How to Write About Context (AQA GCSE English Literature): Revision Note

Exam code: 8702

Lottie Bates

Written by: Lottie Bates

Reviewed by: Nick Redgrove

Updated on

Writing about context well shows the examiner that you understand why the writer made their choices, not just what happens in the text. Done badly, it takes time away from your analysis and earns very few marks.

This page shows you what context is, how to use context in an essay, where to put it, and the common mistakes to avoid, with worked examples from A Christmas Carol and Macbeth.

What is context in English Literature?

Context means the ideas and attitudes that a text responds to, and the ways different readers or audiences might react to it. It can include:

  • When the text was written: the attitudes the writer was responding to. For example, Victorian gentlemen were expected to protect their reputation at all costs, which helps explain why Dr Jekyll hides his link to Hyde

  • When the text is set: if a text is set earlier than it was written, the audience has hindsight (they know what happened next). For example, An Inspector Calls is set in 1912 but was written in 1945, so when Mr Birling calls the Titanic “unsinkable, absolutely unsinkable”, the audience knows it will sink. This makes him look foolish, so they doubt his other views too

  • The genre: for example, Macbeth is a tragedy, so the audience expects the hero’s flaw to destroy him

  • Universal ideas: ideas that still matter to people today, such as guilt or the cost of ambition. For example, Macbeth’s inability to sleep after the murder still shows a modern audience how guilt can take over someone’s mind

You don’t need to learn lots of historical facts to write about context. Examiners say an answer can still do well without mentioning the Victorian or Jacobean era, as long as it focuses on the ideas in the text and how they link to the question.

How to use context in an essay

Here is how to use context in an essay in four steps:

  • Start with the question: its key words, such as poverty, power or gender, point to the ideas you need

  • Ask why the writer presents it this way: think about which attitudes the writer was responding to, or trying to change

  • Link it to a specific moment: connect the idea to the quotation or moment you are analysing

  • Keep it short: a clause or a sentence is usually enough, so your focus stays on the text

The table below shows the same point written three ways, using A Christmas Carol.

Question: Starting with this extract, explore how Dickens presents the suffering of the poor in A Christmas Carol.

Version

An example using A Christmas Carol

Weak

Dickens shows the suffering of the poor when Scrooge asks, “Are there no prisons?” In Victorian times, everyone was poor and lots of people went to prison. Dickens also had a difficult childhood.

Better

Dickens shows the suffering of the poor when Scrooge asks, “Are there no prisons?” This shows Scrooge thinks the poor deserve to be punished. In 1834, a new Poor Law made workhouses the main help for the poor, and conditions in them were harsh.

Strong

Scrooge’s question “Are there no prisons?” echoes wealthy Victorians who believed the workhouses set up by the 1834 Poor Law were enough help for the poor. His short, dismissive questions treat poor people as a problem to be managed. When the Spirit throws the same words back at him, Dickens makes his readers see how cruel this attitude is.

The weak version makes a sweeping claim about Victorian times and adds a fact about Dickens’ life, but links neither to the quotation. The better version includes accurate, relevant context, but adds it at the end, so it doesn’t explain Dickens’ choice. The strong version uses the same Poor Law fact as the better version, but in a single clause that explains Scrooge’s exact words. It then analyses how they sound and shows how Dickens wanted his readers to respond.

Where should context go in a paragraph?

Context works best inside your analysis. If you add it as an extra sentence at the end of a paragraph, examiners treat it as the lowest level of context, because it isn’t linked to your point. Put it where it explains a choice the writer has made, for example:

  • In your thesis statement: say what the writer wanted readers or audiences to think

  • Straight after you analyse a quotation: explain why the writer chose those words for readers at the time

  • In your conclusion: zoom out to the writer’s message and why it still matters

Examiner Tips and Tricks

Context doesn’t have to be historical. The genre of a text and the universal ideas in it count too, because they explain why the writer made their choices. This is often a more convincing use of context than incorporating historical facts.

For example, you could write: “Macbeth admits that only his ‘vaulting ambition’ drives him, which is his tragic flaw. As this is a tragedy, the audience can already sense that his ambition will destroy him.” You’ve explained the effect of Shakespeare’s choice through the genre of the play, which is a great use of context.

What are the common mistakes when writing about context?

  • Historical facts: long explanations of historical events take time away from your analysis, and examiners report that they often add little to an answer:

    • For example, in an answer about Macbeth’s ambition: “In 1605, a group of Catholics tried to blow up Parliament and kill King James I. This was called the Gunpowder Plot.”

  • Bolt-on context: a sentence of background added to the end of a paragraph, without a link to your point, earns very little:

    • For example: “Mr Hyde attacks with ‘ape-like fury’, which shows he is violent. Victorian London was a crowded and dangerous city.” The last sentence has nothing to do with the point about Hyde

  • Biography: facts about the writer’s life rarely help, unless they explain a choice the writer made in the text:

    • For example, in an answer about how Sheila changes: “Priestley fought in the First World War and later presented radio programmes for the BBC.”

  • Sweeping generalisations: claims about what everyone at the time believed or did are rarely true, so they weaken your argument:

    • For example: “In Shakespeare’s time, all women did was cook and clean, so Lady Macbeth is very unusual.”

Writing about context (AO3) in your AQA English Literature exam

AQA calls context AO3. It is worth 6 marks on each set-text question, out of either 30 or 34, so it should support your argument rather than take over your essay. This table shows where context is assessed:

Paper

Question

Is context assessed?

What to do

Paper 1

Shakespeare

Yes: 6 marks

Link the ideas in the extract and the play to the attitudes Shakespeare was exploring

Paper 1

19th-century novel

Yes: 6 marks

Link the ideas in the extract and the novel to the attitudes the writer was responding to

Paper 2

Modern text

Yes: 6 marks

Link the ideas to what the writer wanted their audience or readers to think about society

Paper 2

Poetry anthology

Yes: 6 marks

Focus on the ideas and attitudes in both poems; you don’t need dates or poets’ life stories

Paper 2

Unseen poetry

No

Don’t write about context: focus on the poets’ methods

Examiner Tips and Tricks

Avoid the formula “A Victorian audience would think… whereas a modern audience would think…”. It splits your answer into two general statements about audiences, instead of saying something about the text, and examiners say this approach quickly becomes very limiting.

Instead, explain which idea still matters and why. For example, you could write: “Scrooge’s belief that the poor should go to the workhouse still echoes in arguments about poverty today, which keeps Dickens’ message urgent for a modern reader.” You’ve linked the text to the present day through one of Dickens’ ideas, which is exactly the kind of relevant context examiners reward.

Sources

Dickens, Charles. A Christmas Carol. Project Gutenberg eBook #46. https://www.gutenberg.org/ebooks/46

Stanley Wells and Gary Taylor (eds), 2005, The Oxford Shakespeare: The Complete Works (Second Edition), Oxford University Press

Priestley, J.B. (1992). An Inspector Calls. Heinemann.

Stevenson, Robert Louis. (2016). The Strange Case of Dr Jekyll and Mr Hyde. Scholastic.

AQA. GCSE English Literature (8702) Paper 1 Question Paper, November 2020. AQA.

AQA. GCSE English Literature (8702) Paper 1 and Paper 2 Mark Schemes, June 2025. AQA.

AQA. GCSE English Literature (8702) Paper 1 Reports on the Examination, June 2023, June 2024 and June 2025. AQA.

AQA. GCSE English Literature (8702) Paper 2 Reports on the Examination, June 2022 and June 2024. AQA.

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Lottie Bates

Author: Lottie Bates

Expertise: Curriculum Expert

Lottie has worked in education as a teacher of History and Classical subjects, supporting students across GCSE, IGCSE and A Level. This has given her a strong understanding of how to help students succeed in exams, particularly when structuring written answers and using specific evidence effectively. She believes that studying history helps students make sense of the modern world, and is passionate about making complex topics clear, accessible and relevant to exam success.

Nick Redgrove

Reviewer: Nick Redgrove

Expertise: Curriculum Expert

Nick is a graduate of the University of Cambridge and King’s College London. He started his career in journalism and publishing, working as an editor on a political magazine and a number of books, before training as an English teacher. After nearly 10 years working in London schools, where he held leadership positions in English departments and within a Sixth Form, he moved on to become an examiner and education consultant. With more than a decade of experience as a tutor, Nick specialises in English, but has also taught Politics, Classical Civilisation and Religious Studies.