Warming her Pearls (DP IB English A: Language and Literature: HL): Revision Note

Jenny Brown

Written by: Jenny Brown

Reviewed by: Nick Redgrove

Updated on

This study guide to Carol Ann Duffy’s poem ‘Warming her Pearls’ contains:

  • Overview

  • Authorial purpose

  • Authorial choices and textual features

  • Themes

  • Connections to other Duffy poems

Overview

  • The poem was first published in 1985

  • It is set in the Victorian era:

    • This was a period of great class inequality and strict social norms

    • Same-gender relationships were taboo and illegal

  • The poem details a lady’s maid’s secret love for her mistress

  • The poem is dedicated to Judith Radstone:

    • She told Duffy about the Victorian trend of upper-class women asking their maids to wear their pearls

    • The heat and oils from human skin enhance the pearls’ lustre

Authorial purpose

  • Duffy gives a voice to people often unheard or marginalised in society:

    • Here, the speaker is a young, working-class girl

  • Duffy writes frequently about love, often without specifying gender:

    • While the speaker’s gender is not explicitly stated here, it is logical to read her as female in the context

    • Thus, the poem details queer love and the necessity to keep it secret

Authorial choices and textual features

Form and Structure

  • ‘Warming her Pearls’ is a free verse poem

  • It has six, four-line stanzas:

    • In shape, it appears like a traditional ballad

    • But the use of caesura, enjambment and irregular rhyme breaks from the tradition

  • The poem is a dramatic monologue to an unnamed listener

  • Together, these formal elements reflect the speaker’s calm facade, beneath which are her secret and tumultuous desires

Language

  • The pearls are a motif in the poem:

  • The speaker and the object of her affections are juxtaposed:

    • This emphasises the class difference

    • It also emphasises the speaker’s desire in contrast to her mistress’s ignorance

  • Sensory imagery (opens in a new tab)and similes give a sense of the opulent setting and the physical beauty of the mistress

  • Asyndeton (opens in a new tab)makes the speaker’s thoughts and emotions feel intimate and unfiltered

  • Duffy uses alliteration, sibilance (opens in a new tab)and assonance to create a lyrical, hushed feel to the poem:

    • This is reflective of the theme of forbidden love

Examiner Tips and Tricks

To access the top bands, it is important to integrate analysis of language, structure, and symbolism, showing how Duffy constructs a relationship that is defined by both longing and inequality. 

Themes

Love knows no boundaries

Duffy explores a harsh version of love in her poetry. Love is often a cause of suffering rather than comfort. Here, the speaker’s love is secret and taboo. The boundaries of class and gender make it forbidden, but the speaker feels it nonetheless. Duffy sets the poem in Victorian Britain, when social norms made intimacy across classes and between the same gender taboo and illegal. However, writing in the 1980s as a queer woman, Duffy reminds us that these taboos are not wholly eradicated. She elevates the taboo love to art and gives voice to a hidden desire.

Theme 

Quotation

Analysis and interpretation

Love knows no boundaries

‘Next to my own skin, her pearls.’

  • The tautological ‘my own skin’ emphasises the closeness and importance of the pears to the speaker

  • The physicality of both the speaker and her mistress is referenced in imagery around their skin and body temperatures

  • Duffy uses sensual imagery to represent queer desire

‘At six, I place them/ round her cool, white throat. ’

  • Imagery to describe the mistress emphasises her class, beauty and aloofness

  • The speaker focuses on specific parts  of her mistress’s body:

    • This is typical in a ballad

‘She fans herself/ whilst I work willingly, my slow heat entering/ each pearl.’

  • The juxtaposition of the idle mistress and the hard-working speaker emphasises the class difference

  • The personification and metaphor of the speaker’s desire as ‘heat entering’ gives it subtle power

‘Slack on my neck, her rope.’

  • This metaphor suggests the speaker is controlled by the mistress:

    • Whether through the employer-employee dynamic or through her overwhelming desire is not clear

‘I dream about her/ in my attic bed; picture her dancing/ with tall men, puzzled by my faint, persistent scent/ beneath her French perfume, her milky stones.’

  • The details of setting hint at the class dynamics

    • The speaker in her attic bed is juxtaposed with the mistress dancing, dressing in gowns and riding in carriages

  • The paradoxical ‘faint, persistent scent’ captures the speaker’s situation:

    • She has no real power in the relationship

    • Her desire is taboo and must be kept secret

    • But it is undeniable and unquenchable

‘I dust her shoulders with a rabbit's foot,/ watch the soft blush seep through her skin/ like an indolent sigh. In her looking-glass/ my red lips part as though I want to speak.’

  • The imagery here is sensual and typical of Victorian writing norms that allude to sensuality rather than describe it specifically:

    • A blush is thought to be a euphemism for female pleasure in writing, such as Jane Austen’s novels

    • The speaker’s ‘red lips’ connote passion

‘And I lie here awake,/ knowing the pearls are cooling even now/…All night/ I feel their absence and I burn.’

  • The motif of the pearls comes to represent the speaker’s desire:

    • It keeps her awake at night

    • But her burning is juxtaposed with the cooling pearls

    • This suggests the mistress in unaware of the desire or forbids it

  • Duffy represents secret queer love with pathos and beauty

Connections to other Duffy poems

When studying Duffy’s poetry, it is important to make connections across her work, as many poems explore similar ideas through different speakers and situations.

Examiner Tips and Tricks

To reach higher bands, you should closely analyse Duffy’s sensory imagery and dramatic monologue form, showing how these choices reveal the speaker’s suppressed emotions and the constraints of her social position.

Representation

Duffy seeks to represent the plurality of the female experience in her work. She is concerned with giving voice to those who may not traditionally have been heard. Duffy frequently aims to represent the truth of the female experience. In giving a working-class, queer girl a voice in a near-ballad, Duffy reminds us of the depth of emotion and intellect that we all have, regardless of status. She represents women in her art to elevate them in ways that challenge the traditional norms of patriarchal society.  

‘Standing Female Nude’

‘Anne Hathaway’

‘Demeter’

  • In giving a working-class girl a voice in this poem, Duffy reminds us of the depth of emotion and intellect that we all have, regardless of status

  • She represents women in her art to elevate them in ways that challenge the traditional norms of patriarchal society

  • In this poem, she strives to represent the power of love between equals

  • The poem celebrates female sensuality. It is a representation of the power and beauty of this

  • In this poem, she strives to represent the power of a mother’s love

  • The poem celebrates and elevates maternal love to the level of high art

  • It links it to the natural and eternal cycles of nature

  • It reminds us that it is life-giving and regenerative

Sources:

‘Warming her Pearls’ by Carol Ann Duffy https://www.poetryfoundation.org/poems/56715/warming-her-pearls (opens in a new tab)

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Jenny Brown

Author: Jenny Brown

Expertise: Content Writer

Dr. Jenny is an expert English and ToK educator with a PhD from Trinity College Dublin and a Master’s in Education. With 20 years of experience—including 15 years in international secondary schools—she has served as an IB Examiner for both English A and ToK. A published author and professional editor, Jenny specializes in academic writing and curriculum design. She currently creates and reviews expert resources for Save My Exams, leveraging her expertise to help students worldwide master the IBDP curriculum.

Nick Redgrove

Reviewer: Nick Redgrove

Expertise: English Content Creator

Nick is a graduate of the University of Cambridge and King’s College London. He started his career in journalism and publishing, working as an editor on a political magazine and a number of books, before training as an English teacher. After nearly 10 years working in London schools, where he held leadership positions in English departments and within a Sixth Form, he moved on to become an examiner and education consultant. With more than a decade of experience as a tutor, Nick specialises in English, but has also taught Politics, Classical Civilisation and Religious Studies.