “weep, weep, in notes of woe”

While the poem alludes to the simplicity of innocent youth, the inconsistencies present the child’s distress

Language 

Blake aims to reveal double-standards in his society, particularly regarding the established Christian church in eighteenth century England. 

Theme

Evidence

Poet’s intention

Attitudes to religion

The poem begins with simple language referring to religion (“gone up to the church to pray”), but this changes by the end of the poem when a metaphor (opens in a new tab), “a heaven of our misery”, links “God and his priest and king” to the idea of despair

Blake criticises the Christian church in terms of their complicity in the suffering of children, and suggests the institution is hypocritical 

Innocence and experience 

Contrasting imagery (opens in a new tab), such as “black”, “snow” and “clothes of death”, is placed alongside alliterative (opens in a new tab) descriptions of a dancing, singing child who is “happy” on the “heath”

The poem aims to depict a child’s extreme circumstances in Victorian England by contrasting the happiness of innocence with the death and misery  brought about by exploitative child labour 

Understanding the text

All the questions in the CIE Literature for English exam encourage an informed, personal response, which means that you should develop a sound understanding of the poem’s themes, main ideas, settings, situations and events. This will help you to explore the writer’s intentions and methods. This section has been divided into two main themes that Blake explores in 'The Chimney-Sweeper’:

  • Innocence and experience 

  • Attitudes to religion

Examiner Tips and Tricks

Examiners reward an answer that responds “sensitively and in considerable detail” to the way the writer achieves their effects. You are being asked to explore the poem beyond surface meanings to show deeper awareness of ideas and attitudes. While knowing about Victorian England and Blake’s collections of poetry will help you understand the debates raised, your points must closely link to the themes in the poem, relevant to the question.

Innocence and experience

  • Blake is considered a Romantic poet: his work examines the power of the imagination and nature, as well as human emotions and experiences: 

    • But his poems are often politically charged and offer cynical or radical attacks on his society

    • ‘The Chimney-Sweeper’ criticises Christian parents and, more broadly, society, for ignoring and contributing to the suffering of children in eighteenth century England

  • This poem, taken from Blake’s subsequent collection Songs of Innocence and Experience, focuses on the lost innocence he believes is inevitable in corrupt society:

    • In eighteenth century England, wealth imbalances led to extreme poverty

  • The Industrial Revolution and its drive for profit at the expense of its workers forced lower classes into hard labour:

    • Small children, such as depicted in this poem, were employed as chimney-sweeps for the upper classes

    • Unsafe conditions and exposure to soot led to many deaths, but new children (sometimes as young as six) would be sent to replace them

    • The poem alludes to this in the line “clothes of death”

  • By contrasting a “happy” child dancing on a “heath” with one crying in the “winter’s snow”, Blake asserts that innocence cannot last if one experiences injustice

Attitudes to religion 

  • Blake’s poetry often criticises institutions such as the Church:

    • Blake’s poem ‘The Chimney-Sweeper’ explores the neglect of children in a society that operates under the guise of abiding by Christian values

    • The child describes absent parents who are at church while he suffers alone 

    • The parents represent Christians who ignore the suffering of innocents

  • While Blake was a Christian himself, his views were considered radical:

    • This was predominantly because of his belief that Jesus was a revolutionary acting for social justice, and because he claimed to have visions of angels

    • Certainly, the final line in ‘The Chimney-Sweeper’ is a scathing attack on his contemporary society’s version of Christianity

For further advice and guidance on how to answer the poetry question, please see our detailed guides on Paper 1 Section A: what the question is asking (opens in a new tab) and how to get full marks (opens in a new tab). You will also find an example of a full, annotated model answer (opens in a new tab)

It is important to remember that no marks are given for comments on any of the other poems studied in the anthology. Your response should concentrate only on the poem given. 

Sources

“Cambridge IGCSE (9–1) 0992 Literature in English syllabus for examination in 2026.” Cambridge International Education, https://www.cambridgeinternational.org/Images/697264-2026-syllabus.pdf (opens in a new tab). Accessed 6 August 2025.

Songs of Ourselves: Volume 1: Cambridge Assessment International Education Anthology of Poetry in English. Cambridge University Press & Assessment, 2018.

Bygrave, Stephen. Romantic Writings. Edited by Stephen Bygrave, Open University Worldwide, 1998.

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Sam Evans

Author: Sam Evans

Expertise: English Content Creator

Sam is a graduate in English Language and Literature, specialising in journalism and the history and varieties of English. Before teaching, Sam had a career in tourism in South Africa and Europe. After training to become a teacher, Sam taught English Language and Literature and Communication and Culture in three outstanding secondary schools across England. Her teaching experience began in nursery schools, where she achieved a qualification in Early Years Foundation education. Sam went on to train in the SEN department of a secondary school, working closely with visually impaired students. From there, she went on to manage KS3 and GCSE English language and literature, as well as leading the Sixth Form curriculum. During this time, Sam trained as an examiner in AQA and iGCSE and has marked GCSE English examinations across a range of specifications. She went on to tutor Business English, English as a Second Language and international GCSE English to students around the world, as well as tutoring A level, GCSE and KS3 students for educational provisions in England. Sam freelances as a ghostwriter on novels, business articles and reports, academic resources and non-fiction books.

Deb Orrock

Reviewer: Deb Orrock

Expertise: English Content Creator

Deb is a graduate of Lancaster University and The University of Wolverhampton. After some time travelling and a successful career in the travel industry, she re-trained in education, specialising in literacy. She has over 16 years’ experience of working in education, teaching English Literature, English Language, Functional Skills English, ESOL and on Access to HE courses. She has also held curriculum and quality manager roles, and worked with organisations on embedding literacy and numeracy into vocational curriculums. She most recently managed a post-16 English curriculum as well as writing educational content and resources.