Analysing & Evaluating Authorial Choices & Literary Features (DP IB English A: Literature: HL): Revision Note

Nick Redgrove

Written by: Nick Redgrove

Reviewed by: Deb Orrock

Updated on

This section is designed to help you strengthen one of the most important skills required for Paper 1: analysing and evaluating authorial choices and textual features. To score well in Criterion B, examiners expect you to explore how writers create meaning through their use of language, structure, form, style and literary techniques.

This section includes:

  • What are authorial choices and literary features?

  • Literary features and meaning 

  • Using subject-specific terminology effectively

What are authorial choices and literary features?

Understanding authorial choices is essential when preparing for Paper 1. Authorial choices refer to the deliberate decisions a writer makes in order to shape meaning. In Paper 1, you are expected to analyse and evaluate how successfully these choices construct meaning in the text. 

Authorial choices include:

Structure and form

Language

  • Diction

  • Colloquilaisms

  • Register

  • Tone

  • Syntax

  • Dialogue

  • Narrative voice

Figurative language

Narrative and characterisation 

You are required to analyse and evaluate how these choices:

  • Develop themes and ideas

  • Shape the meaning in the text

  • Convey emotion or atmosphere

  • Construct characters and relationships

  • Contribute to the overall meaning of the text

Literary features and meaning

It is not enough to simply identify and name the literary features in a text. The strongest Paper 1 responses analyse and evaluate the effect of these features by examining how and why they have impact. 

Criterion B in the mark scheme specifically rewards students who explore the significance of authorial choices and explain how these choices shape meaning.

Let’s explore some key authorial methods and how they can be used effectively in your essay.

Imagery

Imagery uses sensory description to create experiences for the reader and deepen engagement with the text. 

Remember, imagery can appeal to all senses, not just visual:

  • Aural imagery presents sounds

  • Visual imagery presents sights

  • Olfactory imagery presents smells

  • Tactile imagery presents sensations and textures

Here is an example of how you might comment on imagery:

‘Do Not Go Gentle into That Good Night’ – Dylan Thomas

Thomas uses imagery of light and darkness to transform death into a struggle between life and death. Throughout the poem, light becomes symbolic of life and resistance, while darkness represents approaching death. The repeated references to “burn” and “rage” suggest fierce energy and defiance. Rather than presenting death as peaceful or inevitable, Thomas uses this imagery to celebrate the human instinct to resist surrender and preserve dignity in the face of mortality.

Symbolism

Symbols allow writers to communicate complex ideas indirectly. A symbol often acquires meaning through repetition and context.

Here is an example of how you might comment on symbolism:

Drama: A Streetcar Named Desire – Tennessee Williams

Williams uses light as a symbol throughout the play. Blanche avoids bright light and covers lamps with paper lanterns which reflects her desire to conceal both her ageing appearance and her painful past. Light therefore becomes associated with truth and exposure, while darkness and shadows suggest illusion and self-deception. Through this recurring symbolism, Williams develops one of the play’s central conflicts: the tension between reality and illusion.

Narrative voice and perspective

Narrative perspective shapes what readers know and how they interpret events. Consider:

  • First-person narration

  • Third-person narration

  • Reliability

  • Internal thoughts

  • Narrative distance

Here is an example of how you might comment on narrative voice and perspective:

Prose Fiction: The Handmaid’s Tale – Margaret Atwood

Atwood’s first-person narration allows readers to experience Gilead through Offred’s limited perspective. As Offred frequently questions her own memories and interpretations, readers must actively construct meaning alongside her. This narrative uncertainty reflects the instability of life under oppression and highlights how authoritarian regimes can manipulate truth and memory.

Structure

Writers use structure to shape the reader’s experience of a text. Structural choices include:

  • Repetition

  • Contrast

  • Narrative shifts

  • Cyclical patterns

  • Fragmentation

  • Endings

Here is an example of how you might comment on structure:

Non-Fiction Prose: Notes of a Native Son – James Baldwin

Baldwin structures the essay around both personal experiences and broader social observations. By moving between reflections on his father’s death and discussions of racial tensions in America, Baldwin demonstrates how private grief and societal injustice are interconnected. The structure encourages readers to see personal experiences as inseparable from historical realities.

Examiner Tips and Tricks

Your analysis of literary features will be stronger and more convincing if it is linked to the text’s themes, characters, structure and meanings. For example, commenting on Blanche’s avoidance of light in A Streetcar Named Desire is only insightful if you connect it to Williams’ exploration of illusion and reality. Simply identifying symbolism is not enough; you must explain what it reveals and why it matters. Examiners reward analysis that moves beyond identifying techniques to exploring how they shape meaning.

Using subject-specific terminology to analyse authorial choices and textual features

Literary terminology helps you communicate your analysis accurately and precisely. This will help you ensure you are not missing key features and it will help you do well in criterion D: Language. By using terminology, you will strengthen your analytical writing and develop more sophisticated interpretations of the texts. 

Here are some textual features which you should become familiar with:

Symbolism: how objects, settings, characters, or actions represent larger ideas and develop themes

Imagery: how words create images that invite the reader into an experience or setting

Patterns of denotation and connotation: how particular words impact interpretation 

Repetition: how repeated words, phrases, sounds, or ideas create emphasis and reinforce meaning 

Syntax: how sentence structure, length and complexity reflect emotions, ideas or character perspectives

Narrative voice and perspective: how the speaker’s or narrator's viewpoint shapes the reader’s understanding of events and themes

Patterns of punctuation: how punctuation affects the meaning of the words around them

Tone: how the writer’s attitude towards a subject, character, or idea influences interpretation

Allusion: how references to historical, literary, religious or cultural sources deepen meaning

Motifs: how recurring images, symbols or ideas develop themes throughout the text

Irony: how discrepancies between appearance and reality create deeper layers of meaning

Juxtaposition: how opposing ideas, characters, settings, or images encourage readers to reflect on differences and tensions 

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Nick Redgrove

Author: Nick Redgrove

Expertise: Curriculum Expert

Nick is a graduate of the University of Cambridge and King’s College London. He started his career in journalism and publishing, working as an editor on a political magazine and a number of books, before training as an English teacher. After nearly 10 years working in London schools, where he held leadership positions in English departments and within a Sixth Form, he moved on to become an examiner and education consultant. With more than a decade of experience as a tutor, Nick specialises in English, but has also taught Politics, Classical Civilisation and Religious Studies.

Deb Orrock

Reviewer: Deb Orrock

Expertise: Development Editor

Deb is a graduate of Lancaster University and The University of Wolverhampton. After some time travelling and a successful career in the travel industry, she re-trained in education, specialising in literacy. She has over 16 years’ experience of working in education, teaching English Literature, English Language, Functional Skills English, ESOL and on Access to HE courses. She has also held curriculum and quality manager roles, and worked with organisations on embedding literacy and numeracy into vocational curriculums. She most recently managed a post-16 English curriculum as well as writing educational content and resources.