Where I Come From (Cambridge (CIE) IGCSE English Literature): Revision Note

Exam code: 0475 & 0092

Sam Evans

Written by: Sam Evans

Reviewed by: Deb Orrock

Updated on

‘Where I Come From’

Here is a detailed guide to Elizabeth Brewster’s poem ‘Where I Come From’, which can be found in the Songs of Ourselves Volume 1 anthology. It includes:

  • Overview: a line-by-line “translation” of the poem’s meanings and interpretations

  • Writer’s methods: an exploration of Brewster’s poetic choices and potential effects

  • Understanding the text: an exploration of themes and ideas within Brewster’s poem

Overview

In order to answer an essay question on any poem, it is important to understand what it is about. This section includes:

  • An overview of the poem

  • A “translation” of the poem, section-by-section

  • A commentary of each of these sections, outlining Brewster’s intention and message

‘Where I Come From’ overview

Elizabeth Brewster’s poem ‘Where I Come From’ examines the influence of place and environment on individual identity. It begins by explaining how sensory experiences leave an impression on people all over the world, and develops into a nostalgic memory about the speaker’s own home.   

‘Where I Come From’ breakdown

Lines 1–3

“People are made of places. They carry with them
hints of jungles or mountains, a tropic grace
or the cool eyes of sea gazers. Atmosphere of cities”

Translation

  • The poem begins with a statement: individual identity is shaped by environment

  • It is explained that they absorb or “carry with them” aspects (“hints”) of places such as “grace” (elegance) from tropical jungles, or “cool” eyes from watching the ocean

Brewster’s intentions

  • Brewster establishes the theme of the poem: individual identity is shaped by places

  • She describes people with metaphor (opens in a new tab) connoting to habitats, such as those with a “tropic grace” or eyes “cool” from the ocean:

    • This presents humans and natural environments as intrinsically linked

Lines 4-8

“how different drops from them, like the smell of smog
or the almost-not-smell of tulips in the spring,
nature tidily plotted in little squares
with a fountain in the centre; museum smell
Art also tidily plotted with a guidebook;”

Translation

  • The poem describes the atmosphere of a city, with the absence of nature’s smell

  • She implies the smells of a city are different, and that cities divide nature into neat squares with fountains in the middle, or like museums which organise art into neat blocks complete with a guidebook

Brewster’s intentions

  • Brewster implies that the city tries to control nature:

    • The metaphorical “nature tidily plotted” describes a man-made environment

    • In a city, everything has a place, suggesting the urban environment tries to control its inhabitants too and tries to restrict spontaneity and wildness

  • The alliteration (opens in a new tab) of “different drops” emphasises a key theme, that places leave impressions on people, no matter how different they are

  • The repetition of “smell” reinforces the importance of this sense

Lines 9-11

“or the smell of work, glue factories maybe,
chromium-plated offices; smell of subways
crowded at rush hours.”

Translation

  • The poem focuses on the different smells of a city: “glue”, steel, and subways

  • These are connected to places of work, such as “factories”, “offices”, and commuters in subways during “rush hours” 

Brewster’s intentions

  • Brewster uses sensory imagery (opens in a new tab) to describe nature in an urban setting: the smell of “work” and man-made materials

  • She presents city life as busy, suggesting the environment makes people feel hurried

 Lines 12-17

“ Where I come from, people
carry woods in their minds, acres of pine woods;
blueberry patches in the burned-out bush;
wooden farmhouses, old, in need of paint,
with yards where hens and chickens circle about
clucking aimlessly; battered schoolhouses”

Translation

  • The poem moves to describing the speaker’s own home: where she comes from the people have forests in their “minds”, implying nature is part of their psyche or identity 

  • A list of descriptions of a rural location (a run-down busy farm) describe her home:

    • There are “battered schoolhouses”, and hens “clucking” near “burned-out” bushes and “blueberry patches”

Brewster’s intentions

  • Brewster brings the focus inward as she considers how her identity has been influenced by a rural upbringing:

    • She creates a sense of bustling energy to present a happy, busy environment

    • A nostalgic tone presents memories of home as relaxed amongst nature 

    • She creates a sensory contrast with the human creations previously described

  • Brewster shows how past experiences of places become ingrained in memory 

Lines 18-19

“behind which violets grow. Spring and winter
are the mind's chief seasons: ice and the breaking of ice.”

Translation

  • The poet states that it is the seasons of winter and spring that are most remembered (“the mind’s chief seasons”)

  • It is the ice forming and breaking that makes these seasons so memorable

Brewster’s intentions

  • Brewster describes memories that suggest the impact of one’s heritage on identity

  • The repetition of “ice” implies memories of home centre around sensual feeling

Lines 20-21

“A door in the mind blows open, and there blows
a frosty wind from fields of snow."

Translation

  • The last lines of the poem describe memory as a “door in the mind”:

    • In the speaker’s memory it is like they can feel the “frosty wind” again 

Brewster’s intentions

  • Brewster’s poem portrays how memories can be triggered by weather and habitat:

    • A metaphor symbolises memory as a “door” to the past

    • Brewster uses the word “mind” here, and elsewhere in the poem, to connect place with thought

  • Repetition of “blow” presents memory as an intense and with a sudden “frosty wind” 

Examiner Tips and Tricks

The mark scheme for the poetry question in CIE Literature for English Paper 1 asks for an understanding of characters, relationships, situations and themes. Specifically, examiners reward a personal engagement with the poem’s “deeper meanings”. This means you should spend more time thinking about, for example, the reason Brewster describes two different settings in her poem. Ask yourself why the poet has created a certain effect, and what ideas are conveyed as a result.

Writer's methods

Although this section is organised into form, structure, and language, it is worth remembering that all of these are considered “writer’s methods” in the CIE Literature for English poetry mark scheme. With this in mind, consider the poet’s choice of form (the way the poem looks or the type of poem it is), its structure (especially how it ends: is it cyclical or resolved?) and, of course, the language used to create effect and, thus, meaning.  

By focusing on the poet’s overarching ideas rather than identifying poetic techniques or translating quotes, you will gain far more marks. That is why all the analysis below is arranged by theme and includes Brewster’s intentions in terms of her choices of:

  • Form

  • Structure

  • Language

Form

Brewster’s poem is a reflection on how places influence individuals; particularly how they form part of our identity as they become memories.

Theme

Evidence

Poet’s intentions

Humans and nature

The poem, made up of three irregular stanzas, progresses a reader through a reflection on varied settings: the first stanza examines the world and cities, while the second and third stanzas become a personal recollection of the speaker’s rural home

Brewster’s poem is, initially, an examination of how environments affect individuals, especially in the chaos of city life, but its subjective ending about a past life reveals a speaker caught up in their own memories of a significant place, as if to prove her point

Structure 

Brewster’s poem is informal with no pattern of metre (opens in a new tab) or rhyme (opens in a new tab), which contributes to its reflective subject matter about memories of places, and the impressions they leave on individuals.  

Theme

Evidence

Poet’s intention

Individual identity 

The poem is a rambling reflection that uses enjambment (opens in a new tab) and a conversational style to present an unplanned exploration of place and identity

Brewster’s unpredictable and chaotic style contributes to the idea that individual identity is shaped by random sensory experiences which trigger the memories of places   

Language 

Brewster describes places through sensory experiences, such as smell, texture, colour, and weather to show how places become ingrained in the minds of inhabitants of the world, and therefore shape individual identity. 

Theme

Evidence

Poet’s intention

Humans and nature

Using sibilance (opens in a new tab) the poet emphasises the intensity of city life (“smell of smog”), which is contrasted with a vibrant image of rural life that includes extremes such as “violets” and “ice” while simultaneously portraying it as a relaxed lifestyle through onomatopoeia (opens in a new tab) like “clucking aimlessly”

Brewster suggests that city life is intense, and shapes us in terms of career, whereas rural places offer a simpler life and are part of our heritage

Individual identity  

Sensory imagery describes the intense impressions of places on people: smells such as “glue”, textures like “chromium-plated offices”, weather like “a frosty wind”, or colours like “blueberry” 

Brewster implies that memories and identities are formed from the sensory nature of places we live in

Understanding the text

All the questions in the CIE Literature for English exam encourage an informed, personal response, which means that you should develop a sound understanding of the poem’s themes, main ideas, settings, situations and events. This will help you to explore the writer’s intentions and methods

This section has been divided into two main themes that Brewster explores in 'Where I Come From’:

  • Urban and rural settings

  • Individual identity 

Examiner Tips and Tricks

Examiners ask for a “personal and evaluative engagement”. The best way to achieve this is to engage with the key words of the question, and think carefully about your introduction. It is a good idea to avoid beginning with biographical or historical facts about the poet or the time in which the poem was written, unless you link it to how the poet covers this as a theme. You could write, for instance: “Brewster explores how memories shape individual identity in her personal poem, and reflects on her own Canadian heritage in her description of a cold and rural setting”. 

Humans and nature 

  • Elizabeth Brewster, born in 1922, grew up in a rural Canadian logging town

  • The poem ‘Where I Come From’ appears in her 1977 book Sometimes I Think of Moving, which covers themes of place, often about her home in New Brunswick:

    • In this poem, Brewster emphasises a cold setting with the repetition of “ice and the breaking of ice”, and a final line “frosty wind from fields of snow”

    • The rural setting which she describes as her childhood home portrays a wilderness of “acres of pine”

Individual identity  

  • Brewster is considered a modernist poet whose work focuses on landscapes and environments, and how personal heritage shapes individual identity

  • Her poetry often employs conversational speakers who use simple imagery:

    • The poem ‘Where I Come From’ uses simple descriptions, such as “burned-out bush” or “breaking of ice”

    • Simple metaphor such as “cool eyes” maintains a simplistic style

  • The influence of other modernist poets may be found in Brewster’s unpredictable, rambling structure that follows no regular rhythm or rhyme

For further advice and guidance on how to answer the poetry question, please see our detailed guides on Paper 1 Section A: what the question is asking (opens in a new tab) and how to get full marks (opens in a new tab). You will also find an example of a full, annotated model answer (opens in a new tab)

It is important to remember that no marks are given for comments on any of the other poems studied in the anthology. Your response should concentrate only on the poem given. 

Sources

“Cambridge IGCSE (9–1) 0992 Literature in English syllabus for examination in 2026.” Cambridge International Education, https://www.cambridgeinternational.org/Images/697264-2026-syllabus.pdf (opens in a new tab). Accessed 6 August 2025.

Songs of Ourselves: Volume 1: Cambridge Assessment International Education Anthology of Poetry in English. Cambridge University Press & Assessment, 2018.

“Elizabeth Brewster | NBLCE.” New Brunswick Literature Curriculum in English, https://nblce.lib.unb.ca/resources/authors/elizabeth-brewster (opens in a new tab). Accessed 1 September 2025.

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Sam Evans

Author: Sam Evans

Expertise: English Content Creator

Sam is a graduate in English Language and Literature, specialising in journalism and the history and varieties of English. Before teaching, Sam had a career in tourism in South Africa and Europe. After training to become a teacher, Sam taught English Language and Literature and Communication and Culture in three outstanding secondary schools across England. Her teaching experience began in nursery schools, where she achieved a qualification in Early Years Foundation education. Sam went on to train in the SEN department of a secondary school, working closely with visually impaired students. From there, she went on to manage KS3 and GCSE English language and literature, as well as leading the Sixth Form curriculum. During this time, Sam trained as an examiner in AQA and iGCSE and has marked GCSE English examinations across a range of specifications. She went on to tutor Business English, English as a Second Language and international GCSE English to students around the world, as well as tutoring A level, GCSE and KS3 students for educational provisions in England. Sam freelances as a ghostwriter on novels, business articles and reports, academic resources and non-fiction books.

Deb Orrock

Reviewer: Deb Orrock

Expertise: English Content Creator

Deb is a graduate of Lancaster University and The University of Wolverhampton. After some time travelling and a successful career in the travel industry, she re-trained in education, specialising in literacy. She has over 16 years’ experience of working in education, teaching English Literature, English Language, Functional Skills English, ESOL and on Access to HE courses. She has also held curriculum and quality manager roles, and worked with organisations on embedding literacy and numeracy into vocational curriculums. She most recently managed a post-16 English curriculum as well as writing educational content and resources.