How to Annotate an Extract (WJEC Eduqas GCSE English Literature): Revision Note
Exam code: C720
In your English Literature exam, you will be given extracts and poems to write about. Annotating them helps you find your best evidence quickly and turn it into a plan before you start writing.
This page shows you how to annotate an extract step by step, what to look for and how to annotate a poem for a comparison question, with worked examples from Macbeth and William Blake’s ‘The Schoolboy’.
What does it mean to annotate an extract?
Annotating means picking out the most useful parts of a text and writing short notes beside them. In the exam, your annotations are the first stage of your plan: they show you which evidence you will use and what you will say about it.
Your English Literature exams are closed-book, so the printed extract or poem is the only text in front of you. Annotating it carefully gives you evidence that is ready to use. Examiners notice the difference: they report that “candidates who planned their responses often managed to produce more focused, coherent discussions”.
How to annotate an extract in your exam
Here is a way to annotate an extract in GCSE English Literature that works for any printed text, in five steps:
Read the question first: underline its key words, so you know what you are looking for
Read the extract once without writing on it: no introduction is printed above it, so work out where this moment comes from in the text and what is happening at that point
Underline the details that link to the question: choose four to six short quotations, often a single word or phrase
Note what each detail shows: write a few words in the margin about how it links to the question and why the writer chose it
Link to the rest of the text: note where else in the text the same idea appears, if the question asks about the whole text, as the Post-1914 and 19th-century prose questions do. The Shakespeare extract question is about the extract only
Keep your annotation symbols simple, and use the same ones every time. Underline a detail, number it, star your best idea and draw an arrow (→) to link two ideas.
Here’s how you might annotate part of a Macbeth extract. The key words in the question and your own placing note are underlined, as well as the textual details selected. The details are numbered, and the table below the extract shows the margin note for each one.
Question: Look at how Macbeth speaks and behaves here. How do you think an audience might respond to Macbeth at this point in the play? Refer closely to details from the extract to support your answer. [15] (Practice question in the WJEC Eduqas format)
Placing note: Act 1 Scene 7. At this point in the play, Macbeth is alone. He is thinking about the plan to murder King Duncan. |
Detail | Margin note |
|---|---|
1. “double trust” | Two reasons not to kill Duncan: he is Duncan’s relative and his host. Loyalty holds back his ambition |
2. “his virtues / Will plead like angels” | Duncan is a good king. The angel imagery shows Macbeth knows murder is a sin |
3. “naked new-born babe” | A baby seems weak, but here pity is powerful. His conscience is fighting his ambition |
4. “I have no spur / To prick the sides of my intent” | A spur makes a horse go faster. Nothing is pushing Macbeth to act → the audience may hope he will turn back |
5. “Vaulting ambition which o’erleaps itself” | ★ Ambition is his only reason to act, but it jumps too high and falls. This foreshadows his downfall → the audience may pity his conscience and fear his ambition at the same time |
Notes 1 to 3 show what holds Macbeth back, and notes 4 and 5 show that ambition alone is not enough to make him act. Note 5 is starred because it answers the question about the audience’s response most directly.
How do you turn your annotations into a plan?
Your annotations are already most of your plan. When you have finished annotating:
Star your best idea: the detail that answers the question most directly becomes the core of your thesis statement (your overall answer to the question)
Group your notes into three or four main ideas
Number the ideas in the order you will write about them
Here is the plan these Macbeth annotations give you:
Thesis: An audience might pity Macbeth’s conscience, but also fear his ambition. |
How long should you spend annotating?
Annotate during your planning time, not as a separate task. A few minutes is usually enough for one extract or poem. Stop once you have enough evidence for your plan: annotation is only useful if it saves you time when you write. The table at the end of this page shows how this fits each question.
Examiner Tips and Tricks
Before you underline anything in the extract, write the focus of the question in two or three words at the top of the extract. Then, each time you underline a detail, ask yourself: does this help me answer the question? If not, leave it.
For example, jotting down “audience response to Macbeth” at the top of the extract keeps you looking for details that make an audience feel something about him. Some might make them pity him, and others fear him. That’s why the annotations above include his doubts as well as his ambition. Annotating with the question in mind gives you a balanced argument before you begin writing, and stops you wasting time on details you will never use.
What should you look for when you annotate?
Look for details that help you answer the question, such as:
Words and images linked to the focus: for example, anything about ambition, power or kindness, depending on the question
Changes and turning points: words such as “But” or “Besides” often signal a change of thought or mood
Contrasts: between characters, between ideas, or between how the extract begins and ends
The ending: the last lines of an extract or poem often show the writer’s message most clearly
Links to the rest of the text: what happens before or after this moment, for the Post-1914 and 19th-century prose questions
What should you avoid?
Technique labels on their own: examiners warn against “forcing techniques and subject terminology into” an answer, “either incorrectly or very tenuously”, so only label a method when you can say what it does
Highlighting everything: if you underline or highlight most of the extract, nothing stands out when you plan
Writing full sentences in the margins: keep your notes to a few words. A note only needs to remind you of your idea, because you will explain it fully in your essay, and writing sentences uses up planning time
Writing out quotations first: examiners note that “full pages of quotes written down before the question often lead to shorter responses”
How to annotate a poem for a comparison question
Annotating a poem uses the same five steps as an extract. Poems pack a lot of meaning into a few words, so read slowly and look for who is speaking, repeated words, a shift in tone and the last line. In a comparison question, it’s a great idea to annotate with your second poem in mind. There are two kinds of comparison question, and you annotate them differently.
How do you annotate for the anthology comparison?
In the anthology section, only one poem is printed. You write about it on its own first, in the first question (15 marks), and you must refer to its contexts. Then, in the comparison question (25 marks), you choose the second poem and write about it from memory. Annotate the printed poem for the question, including a short note on its context, then:
Jot down your second poem: write two or three short quotations from it in the margin, from memory
Link the two poems: use an arrow to show where the two poems are similar or different, and add a word or two to say how
The table below shows annotations of Blake’s ‘The Schoolboy’ for a comparison question, with ‘Kamikaze’ as the second poem. The third column shows the link each note makes to ‘Kamikaze’.
Practice question (in the WJEC Eduqas format, not a past paper question):
First question: Read the poem below, ‘The Schoolboy’, by William Blake. ‘The Schoolboy’ is a poem about control. How does William Blake present control in the poem? Remember to refer to the contexts of the poem in your answer. [15]
Comparison question: Choose one other poem from the anthology in which the poet also writes about control. Compare the way the poet presents control in your chosen poem with the way William Blake presents control in ‘The Schoolboy’. [25]
Jotted in the margin from ‘Kamikaze’: “a shaven head / full of powerful incantations”, “they treated him / as though he no longer existed”, “which had been the better way to die.”
Detail | Margin note | Link to ‘Kamikaze’ |
|---|---|---|
“Under a cruel eye outworn.” | A cruel teacher watches the children all day. Adults in power control the child’s time | → Similar: the pilot is controlled too, by duty and the ideas he has been taught (“a shaven head / full of powerful incantations”) |
“How can the bird that is born for joy, / Sit in a cage and sing.” | ★ School is a cage that traps the child’s natural joy | → Different: the pilot breaks free of his duty, but then his family shut him out (“they treated him / as though he no longer existed”) |
“O! father & mother, if buds are nip’d, / And blossoms blown away.” | The child appeals to his parents. Nipped buds suggest childhood is damaged before it can grow | → Similar: in both poems, adults have power over a young person’s future |
“When the blasts of winter appear.” | Ends on winter: if joy is destroyed in spring, nothing good can grow later. Control ruins the child’s whole life | → Different ending: ‘Kamikaze’ ends in doubt about which choice was better (“which had been the better way to die.”) |
The starred note gives a thesis about control, and the links give you the comparison. Both poems show people controlled by others, but in ‘The Schoolboy’ school traps a child, while in ‘Kamikaze’ a family’s silence shuts out a father who turned back.
For the first question, add a context note beside the printed poem too, such as what the poem suggests about schooling in Blake’s time. Examiners found that context shown in the first question was often not repeated in the comparison, so jot a context note for your second poem as well.
How do you annotate for the unseen comparison?
In the unseen comparison, both poems are printed and you won’t have studied either of them. Annotate them in this order:
Read the questions first: the paper also prints a statement that tells you what both poems are about, such as “The two poems are about different times of the year.”
Read the first poem without writing on it: work out who is speaking and what the situation is
Read it again and underline: pick out the details that answer the question
Annotate the second poem for its meaning and methods: the comparison question is worth 25 marks, so underline details to compare with the first poem, and note which part of the first poem each one links to
Annotating in your WJEC Eduqas GCSE English Literature exam
In your WJEC Eduqas GCSE English Literature exams, you cannot take your set texts in with you. You can only annotate what is printed on the question paper, and that is different for each question.
Annotating text under timed conditions takes practice. When annotating a text, English Literature students follow the same steps every time, but what is printed and how long you have change from question to question.
This table shows how to annotate a text in each part of your two exam components:
Component | Section | What you are given | How to annotate |
|---|---|---|---|
Component 1 | Extract question (15 marks): an extract from the play. Essay question (20+5 marks): the question only | Extract question: annotate the extract only, as part of about 20 minutes for the whole answer. Essay question: nothing is printed, so underline the key words of the question, then plan from memory | |
Component 1 | First question (15 marks): one named poem, printed in full. Comparison question (25 marks): a list of the anthology titles. Your chosen poem is not printed | First question (about 20 minutes): annotate the printed poem, including a note on its context. Comparison question (about 40 minutes): jot down quotations from your chosen poem, from memory | |
Component 2 | An extract and one question on the whole text (35+5 marks) | Annotate the extract and note links to the whole text. Plan where the extract will fit in your essay. You have about 45 minutes for the whole answer | |
Component 2 | An extract and one question on the whole novel (40 marks) | Annotate the extract, note links to the whole novel and add a note on context. You have about 45 minutes for the whole answer | |
Component 2 | Two poems you have not seen before, and a statement of what both poems are about | First question (15 marks, about 20 minutes): annotate the first poem for the stated focus. Comparison question (25 marks, about 40 minutes): annotate the second poem thoroughly and link it to the first |
Examiner Tips and Tricks
In the unseen poetry section, read the statement about both poems before you read the poems. It tells you what they have in common, such as “different times of the year” in June 2025. Examiners advise candidates “to anchor their interpretations within the thematic focus provided”, so annotate the first poem with that focus in mind.
The comparison question is worth 25 marks and the first question is worth 15, so give the second poem real annotating time. Examiners note that “most candidates took time to explore the second poem before comparing with the first”. Underline two or three details in it that link to your notes on the first poem. You’ll then have a ready-made comparison for the comparison question.
Sources
Stanley Wells and Gary Taylor (eds), 2005, The Oxford Shakespeare: The Complete Works (Second Edition), Oxford University Press
WJEC Eduqas. GCSE English Literature Poetry Anthology (for assessment from 2027). WJEC.
WJEC Eduqas. GCSE (9–1) English Literature (C720) Specification, Version 4, August 2024. WJEC.
WJEC Eduqas. GCSE English Literature (C720) Component 1 Question Paper, June 2019 and June 2025, and Component 2 Question Paper, June 2025. WJEC.
WJEC Eduqas. GCSE English Literature (C720) Examiners’ Reports, Summer 2024 and Summer 2025. WJEC.
Unlock more, it's free!
Was this revision note helpful?