Demeter (DP IB English A: Language and Literature: HL): Revision Note
This study guide to Carol Ann Duffy’s poem ‘Demeter’ contains:
Overview
Authorial purpose
Authorial choices and textual features
Themes
Connections to other Duffy poems
Overview
The poem was first published in 1999 in the collection The World’s Wife
The collection consists of poems from the perspectives of women connected to, or reimagined from, famous men in myth, history, literature, film and popular culture
Duffy offers a retelling of their experiences to challenge the dominant male perspective
‘Demeter’ gives voice to the goddess of harvest and fertility from Greek mythology:
In the original myth, Hades takes Demeter’s daughter, Persephone to the Underworld
In her grief, Demeter refuses to let anything grow: a long winter ensues
An agreement allows Persephone to return for part of the year: Spring returns with her as Demeter is happy to have her daughter home
In Duffy’s poem, Demeter is the speaker:
She details a mother’s love
Authorial purpose
Duffy’s aim with the collection is to challenge dominant male perspectives and narratives
She offers multiple and complex versions of womanhood
‘Demeter’ explores motherhood:
The poem connects a mother’s love to nature
The relationship between mother and daughter is elevated to art
Authorial choices and textual features
Form
‘Demeter’ is a 14-line poem, mimicking a sonnet in some ways:
However, it has four three-line stanzas and a rhyming couplet
The poem breaks with the traditional rhyme scheme of a sonnet:
In parts, it is free verse and does not follow a regular meter
The break with tradition, but keeping elements of it, makes it seem like a mother’s love is akin to art
Frequent use of caesura and enjambment makes the poem flow like a conversation or stream of memory
Structure
The title alludes to the goddess of fertility and harvests in Greek mythology
The poem does not retell the myth:
Rather, it focuses on the mother’s perspective
The speaker is Demeter:
As with other poems in the collection, the female voice and perspective is dominant
Language
The seasons of winter and spring are juxtaposed
The seasons become an extended metaphor for the mother’s grief and joy
The speaker uses imagery (opens in a new tab) (opens in a new tab)and metaphors to describe her emotions:
Many of these are linked to nature
A mother’s love is compared to the power of nature to restore, regenerate, grow and nourish
Alliteration, consonance and assonance emphasise the contrasting emotions in the two halves of the poem:
The grief/winter section has harsher sounds
The joy/spring section has softer sounds
Themes
The power of maternal love
Duffy often explores love as a source of suffering in her poetry. Here, although the mother suffers when missing her daughter, the joy at her return is powerful. The poem finishes on a positive, joyous note of reunion and balance. Duffy has written about her own mother in her poetry (e.g., see Before You Were Mine and The Way My Mother Speaks). She celebrates the power of a mother’s love and elevates it to art.
Theme | Quotation | Analysis and interpretation |
Power of maternal love | ‘Where I lived – winter and hard earth.’ |
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‘I sat in my cold stone room/ choosing tough words, granite, flint,// to break the ice.’ |
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‘but I saw her at last, walking,/ my daughter, my girl,’ |
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‘bringing all spring’s flowers to her mother’s house. I swear/ the air softened and warmed as she moved.’ |
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‘the blue sky smiling, none too soon,/ with the small shy mouth of a new moon.’ |
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Connections to other Duffy poems
When studying Duffy’s poetry, it is important to make connections across her work, as many poems explore similar ideas through different speakers and situations.
Representation
Duffy seeks to represent the plurality of the female experience in her work. She is concerned with giving voice to those who may not traditionally have been heard. Duffy frequently aims to represent the truth of the female experience. In this poem, she strives to represent the power of a mother’s love. The poem celebrates and elevates maternal love to the level of high art. It links it to the natural and eternal cycles of nature and reminds us that it is life-giving and regenerative.
‘Anne Hathaway’ | ‘Warming her Pearls’ | ‘Standing Female Nude’ |
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Sources:
‘Demeter’ by Carol Ann Duffy https://www.poetryinternational.com/en/poets-poems/poems/poem/103-23656_Demeter (opens in a new tab)
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