Understanding Paper 1: Guided Literary Analysis (DP IB English A: Literature: HL): Revision Note

Nick Redgrove

Written by: Nick Redgrove

Reviewed by: Deb Orrock

Updated on

This section is designed to help you understand the structure and expectations of the unseen textual analysis questions on Paper 1 of your IB Diploma English A: Literature (HL) course. It consists of:

  • How Paper 1 is assessed

  • Core skills assessed in Paper 1

  • Tips for success in Paper 1

How Paper 1 is assessed

Paper 1 is the first of the two timed examinations taken at the end of your IB Diploma English A: Literature (HL) course. It is externally assessed and completed under exam conditions. 

Overview:

  • Paper 1 is completed at the end of the second year of your Diploma course

  • It is worth 35% of the overall grade for Higher Level (HL) students

  • You have 2 hours and 15 minutes to complete the exam

  • Unlike Paper 2, which involves writing about literary texts studied in your course, Paper 1 requires you to write about texts you have not studied before

  • The exam includes two unseen literary texts:

    • You must write a separate analysis for each unseen passage

    • The passages vary in length according to genre and form

  • They may be complete texts or extracts from longer works

  • The exam paper will include a guiding question for each passage:

    • While you do not have to answer the guiding question, it is a very good idea to use it to shape your analysis

    • The guiding question typically directs attention towards either a specific authorial choice, literary feature or an aspect of meaning/effect created in the text

  • The two responses are marked separately, each out of 20 marks:

    • Therefore there are a total of 40 marks available for Paper 1

The analysis of Paper 1 passages needs to focus on how and why a writer does something; you need to identify the meanings and effects created in the text and analyse how the writer achieves them through authorial choices. The text can come from a range of literary forms, for example:

  • Poetry

  • Drama

  • Prose fiction

  • Prose non-fiction 

You are expected to include detailed references from the passages under analysis to support your claims. You should support your analysis with frequent and precise textual references, including direct quotations where appropriate.

Core skills assessed in Paper 1

How you are assessed

When preparing for Paper 1, you will build many of the same skills you developed throughout the course for your other assessments, including Paper 2 and the Individual Oral. These include:

  • Reading carefully and critically

  • Understanding texts in depth

  • Making inferences and drawing clear conclusions

  • Using subject-specific literary terminology accurately

  • Organising and structuring ideas effectively in an essay

However, Paper 1 involves writing analytical essays on literary texts, so you will also need to identify key features of the texts to make your analysis specific and relevant. These include:

There are four assessment criteria:

Paper 1 assessment criteria: DP IB English A: Language and Literature (HL)
Paper 1 assessment criteria

Time management 

Effective time management is essential in Paper 1. You have 2 hours and 15 minutes to write two complete analytical essays, so you need to use your time wisely.

Here is a guide to planning your time in the exam. The timings here are for one of the unseen passages; repeat these timings for the second passage:

10 mins

Read the text and annotate

  • Read the guiding question

  • Read the passage carefully

  • Note down key details:

    • Literary form, themes, speaker/narrator, situation and setting 

  • Annotate carefully and comprehensively:

    • Identify literary and stylistic features

    • Move methodically through the passage

    • Label as you go using subject-specific literary terminology

5 mins

Planning your essay

  • Decide on your main thesis in response to the guiding question

  • Identify three “prongs” to your thesis:

    • These may be organised around themes, structural developments, imagery patterns, characterisation or other significant authorial choices 

  • List the literary features that support each of the three prongs

  • Highlight quotations/evidence from the passage that support your claims

  • Plan your essay:

    • Write your thesis and three topic sentences

    • Group the literary features and evidence under each topic sentence

45–55 mins

Writing your essay

  • Write a focused introduction that identifies the key details of the passage and closes with a thesis statement

  • Write clear analytical paragraphs that stem from the thesis

  • Analyse authorial choices and include evidence from the passage consistently

  • Link each paragraph clearly back to the thesis

  • End with a short, clear conclusion

5 mins

Checking your essay

  • Correct spelling, grammar and vocabulary 

  • Make sure your tone is formal and academic

  • Check that you have analysed rather than described throughout

  • Ensure your argument is clear and consistent

Tips for success in Paper 1

Examiner Tips and Tricks

You cannot predict what texts will appear in Paper 1. As a result, you should build analytical skills that apply across a range of literary forms and genres (e.g., poetry, prose fiction and drama).

Analysing the specifics of the texts in Paper 1 is essential to scoring highly. Generic, vague claims that apply to any literary text will not score well. This table outlines key factors to consider when analysing the unseen texts.

Analyse, not describe

Subject-specific terminology

Specific interpretation

Specific effects on the reader

The focus of Paper 1 is analysis. It is not enough to list or describe features in a passage. You must link literary features to an effect on the reader and, ideally, link this effect to the intended purpose.

Criterion D assesses your use of appropriate and effective language. One key way to do this well is to use subject-specific literary terminology, including technical names for literary features (e.g., imagery, juxtaposition, enjambment, symbolism) and verbs of literary analysis (e.g., suggests, highlights, emphasises, hints).

You will write a more convincing thesis statement and analysis if you identify a specific interpretation. Avoid generic claims, such as “The writer wants to get the reader’s attention”. Strive for more nuanced claims that unpack the deeper meanings of the passage. 

You will write more convincing analytical claims if you focus closely on the effects created for the reader. Avoid broad or vague statements that could apply to almost any literary text.

Examiner Tips and Tricks

When under time pressure in the exam, it can be easy to fall into the habit of just making simple statements about your unseen passages. However, it is essential that you analyse them. Otherwise you won’t be awarded high marks.

For example, a simple statement would be, “The repetition of darkness creates a gloomy atmosphere”. An analytical statement on the same literary feature would be, “The repetition of darkness creates a claustrophobic atmosphere that reflects the protagonist’s isolation. In this way, the writer uses the setting symbolically to reinforce the character’s conflicting emotions.”

High-scoring responses do not simply identify literary features; they explain how those features work together to create meaning.

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Nick Redgrove

Author: Nick Redgrove

Expertise: Curriculum Expert

Nick is a graduate of the University of Cambridge and King’s College London. He started his career in journalism and publishing, working as an editor on a political magazine and a number of books, before training as an English teacher. After nearly 10 years working in London schools, where he held leadership positions in English departments and within a Sixth Form, he moved on to become an examiner and education consultant. With more than a decade of experience as a tutor, Nick specialises in English, but has also taught Politics, Classical Civilisation and Religious Studies.

Deb Orrock

Reviewer: Deb Orrock

Expertise: Development Editor

Deb is a graduate of Lancaster University and The University of Wolverhampton. After some time travelling and a successful career in the travel industry, she re-trained in education, specialising in literacy. She has over 16 years’ experience of working in education, teaching English Literature, English Language, Functional Skills English, ESOL and on Access to HE courses. She has also held curriculum and quality manager roles, and worked with organisations on embedding literacy and numeracy into vocational curriculums. She most recently managed a post-16 English curriculum as well as writing educational content and resources.