Individual Oral Model Answer (DP IB English A: Language and Literature: HL): Revision Note

Nick Redgrove

Written by: Nick Redgrove

Reviewed by: Deb Orrock

Updated on

The Individual Oral (IO) requires you to present a clear analysis of your chosen texts in a confident and logical presentation. This section consists of:

  • Overview

  • Marking criteria

  • Model answer

Overview

The IO is marked out of 40 marks and is assessed using four criteria. Each criterion focuses on a different aspect of your presentation.

Individual Oral  assessment criteria: DP IB English A: Language and Literature (HL)
Individual Oral assessment criteria

Understanding how these criteria work will help you structure and present your ideas essay clearly. It is important to know the meaning of each of the terms so that you are confident that you know what the differences are between “knowing”, “understanding”, “interpreting”, “analysing” and “evaluating”. Examiners consider all elements of the descriptors when determining your mark for each criterion.

Marking criteria

Criterion A: Knowledge and understanding of the text or extract

To do well in Criterion A you need to show a clear, accurate and detailed understanding of your extracts. 

Key questions: DP IB English A: Language and Literature (HL) Individual Oral
Key questions

To gain top marks you need to meet the following descriptor. The key words are highlighted in bold.

Marks

Descriptor

9–10

  • There is excellent knowledge and understanding of the extracts and of the work and body of work and a persuasive interpretation of their implications in relation to the global issue

  • References to the extracts and to the work and body of work are well-chosen and effectively support the candidate’s ideas

Here are some common mistakes to avoid based on IB examiner feedback for Criterion A:

Common mistakes to avoid

Focusing too much on the whole texts

  • Do not spend too long speaking about the whole texts:

    • Your main focus should always be the extracts

    • You must refer to the whole texts, though only to extend your extract analysis

Including irrelevant ideas

  • Avoid including general ideas about themes, critical theories or philosophical ideas:

    • If they are not relevant to your analysis, they will not be awarded any marks

Paraphrasing instead of analysing

  • Avoid explaining what the extracts and texts are about:

    • Instead, provide an analysis of each one 

Irrelevant context

  • Avoid including background information about the authors or time period:

    • Only include context if it directly supports your analysis

Using too many quotations

  • Do not include long sections from the texts as this will take up valuable time:

    • Use short, precise references 

Not covering enough of the extracts

  • Avoid focusing on just one small section:

    • Try to explore a range of ideas from across the extracts


Criterion B: Understanding of the use and effects of literary features

To do well in Criterion B, you need to show a clear understanding of how the creators use literary features and of their intended effects.

Key question:  DP IB English A: Language and Literature (HL) Individual Oral
Key question

To gain top marks you need to meet the following descriptor. The key words are highlighted in bold.

Marks

Descriptor

9–10

  • Analysis and evaluation of the extracts and their work and body of work are relevant and insightful

  • There is a thorough and nuanced understanding of how authorial choices are used to present the global issue

Here are some common mistakes to avoid based on IB examiner feedback for Criterion B:

Common mistakes to avoid

Identifying techniques without analysing them

  • Do not simply spot literary techniques:

    • You must analyse how a literary feature works and what the effect might be 

Using overly technical terminology

  • Avoid using highly complex terms which you do not understand:

    • Only use terminology if you understand it and can explain its effect 

Treating characters as real

  • Characters are constructed by the writer:

    • Focus on how the creators present them and why

Confusing themes with topics and motifs

  • Avoid confusing themes (big ideas) with topics (e.g. war) or motifs (recurring images or ideas)

Showing little understanding of genre

  • Different text types have different features:

    • Show awareness of what the form enables the creators to do (conventions) and any limitations

Criterion C: Understanding of the use and effects of literary features

To do well in Criterion C, you need to present your ideas in a clear and logical way.

Key questions: DP IB English A: Language and Literature (HL) Individual Oral
Key questions

To gain top marks you need to meet the following descriptor. The key words are highlighted in bold.

Marks

Descriptor

9–10

  • The oral maintains a clear and sustained focus on the task; treatment of the extracts and work and body of work is well-balanced

  • The development of ideas is logical and convincing; ideas are connected in a cogent manner

Here are some common mistakes to avoid based on IB examiner feedback for Criterion C:

Common mistakes to avoid

Weak or unclear introductions

  • Avoid introductions that do not include a clear argument (thesis):

    • Your introduction should state the main focus of your presentation 

    • It should also be concise

Not clearly situating the extract

  • Always explain where the extracts come from within the whole texts

Lack of clear structure 

  • Avoid listing points with no clear coherent link:

    • Organise your ideas into linked paragraphs with clear topic sentences

    • Use transitions and linking phrases to guide your teacher

Poor time management

  • Avoid finishing too early or running out of time:

    • Plan your time so you can fully develop your ideas 

Weak or missing conclusions

  • Do not end your presentation abruptly:

    • Use your conclusion to summarise your argument 

Criterion D: Language

To do well in Criterion D, you need to use accurate and appropriate language.

Key question: DP IB English A: Language and Literature (HL) Individual Oral
Key question

To gain top marks you need to meet the following descriptor. The key words are highlighted in bold.

Marks

Descriptor

9–10

  • The language is clear, accurate and varied; occasional errors do not hinder communication. Vocabulary and syntax are varied and create effects. Elements of style (for example, register, tone and rhetorical devices) are appropriate to the task and enhance the oral. 

Here are some common mistakes to avoid based on IB examiner feedback for Criterion D:

Common mistakes to avoid

Unclear delivery

  • Avoid mumbling, hesitating or using fillers (e.g. “um”, “like”):

    • Aim to speak fluently and confidently

Limited or repetitive vocabulary

  • Avoid using the same words or phrases:

    • Try to use a range of vocabulary to convey your ideas

Using slang and colloquialisms

  • Avoid using informal language:

    • Your language should be formal and academic in tone

Model answer

Here is an example of part of a successful presentation using an image from the photography of Dorothea Lange and an extract from Margaret Atwood’s The Handmaid’s Tale. (Note: it is not the full presentation).

Global issue: The representation and control of female identity under systems of power.

This extract from The Handmaid’s Tale, written by Margaret Atwood, explores how women’s identities are controlled and reconstructed within a totalitarian patriarchal society. In this extract, Offred reflects on her restricted existence under the regime of Gilead, where her individuality has been systematically removed. This relates to the global issue of how systems of power can define and limit female identity through ideology and language. Atwood uses a first-person narrative to convey Offred’s fragmented identity and her internal monologue reveals the contrast between memory and reality. The controlled and restricted tone of her narration illustrates the suppression of female autonomy, as Offred is unable to express herself within the society where she lives. This conveys an identity which is imposed externally by systems of power and authority. 

Similarly, ‘Migrant Mother’ by Dorothea Lange conveys the impact of economic and social systems on female identity, this time during the Great Depression. The photograph depicts Florence Owens Thompson and her children during severe hardship, which illustrates the global issue of how women’s identities are shaped by external conditions such as poverty. Lange’s use of central framing positions the mother as the focal point of the image and this immediately draws the viewer’s attention in. Her children are leaning into her body, partially obscuring their faces, which alludes to the idea of a mother as protector. This compositional choice signifies hardship and isolation.

Examiner comments:

  • Global issue is sustained throughout

  • Insightful analysis of authorial choices

  • Persuasive interpretation 

  • Clear and logical structure

  • Varied and accurate academic language

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Nick Redgrove

Author: Nick Redgrove

Expertise: English Content Creator

Nick is a graduate of the University of Cambridge and King’s College London. He started his career in journalism and publishing, working as an editor on a political magazine and a number of books, before training as an English teacher. After nearly 10 years working in London schools, where he held leadership positions in English departments and within a Sixth Form, he moved on to become an examiner and education consultant. With more than a decade of experience as a tutor, Nick specialises in English, but has also taught Politics, Classical Civilisation and Religious Studies.

Deb Orrock

Reviewer: Deb Orrock

Expertise: English Content Creator

Deb is a graduate of Lancaster University and The University of Wolverhampton. After some time travelling and a successful career in the travel industry, she re-trained in education, specialising in literacy. She has over 16 years’ experience of working in education, teaching English Literature, English Language, Functional Skills English, ESOL and on Access to HE courses. She has also held curriculum and quality manager roles, and worked with organisations on embedding literacy and numeracy into vocational curriculums. She most recently managed a post-16 English curriculum as well as writing educational content and resources.