Structuring the Individual Oral (DP IB English A: Language and Literature: HL): Revision Note

Nick Redgrove

Written by: Nick Redgrove

Reviewed by: Deb Orrock

Updated on

This section is designed to help you understand how to structure your Individual Oral as part of your IB Diploma English A: Language and Literature (HL) course. It consists of:

  • Structuring the Individual Oral: an overview

  • Introduction

  • Main body text: analysing your extracts

  • Conclusion

Structuring the Individual Oral: an overview

There are many ways to organise and structure your Individual Oral. It is helpful to structure your presentation in a similar way to an essay.

Structuring your IO: DP IB English A: Language and Literature (HL)
Structuring your IO

As you need to discuss two texts during your presentation, you have different ways that you can approach this. You may choose to:

  • Analyse each text separately

  • Compare and/or contrast the texts

Here are some possible approaches:

Approach 1

Approach 2

  • Discuss how the global issue appears in your first extract

  • Connect it to the wider work or body of work it comes from

  • Repeat this structure with the second extract and its corresponding work

  • Analyse how the global issue is presented in both extracts

  • Discuss how the global issue appears more broadly across the works or bodies of work from which the extracts are taken 

Whichever structure you choose for your Individual Oral, make sure that you:

  • Spend an equal amount of time discussing each text or work

  • Balance your analysis by spending time exploring how the global issue is presented in each extract and how it appears more broadly across the whole work or body of work

Examiner Tips and Tricks

Remember, comparison is not a required part of your Individual Oral. You will not lose marks if you choose not to compare your texts and you will not gain extra marks simply for including a comparison.

A key part of the Individual Oral is showing the connection between the extract and the work or body of work as a whole that it comes from. This connection is important as it is assessed in Criteria A and B so it should be clearly explored in your presentation. 

Literary extract

Non-literary extract

  • Explain how it connects to the wider ideas, themes or techniques in the whole work or body of work

  • Showing this relationship helps demonstrate a deeper understanding of the text and how the global issue is developed throughout it

  • Make a clear connection between the extract and the wider body of work

  • Relate your extract to the other works by the same creator and how the global issue is developed throughout it

Examiner Tips and Tricks

A key requirement of the assessment criteria is that you must make a clear connection between the extract and the larger work or body of work. If you cannot clearly establish a connection, you should choose a different text for your Individual Oral. 

Zoom in and zoom out approach: DP IB English A: Language and Literature (HL)
Zoom in and zoom out approach

Here is one possible way to structure your presentation.

Section

Approx. timing

What to include

Introduction

1 minute

  • State titles, author and publication years of both texts

  • Give a brief 1–2 sentence summary of each text

  • Introduce the Global Issue

  • Present your main argument/thesis

Extract analysis: Text 1

2 minutes

  • Analyse specific authorial choices

  • Use precise references

  • Explain how these choices convey the Global Issue

Whole text discussion: Text 1

2 minutes

  • Refer to 2–3 additional aspects from elsewhere in the text

  • Show how the Global Issue is developed across the work as a whole

  • Highlight key authorial choices that reinforce the Global issue

Extract analysis: Text 2

2 minutes

  • Analyse specific authorial choices

  • Use precise references

  • Explain how these choices convey the Global Issue

Whole text discussion: Text 2

2 minutes

  • Refer to 2–3 additional aspects from elsewhere in the text

  • Show how the Global Issue is developed across the work as a whole

  • Highlight key authorial choices that reinforce the Global issue

Conclusion

1 minute

  • Restate the Global Issue

  • Give a synthesis of your key insights

Introduction

You should begin your analysis of each extract with a brief introduction that identifies your chosen global issue and explains how it is relevant to the extract. You may decide to introduce the global issue first and then link it to the extract or you may decide to begin with the extract and then highlight the global issue it connects to.

While your introduction should demonstrate your knowledge of both texts, the majority of your presentation should focus on your analysis.

Example of an IO introduction: DP IB English A: Language and Literature (HL)
Example of an IO introduction

Main body text: analysing your extracts

The main section of your Individual Oral is where you should develop a detailed analysis of each extract in relation to your chosen global issue. 

Examiner Tips and Tricks

Avoid focusing  too heavily on historical, biographical or cultural contexts if it does not link directly to how the global issue is presented in your texts. Although context can be useful, your analysis should primarily focus on the content and form of the extracts and how they convey the global issue. Always ensure that any contextual references support your analysis.

During this part of the oral, you should demonstrate a clear understanding of how the creator’s choices convey the global issue (Criterion B). As you will have the extracts in front of you, you should refer to them directly by highlighting key ideas and specific authorial choices. These references should be used to support your interpretations. 

Eighteen-year-old mother from Oklahoma, now a California migrant:  Dorothea Lange copyright
Eighteen-year-old mother from Oklahoma, now a California migrant: Dorothea Lange copyright

Example

This photo titled ‘Eighteen-year-old mother from Oklahoma, now a California migrant’ introduces us to a young mother, which immediately establishes a tone of hardship and vulnerability. Through the mother’s facial expression, the signs of exhaustion and concern are evident. The deliberate close framing of the image draws our focus solely to her face which isolates her from the broader context of the photograph. Lange intentionally does this to highlight the woman’s emotional state. Further, the simplicity of her clothing conveys the absence of material wealth which reinforces her identity as a migrant affected by the economic crisis. The presence of the young child also conveys the vulnerability depicted in this scene. Sitting on the ground, the child appears physically vulnerable, which illustrates the harsh conditions they are living in. The child’s dirty face, gazing at the photographer, demonstrates the reality of poverty, where neglect is not out of choice but a consequence of circumstances. In contrast, the mother’s downward gaze towards the child suggests concern and protectiveness, despite their hardship. Here Lange conveys how economic hardship disproportionately affects vulnerable families, particularly children. 

Examiner Tips and Tricks

Do not be tempted simply to summarise or describe the extracts. Focus on how the text is constructed and how the creator’s choices reinforce the global issue. A key aspect of Criterion B is your ability to analyse and evaluate the author’s craft. This means examining the technical and stylistic features of the text and explaining how these choices shape meaning.

Conclusion

The conclusion is your opportunity to synthesise your analysis rather than simply repeat what you have already said. You should draw together your key ideas and show how they support your global issue. 

A strong conclusion should:

  • Reinforce your global issue and its relevance

  • Summarise your key points

  • Offer a final insight into the writers’/creators’ purpose or message 

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Nick Redgrove

Author: Nick Redgrove

Expertise: English Content Creator

Nick is a graduate of the University of Cambridge and King’s College London. He started his career in journalism and publishing, working as an editor on a political magazine and a number of books, before training as an English teacher. After nearly 10 years working in London schools, where he held leadership positions in English departments and within a Sixth Form, he moved on to become an examiner and education consultant. With more than a decade of experience as a tutor, Nick specialises in English, but has also taught Politics, Classical Civilisation and Religious Studies.

Deb Orrock

Reviewer: Deb Orrock

Expertise: English Content Creator

Deb is a graduate of Lancaster University and The University of Wolverhampton. After some time travelling and a successful career in the travel industry, she re-trained in education, specialising in literacy. She has over 16 years’ experience of working in education, teaching English Literature, English Language, Functional Skills English, ESOL and on Access to HE courses. She has also held curriculum and quality manager roles, and worked with organisations on embedding literacy and numeracy into vocational curriculums. She most recently managed a post-16 English curriculum as well as writing educational content and resources.